Historical and Critical Studies
Even in today's supposedly open-minded modern society, there is a palpable art school-esque snobbery creating a conscious divide between 'high art' and graphical illustration. Regardless of the many artists that strive to redefine boundaries that are merely a price tag away from common ancestry. Unacceptable is the disregard by those who are 'in the know' when they hold aloft two metric tonnes of polished grotesque above the increasingly popular and diverse graphic novel culture. Should we not afford all sides' equal footing, and leave the interpretations and aesthetic complexities to be in the eyes of the beholder? Of course, I refer, rather over colourfully; to the fence, that has fine art on one
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Even if this perceivably elevates comics to serious, grown up novel status, why does the review start "Watchmen is a graphic novel — a book-length comic book with ambitions above its station"
It was around this time that Kent Williams first contributed to comics in Marvel's Epic Illustrated. Another innovative title that was devoid of the usual restrictions applied to such material by the Comics Code Authority, so was free to display explicit content and mature themes. In a second departure from regularity, it also offered its contributors ownership rights and royalties instead of the industry-standard work for hire contract. This was to be William's first step into commercial work, a year after leaving art school and at the tender age of twenty-three. It was not until 1988 that he produced the artwork for a comic book that soon after would have its issues collected into a graphic novel, and be the first book listed in his official bibliography. Blood: A Tale, was to define Williams as an eminent storyteller, and galvanised his trademarked style of fully painted artwork. Not that Williams likes the word style of course. "Style (I hate the word really, used in the context of art) is not something one chooses and places upon oneself. Style, or one's artistic language is something that
Sherman Alexie the author of the essay "The Joy of Reading and Writing: Superman and Me" was born and raised on a Spokane Indian Reservation. Growing up, his family did not have a lot of money, yet today Alexie is known as one of the most prominent Native American writers. Alexie reminisces on his childhood when he first taught himself how to read. In the essay "The Joy of Reading and Writing: Superman and Me" Sherman Alexie suggests, that for Native Americans reading is the key to education and education is the key to prosperity in life.
When read with a critical eye, the world of superhero comics often offers a lens with which we can examine society, our values, the meaning of justice, and the role of the individual in regards to the greater community. If all of this information is garnered from critical reading, then the way in which the medium of comics constructs these meanings will reflect an embrace or a rejection of the common symbols and ideology of it’s source culture. In the case of Alan Moore and Dave Gibbon’s 1987 graphic novel, Watchmen, the second approach is used, as Moore’s writing draws upon the common cultural understanding of superheroes and exaggerates or tweaks them, exposing their underlying ideals. In this way, Watchmen functions not only as a
He says that in 1996 the top-ten best-selling comics are all very similar. He says, “The top ten best-selling comic in 1996, primarily issues making up two limited series, Marvel’s Civil Wars and DC’s Infinite Crisis, were all superhero books, and, like the majority of superhero books in the post-Dark Knight, post-Watchmen era, all of them dealt rather grimly, and in somewhat hand-wringing fashion that has become obligatory, with undoubtedly grown-up issues of violence, freedom, terrorism, vigilantism, political repression, mass hysteria, and ambivalent nature of heroism.” (916). He says back in 1996, there was top ten best-selling comic books. He says that out of these ten best-selling comic books two of them were limited series. He says that one of these comic books
In a world that has become immune to accepting all types of art, Marya Mannes believes we have lost our standards and ability to identify something as “good” or “bad”. In her essay, “How Do You Know It’s Good”, she discusses society’s tendency to accept everything out of fear of wrongly labelling something as being good or bad. She touches on various criteria to judge art, such as the artist’s purpose, skill and craftsmanship, originality, timelessness, as well as unity within a piece rather than chaos. She says that an individual must decide if something is good “on the basis of instinct, experience, and association” (Mannes). I believe that by using standards and the process of association, we will be able to judge what makes an art piece good in comparison to others. However, Mannes forces me to consider the difference between what may be appealing versus what is actually good, and when deciding which art we should accept, which is truly more important. I believe that “good” and “bad” are two ends of a large, subjective spectrum of grey area. It is possible for a piece of art to be good in some areas and bad in others, and if something does not live up to all of our standards, it does not necessarily mean it should be dismissed. Thus, I believe my personal standards for judging art are based on which my standards are largely based on the personal reaction evoked from a piece of art. Though I agree with Mannes’ standards to an extent, I believe that certain standards, such as evoking a personal response, can be more telling of if a piece of art is good as opposed to its timelessness, or the level of experience of an artist in his/her craft.
It is said that a picture is worth a thousand words, but maybe they are worth far more than that. Pictures, although seemingly simple in nature, are extremely complex. Far too often, people overlook what a picture truly is. When a person looks at an image, they most likely see only the image, nothing else. Many people do not look deep enough into an image to fully comprehend the true meaning of it. However, when an individual begins to truly study an image in an attempt to understand the true complexity of it, they will be surprised at what they overlooked before. As stated by French Realist Painter, Gustave Courbet, “Fine art is knowledge made visible.”
