How Did Nina Simone Influence The Civil Rights Movement

Known as the “Empress Of Blues”, Bessie Smith was said to have revolutionized the vocal end of Blues Music. She showed a lot of pride as an independent African-American woman. Her style in performance and lyrics often reflected her lifestyle. Bessie Smith was one of the first female jazz artists, and she paved the way for many musicians who followed.

Motown Records was founded in 1959 by Berry Gordy who turned his music production company into history’s most successful black-owned record label company.

During the 1960’s, Nina got involved with the current events – the civil rights fight – as an activist. Outraged by the events and her own struggles this led her to take action; She used her music to try to change society. Her music was often anthems for civil right movements - such as the Student Nonviolent Coordinating Committee - during the 1960s and 1970s. After almost 50 years of music, Nina Simone

February of every year is known as National Black History Month. There are many African American people who made a great impact on all African-Americans today. In honor of this month, though, I have chosen to write about Marian Anderson. Marian Anderson was a singer who had made a great impact on many of the black singers in the past. She was one of the first female African-American to perform with the New York Metropolitan Opera in 1955. Some of Marian’s last words to the public were “I have a great belief in the future of my people and my country.”

Josephine Baker reached the height of her fame during the 1920s, however, she still was not able to speak about her work and explain what her performances were trying to convey. This left the audience to decipher the performances for themselves, while doing so this highlighted the racism that was still apparent in France. In Phyllis Rose’s book ‘Jazz Cleopatra: Josephine Baker in Her Time’ She shows quotes from the tabloids saying, “We can’t find a way to tie the scenes together, but everything we’ve ever read flashes across our enchanted minds...glimpses of enormous steamboats swallowing clusters of Negros who carry rich burdens”. (Rose, 1991) The Parisians visiting Bakers show at the Revue Negre interpreted her show based on what they understood Africa to be. Baker was able to make a lasting impact with her unique look and style and was able to entertain crowds with her “rubber legs” (Rose, 1991) and “crossed eyes” (Rose, 1991) during a time in which racism was the norm. While “she did not exercise complete control over her own image” (Jules-Rosette 2007) she used the stage as a way of expressing herself which she could not do with her voice. In doing so Baker has influenced many performers today. Most notably she inspired Beyoncé Knowles.

Gertrude “Ma” Rainey is a pivotal figure in the history of American music. She was the first person to ever perform blues and the first internationally known African American female blues singer. Her music acted as inspiration for many distinguished figures during the Harlem Renaissance, and continues to influence contemporary music and art.

Any artist uses their surroundings as inspiration. An African American female artist deal with being the underdog. The situations they were placed in, ended up being inspirational moments. These moments became inspirational because they were personal stories, life learned lessons, and life changing moments. This essay only mentions three strong, powerful, monumental women. However, there are many more females who have helped the African American woman artist culture. They are still hidden. It is essays like this that help spread their stories, and their art

It is a jaunty ragtime melody that fools listeners into briefly perceiving the number as a feel-good pop song, yet sustains its relevance by acknowledging the continued failure of a full realization of Black freedom a century after the Thirteenth Amendment. [1. Sound of the Break: Jazz and the Failures of Emancipation Bridget R. Cooks American Quarterly (June 2016) no. 2 330http://muse.jhu.edu/article/622084] It took Nina Simone an hour to write “Mississippi Goddam”, which is a song based on the place names of oppression. It was written immediately in the wake of the 1963 church bombing in Birmingham, Alabama, where four African American girls, none older than fourteen, were murdered while at Sunday school.

She was the starving musician, the jazz singer who did all she could to stay alive and still do what she loves. The dedication she displayed to jazz is not easy to explain. She was a perfectionist in her fashion, depending upon her excellent ear, unique voice and honesty and love for people to keep her love alive.

Joan Baez (1941 - present day) was a singer, anti-war activist, and minor leader in civil rights. Being born of Mexican and Scottish descent in a Quaker household, she was no stranger to racism and didn’t tolerate it. Her message is sent through music, making her one of the most effective in her time. With over 60 years of performance, Baez was able to be a part of civil rights from local concerts in her early years to singing at the March on Washington.

Nina Simone used music to challenge, provoke, incite, and inform the masses during the period that we know as the Civil Rights Era. In the songs” Four Women”, “Young Gifted and Black”, and Mississippi God Damn”, Nina Simone musically maps a personal "intersectionality" as it relates to being a black American female artist. Kimberly Crenshaw defines "intersectionality" as an inability for black women to separate race, class and gender. Nina Simone’s music directly addresses this paradigm. While she is celebrated as a prolific artist her political and social activism is understated despite her front- line presence in the movement. According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say

It is said that Bessie Smith is the “Empress of the Blues.” She was a superior entertainer, with talent in singing and dancing. Bessie had such a beautiful, soulful voice and she collaborated with many great jazz performers. Bessie didn’t just stand for music, she stood for women. By the end of the 1920’s, she was the highest paid black woman of her day, earning the title “Empress of the Blues.”

On Friday, February 3rd, 2017, a Jazz artist named Lauren Lark came to perform in the Julia Ball Auditorium at Gwynedd Mercy University. This event was open to anyone who wanted to join and was in honor of Black History Month. Going into this event, I was not sure what to expect. I typically do not go to concerts and in particular, I do not listen to Jazz; however, I do like to learn about new things, so I was excited. This show brought to light the women composers of many ethnic backgrounds and because of Music Appreciation, not only was I able to enjoy the music, but I was now also able to pick out the different pitches, dynamics, and rhythms, along with many other musical components.

Nina Simone performed 'Mississippi Goddam ' live are New York City 's Carnegie Hall, this song placed her in

She was idealized by every young African American girl in the 70's. She produced number one hits one after the other and became a social icon.