How Did Japanese Art Influence Their Works Of Art?

Ancient Chinese influences in modern day Japan China. Throughout the ages, China has proven to be a country that has a society that is unique in the known world. Culturally, politically, China has its own way for everything, and this way has spread across the globe. In modern day, China has distinctive influences in the Western world, but the spread of Chinese civilization started in the surrounding Asian countries. Almost all countries were reached by land and were handed the Chinese ideas through war; all but one.

Around the age of six years old, Hokusai began painting and even spent time as an apprentice wood-carver in his youth. He began the art of print making when he was eighteen. His most famous painting, The Great Wave, can be seen in museums all over the world even though Japan delayed it from catching on worldwide. Many believe that it was painted in the early 1800s, but Japan was not interacting culturally with other countries apart from trade with China and Korea. It wasn’t until 1859 when the Japanese were forced to open their ports that prints of The Wave spread across Europe. Originally, this piece wasn’t viewed as real art by Japanese politicians and art historians. Wood-block printing was used for commercial use and as a popular form of expression. The Japanese government wasn’t too thrilled “that such a seemingly lowbrow art form had come to define them” (15 Things). About five thousand to eight thousand prints were made but it is speculated that only a few hundreds of The Great Wave remain. The painting actually inspired music like Debussy’s La Mer.

In the late 18th century both Japan and Europe were experiencing many new artistic and intellectual developments. While Europe’s developments were increasingly political, more and more people wanted rights for women along with protection from the state. Japan on the other hand was progressively modernizing from their isolated feudal society into its modern form now. Beginning in Tokyo many new intellectual advances came from studying the western sciences and techniques. Authors like Rousseau and Wollstonecraft wrote revolutionary books in Europe that changed the way people thought about themselves and what rights they should be born with; they led people to question the state and fight for what they believed to be justifiably right.

Wood block printing is a technique that was originally chinese and then in the Edo period (1603-1867) was widely adopted by japan.

It is deplorable how easily the American government faltered in its responsibility in upholding the rights of all American citizens, as well as how easily it was signed away. The United States influenced by the effects of racial prejudice and mass hysteria, which had been developing since the end of the First World War, lead to what were seen as reprimandable decisions in overruling the rights of Japanese-Americans. With the major influences of fear-mongering caused from a risen tensions of events in the East, beginning the Second World War in the Pacific, such as the Japanese invasion of Manchuria, and later, direct attacks in the United States at military base, Pearl Harbor in 1941, were all proponents into the development of an era of exceptions,

It is estimated that 5000-8000 prints were made during this process, which makes it very valuable. Although prints were one cheap, prints are actually very valuable now. In the print, it is shown that there is a mountain in the background, behind the wave. Which is kinda the whole point of the painting, “the great wave off Kanagawa”. In the print, it shows a wave, but this wave is not a tsunami but called things like “freak wave” or “monster wave”, which makes it nonetheless deadly. In the print, it is shown that there are boats trying to fight the wave, which is confused to be Japanese inspired but that's just its style. It's funny because Japanese politicians don't even view it as Japanese art, which is mostly why Hokusai considered it a failure. Japan even delayed this artwork from being catching on worldwide.

Japan is been always known for their unique artstyle, but none is more influential on both Japanese and western cultural than Katsushika Hokusai. Many consider his paintings the pinnacle of art in the Edo period. The old man of many names is a true part of both japanese and art culture.

This was an influential import and made a huge impact on the Japanese community. There is a mixture of both drawn and photographed images within this chapter. Japanese artists mainly produced images that are printed or hand drawn, while western artists produced the photographed images. The chapter overall includes both a mixture of Japanese and western artists. The images within the chapter portray the viewpoint of the artist who was present at the time of the

With all the struggle the Japanese went though, they finally were grasping a sense of themselves. This age of curiosity and exploration of a country, that the world would later know as Japan, was called the Tokugawa period. As a result of their newfound self, came art and more specifically, woodblock prints. These woodblock prints are significant to the Tokugawa era because they reflected what was going on during that period, including: what was currently happening, how the people viewed the world, and what new discoveries were made. During the Tokugawa era, the woodblock prints show that this was a time of peace because of the often travel, economic growth and significance of nature.

Changes and evolution to the world usually means that the people’s beliefs and customs change and evolve as well. With people’s minds and thoughts becoming different than before, the art produced changes in ways as well. Near the beginning of the 1800s the world was being to go through dramatic shifts of ideologies and policies that were crucial for the years prior, and Japan was no exception from this. Japan, at the start of the nineteenth century, experience an extreme adjustment of their own isolationist, conservative views that was prevalent during the Edo Period, to the widespread push of modernization and engagement towards the rest of the world. Because of this, Japan was more accepting and welcoming towards other forms of social, political

Western Influence on Japan Japan, as a nation, is a continually changing society. Ever since western nations became involved with Japan, its changes over recent times have increased at a substantial rate. Japan now faces cultural, economical and social differences as a result of the western involvement. The involvement was initiated by the Japanese themselves, beginning during the Meiji Period1 through current times.

To discover the traditional beauty of a Japan which is disappearing; to emphasise the importance of industrially produced clothes by using synthetic materials; to demonstrate the secret beauty of Japanese women. I am striving to create clothes which give paramount importance to the movement of the body. Rather than fashion that one puts on, I want to produce fashion that one takes off...for that is where the beauty of man’s primitive spirit is found. (Tokyo Vogue p44)

African art has played an important role in the culture of the world. The sculpture is the most common traditional culture expression for the African art. The different sculptures are shown by their local styles and they serve for the specific functions, such as religion. From some of these old art pieces, we figure out this kind of traditional culture expression already existed in the African for such a long time. In this paper, the art piece I am going to analyze is the Female Figure with Child and it made by Akan-Asante people. The Akan people of Ghana have been recognized for their various and attractive culture and it located in what are today Ivory Coast and the republic of Ghana in Western African. The Akan people are combined by different groups, such as the Anyi, Akawpim, Akyem, Aowin and Asante, and these people have their own dialect, but they share a lingua franca, which called Twi. The sculpture I choose could effectively reflect its own distinctive culture, because of the social connection reflect on the royalty, the comparison with other local art pieces, like Akuaba fertility dolls and its specific art form.

Almost instantaneously recognizable, The Great Wave off Kanagawa (woodblock, 10 1/8 x 14 15/16 in, c. 1830-32), created by Japanese artist Katsushika Hokusai in 1830, beautifully captures the graceful, swelling movement of a crashing tsunami. Because of the way in which line and proportion are utilized, this woodblock print gracefully portrays the sheer power of the ocean. Derived from the Edo period in nineteenth century Japan, this classic was the first of a series of works from Hokusai titled Thirty-six views of Mount Fuji, all of which effortlessly depict the mountain in a wide array of angles and scenery. Arguably, The Great Wave off Kanagawa is the most iconic and cherished piece of Japanese artwork in the world. Even more importantly, Hokusai is considered prominent father figure for both Japanese art, as well as Western modernization as a whole. The Great Wave truly displays how tiny and weak man is compared to the force of nature. Not only is The Great Wave a quintessential piece of art, but it established a piece in the comprehensive networks of art, trade, and politics, that has instilled a tremendous positive impact on the twenty first century.

Japanese landscape painting developed from a multitude of influences and incorporated many themes and ideas, from native beliefs in japan to influences from China and Korea and even from Europe all which gradually changed painting in japan. The main artistic influence in Japan up to the mid 19th century was China and and Chinese Landscape painting in Japan was brought over by traders and became very influential to academics, scholars and the aristocracy, far from merely copying Chinese painting japan was able to bring their influences to create a very unique type of painting.