The graphic novel March: Book One by primary author John Lewis, secondary author Andrew Aydin, and illustrator Nate Powell is an astonishing graphic novel that delivers the firsthand accounts of the civil rights movement through the eyes of John Lewis. The graphic novel follows John Lewis, who is now a congressman from Georgia, from his childhood in rural Alabama to his standoff against Mayor Ben West of Nashville, which ultimately led to the desegregation of lunch counters in Nashville. The graphic novel is highlighted by John Lewis’s constant urgings of nonviolent demonstrations by protestors, which Lewis acquired from his devotion of Mahatma Gandhi, who Lewis mentioned used “the way of nonviolence to free an entire nation of people” (Lewis
It is unsettling to imagine what my life would be like if my father was not fortunate enough to receive the education and guidance that he had. Maybe my parents would not have left the crime-ridden streets of Johannesburg to seek safer lives. I probably would have followed in my grandfather’s footsteps and worked in the grim conditions of a South African gold mine. Perhaps I would become a discouraged alcoholic like my uncle, working as an underpaid, over-scheduled steel mill welder. It is not possible to know, but in most likelihood, I would not be in the fortunate position I am now. Education is a necessity to attain a prosperous life. A strong educational foundation must concentrate on the skills of reading and writing. Often a quality education is not accessible to lower socioeconomic class citizens, which results in those people remaining stagnant in their current class. In Sherman Alexie’s essay, “The Joy of Reading and Writing: Superman and Me”, it is clear that individuals of lower class designations must seek alternate methods to become literate to compensate for the limited opportunities they have due to stereotypes that obstruct access to effective education.
Kleiner, Fred S. Gardner's Art through the Ages: A Global History, Fourteenth Edition, Volume II.
Education is something that is often taken for granted in this day and age. Kids these days rebel against going to school all together. In the essays “The Joy of Reading and Writing: Superman and Me” by Sherman Alexie and “Learning to Read and Write” by Frederick Douglass, we learn of two young men eager for knowledge. Both men being minors and growing up in a time many years apart, felt like taking how to read and write into their own hands, and did so with passion. On the road to a education, both Alexie and Douglass discover that education is not only pleasurable, but also painful. Alexie and Douglass both grew up in different times, in different environments, and in different worlds. They both faced different struggles and had different achievements, but they were not all that different. Even though they grew up in different times they both had the same views on how important of education was. They both saw education as freedom and as a way of self-worth even though they achieved their education in different ways. They both had a strong mind and a strong of sense of self-motivation.
Watchmen is a revolutionary piece of literature. It is technically a comic book, some prefer to call it a graphic novel. There is a negative connotation that goes along with that. Graphic novels are frequently presumed too childish and fantastic to actually teach any insightful lessons or even make you ponder them at all. Watchmen is a graphic novel that transcends this undue criticism of comic books. It is, “One of the first instances ... of [a] new kind of comic book ... a first phase of development, the transition of the superhero from fantasy to literature." (Klock, pgs. 25-26)
Over the years, comic books have reflected what has been happening in the world around
Comics have also brought a light to heavy topics that are hard to talk about. In nineteen seventy one, DC Comics released a two-part comic called ‘Snowbirds Don’t Fly.’ It revealed that Green Arrow’s sidekick, Roy Harper, who used the identity of Speedy at the time, was a heroin addict and showed his struggle with addiction. Comics have dealt with death, rape, poverty, disabilities, loss, and many other controversial and heavy topics over the years. People reading
I used five different conventions in my Graphic Novel. I used different lengths panels to symbolize how long the time in the panel is and also to emphasize the moods in them. For example, when Ursula tells Sylvie how she feels about remembering events from her previous life. Also I used facial expressions in order to help the reader sympathize with the characters and to help further, show the emotions of the characters. Hand actions also helped with showing the expressions and it helps the ready to know in which tone the character is saying their line.
The artistic representation of the Batman myth is an important cultural artifact of our time because it represents modern society's thirst for heroic ideals in popular entertainment. Since his creation, readers and viewers have admired Batman's unique ability to battle villainy, transcend the law and administer justice. As cultivators of the noir genre in film as well as in literature, Americans have always identified with this enigmatic hero, who exists on the margins of society and yet represents one of the largest corporations in the world. The evolution of Batman in particular and the superhero genre in general (from comic book to television to film and back again) has seen in the latest adaptation from Christopher Nolan's Batman revamp a veritable tilting point for the character once known as the World's Greatest Detective. This paper will analyze why Batman is an important cultural artifact of our day, how he came into being, what he means for society, and how he will be treated in the future.
Now in these days everyone one likes to read comic books since they became part of our society. What makes them interesting is how entertaining they could get giving us different points of views on different stories of superheroes. Many of us believe that “Classic superheroes stories are wildly fun, suspenseful and exciting” (Tom and Matt Morris) forgetting the idea of what really makes a hero. Different perceptions of superheroes are considered based on their wrong actions and way of thinking. Frank’s Miller Batman: The Dark Knight Returns is one of the comic books that make us “rethink the conception of the superhero and press each of us to reconsider some of the fundamental moral principles