Heart Of Darkness Research Paper

In spite of that, Marlow has developed a bond with his associates that he only becomes cognizant of after the helmsman dies, when he realizes that he misses the man. Unable to wear shoes soaked in blood, and unable to bear the death of the man with every step, he disposes of his shoes. Present-narrator Marlow suggests that the blind shooting of the Europeans is like the barrage into the coastline earlier in the novel, an inappropriate reaction to largely protective actions by the indigenous people. The natives are attacking out of fear for their lives and land, but the pilgrims are shooting out of a fear of the unknown, a fear of the Africans’ percepted savagery, a fear of darkness. From when they began to plunge into the continent, the colonists still are afraid of the immense darkness that lies more inside them than out, as becomes more and more

1. As Marlow travels through Africa, he is literally traveling away from the light into the darker center of Africa while he is also metaphorically traveling into the darkness of savagery and evil. Marlow sees the “edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf” as he journeys through Africa (17). Soon Marlow “penetrated deeper and deeper into the heart of darkness” as he travels closer to the center of Africa on his journey to see Kurtz (53). The stereotypical version of Africa is devoid of civility and culture, so the Europeans believe that they can turn the darkness of Africa into the light of civilization.

Marlow tells his shipmates on the boat (the Nelly) that the natives passed him “within six inches, without a glance, with that complete, deathlike indifference of unhappy savages” (16). Marlow’s story of his experience exhibits how the Europeans captured the natives and forced them to work; to strip their homeland of its resources and natural beauty. When the Europeans colonize Africa, they do not want to help the African people, but exploit them and put them to work for their own desire of obtaining ivory, rubber, and other resources and goods. As the Europeans imperialize the area, they do not build culture or assist in the development of the Congo region, but break down culture as they enslave the natives and take away their rights, along with stripping the area of resources and natural, earthly beauty, which is conveyed through the cruel physical treatment towards the natives. This treatment is also presented through the literary devices that Conrad decides to use to reveal the experiences of the natives to the

1. The setting of the story begins on the Nellie, a ship. The turn of the tide is significant because it gives the men on board extra time to talk, and Marlow begins telling his story. In addition, symbolically, the turning of the tide conveys a change, and perhaps, foreshadowing of the story. The author spends a lot of time dealing with light because it is the main symbol in the novella. Light and darkness are universal symbols that represent good and evil. Although not explicitly stated, those who have the light are those who are “civilized”, and those who have the darkness are those who remain “uncivilized”, particularly the people living in Africa.

 Marlow's journey leads him in an urgent search for Kurtz, the one man who can provide him with the truth about himself. Like Marlow, Kurtz came to the Congo in hopes to bring "light" and civilization to a backwards society. He is a highly-educated, refined gentlemen; yet, in the end, the brutal nature of the Congo forces him to resort to the life of a murderer and pilferer. The name Kurtz itself has symbolic meaning. "The physical shortness in Kurtz implies a shortness of character and spirit" (Heart of Darkness: A systematic evaluation). Marlow and Kurtz both symbolize the two conditions of human nature. "Kurtz represents what man could become if left to his own intrinsic devices outside protective society. Marlow represents a pure untainted civilized soul who has not been drawn to savagery by a dark, alienated jungle." (Heart of Darkness: A systematic evaluation). When the two come face to face, each man sees a reflection of what he might have become in the other. In Kurtz, Marlow sees the potential

Joseph Conrad 's Heart of Darkness is both a dramatic tale of an arduous trek into the Belgian Congo at the turn of the twentieth century and a symbolic journey into the deepest recesses of human nature. On a literal level, through Marlow 's narration, Conrad provides a searing indictment of European colonial exploitation inflicted upon African natives. By employing several allegoric symbols this account depicts the futility of the European presence in Africa.

However, for Marlow as much as for Kurtz or for the Company, Africans in this book are mostly objects: Marlow refers to his helmsman as a piece of machinery, and Kurtz’s African mistress is at best

Heart of Darkness, by Joseph Conrad, is an intriguing and extremely disturbing portrayal of man"s surrender to his carnal nature when all external trappings of "civilization" are removed. This novel excellently portrays the shameful ways in which the Europeans exploited the Africans: physically, socially, economically, and spiritually.

The plot of the novella Heart of Darkness by Joseph Conrad centers around a seafarer named Marlow and his journey up the Congo River and his exploits there during a time of imperialism. Once Marlow joins the Company as a captain for a ship heading to the Congo to trade, he encounters instances of oppression of the African natives by members of the Company. This character narrates the majority of the novel and often takes on the role of a passive observer, although he sometimes gives his input on the situation. In recent years, the state of Marlow and even Conrad’s opinions on race have been questioned due to the thematic element of oppression of blacks by whites presented in this work. Though many believe Heart of Darkness by Joseph Conrad to be a novel with racist undertones and an offensive view of African imperialism, it illustrates the discovery of a new world and new people by Europeans in the 19th century with an impressionist take as opposed to a racist one.

In the book, Heart of Darkness by Joseph Conrad, all the characters are pulled into a well of black despair. Conrad uses the darkness of the situation contrasted to the light of society to show man’s dependence on western morals, and how when these morals are challenged by the darkness, the light crumbles under its newly weakened foundation. The contrast between light and dark is most stark in the themes of setting, the changes in Europeans as they drive farther into the Congo, and the white man’s collapse under the ultimate darkness of the Innermost Congo.

In Joseph Conrad’s book, Heart of Darkness, the globe is imagined as one where there are those that are civilized and those that are considered “savages” and “barbarians” by the civilized people. These civilized people are the Europeans, and the so-called “savages” are the African slaves.

Marlow’s evolution renders ‘Heart of Darkness’ a remarkable work of literature, but it is not simply the budding of the narrator’s mind that makes the novel sensational. Marlow’s perception of the voyage is what truly renders the work exceptional. European expansion, as written by European writers, was generally cast in a positive light. When Conrad depicts the desolation of the journey and reveals the sanities and lives robbed through the conquest, he clearly does not conform to the writers of his time. This exposure of European expansion in such a sinister a fashion was innovative for writers of the late 17th century. This revolutionary perception is what truly allows ‘Heart of Darkness’ to be considered a novel rich in moral and detail.

Joseph Conrad published his novel, Heart of Darkness, in 1902, during the height of European Colonization in Africa. The novel follows Marlow, a sailor, on his journey deeper and deeper into the Congo on a mission to bring the mysterious ivory trader, Kurtz, back to “civilization”. Both the topic and language of the novel elicit debate over whether or not the text is inherently racist, and specifically, whether or not the novel supports certain historical texts from around the same time period. Around 1830, G.W.F Hegel published an essay entitled “The African Character.” Hegel’s essay illustrates racial essentialism, the idea that there are certain traits that are essential to the identity of one group, or race, Hegel presents what he deems

Some critics believe that in Heart of Darkness Conrad illustrates how ‘’the darkness of the landscape can lead to the darkness of the social corruption.” This statement means that if the environment is dark, then the people in that environment will match the surrounding feeling, which is dark and depressing. For example, if it is a gloomy rainy day, most people feel tired and not as happy. If it is a bright sunny day, the most people feel motivated to get things done and joyful. Yes, this statement is believable because I have noticed that the weather, my surroundings, and even other people’s behaviors around me affect my mood. Today, for instance, it rained all day and the sky was dark, as a result I slept throughout the whole

The cries of the natives cut through the dense, fog of imperialism, followed by a deafening silence. The diction Conrad employs here is sorrowful, much like the shrieks of the Africans whose land has been invaded. Phrases such as “infinite desolation” have a negative connotation, contributing to