When we think of Disney princesses, we think of beauty and song. We also have the vivid vision of true love’s kiss and a castle in the clouds. Disney has received major criticism because some feel as though the model for Disney princesses perpetuates a weak female image. “In these animated worlds, good women are domesticators and resources; bad women are evil, greedy, individual perversions of natural orders; men ultimately hold procreative and productive dominion as civilizing forces in these worlds” (Bell, Haas, and Sells 11). It seems as though the Disney creators have heard the critics and have striven to change it. The most recent Disney movies celebrate a new Disney princess model, one that is much more independent and self-assured …show more content…
Finally, Disney seems to perpetuate the idea that a woman should use her sexuality to achieve her goals. These ideals are deeply detrimental to the development of a strong identity in young girls who look up to these princesses as role models. In recent movies Disney has endeavored to change this theme and with the release of their most recent hits it seems as though they may be becoming successful. The first theme that Disney projects, especially in their early movies, is the idea that a good girl will get the man. The definition of the good girl usually encompasses a woman who is good at keeping house as well as one whose dream is to become a wife. This good girl type is a passive participant in her story and relies heavily on a male to rescue her. Disney’s first picture was the embodiment of this idea. Snow White was a young girl who basically has no control in her story. She is the daughter of an absent father and a murderous step-mother. Immediately in the movie we see the direction that this movie is going in as Snow White sings, “I am wishing for the one I love to find me”. When the queen orders her murder, Snow White relies on the goodness of her would be murderer to let her escape. When she arrives in at the home of the seven dwarves, Snow White begins to cook and clean. One can argue that this is her only skill and therefore is the only way she can earn her keep. However, this does seem to send the message that
Throughout the last few years there has been a discussion on how Disney Princesses have a negative impact on young girls and their expectations on what lies in their future. Many Disney princess classics, although they are entertaining, send bad messages to young girls and often teach that their worth is more about beauty and less about their intelligence. The “ Disney princess effect” has impacted the way young girls grow and how they look upon their future and happy ending.
In today’s society it is hard to find shows or movies that have positive values for boys and girls. There is a lot of controversy surrounding Disney princesses. Many believe that they negatively impact girls and their view on the world. They believe that young girls are learning negative values from the Disney princesses. On the other hand, many people believe that the Disney princesses have many positive morals and values to teach young girls. Disney teaches young girls value of hard work. It also teaches girls how they should treat people, even in difficult situations. One of the greatest things that Disney princesses teach, is find out who you are and shoot for the stars and accomplish your dreams.
The effects of the portrayal of the princesses can be positive or negative. Young girls have become more imaginative by watching Disney films. According to Stephanie Hanes (n.p.), “’For 75 years, millions of little girls and their parents around the world have adored and embraced the diverse characters and rich stories featuring our Disney princesses.... [L]ittle girls experience the fantasy and imagination provided by these stories as a normal part of their childhood development’.” Also, children are encouraged to believe and hope. In most Disney movies, the characters convey the message that we can believe in true love (10 DISNEY MOMENTS THAT PROVE LOVE IS ALIVE AND WELL
Disney directly exposes the idea that young girls should make their main goal in life to find their prince charming, fall madly in love, and live happily ever after. Making young girls’ aspiration in life revolve around finding a man of their dreams “transfix[es the] audience and divert[s] their potential utopian dreams and hopes through the false promises of the images [Disney] cast[s] upon the screen” (22). Disney tells the audience that women need a man to be happy. Disney presents the idea that women are dependent on me. Just like in The Little Mermaid, Ariel goes as far as surrendering her voice, to a witch named Ursula, and abandoning her family in order to be with her prince. Ariel also trades in her life as a mermaid, drastically changes her body, and sacrifices her greatest talent all in order to win her prince. Disney sends the message that girls need to give up their talents and lives in order to be with a man. Disney suggests that a woman’s main priority is her lover, no one or nothing else. Disney effectively portrays women in a negative way, depicting them as weak and needy. No attempt to break the stereotypical gender roles of women are evident however, these stereotypes are growing as Disney instills this image of women in the minds of viewers.
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite
Walt Disney over the years has impacted the lives of millions of children with his animated films. His Disney movies have evolved in the last years and have moved from the traditional damsel in distress theme. Specifically, the classic movie Cinderella gives the wrong idea about what it is to be a woman for young girls. The movie portrays a young woman facing emotional, mental, and physical abuse by her evil stepmother and later falls in love with a charming prince. However, if viewers take a closer look, Disney’s anti feminist message is firmly emphasized. The story of Cinderella is sexist due to it’s lesson to girls that beauty and submission will award them a rich bachelor. This is seen through Cinderella’s submissive behavior, Prince
In the past, there have been countless princess movies or so-called “Cinderella” films. However, the general message that each one of these movies have given has changed as time has progressed. With this change, expectations placed on the princesses have been modified as well. This change in expectations has been thoroughly discussed by two authors, James Poniewozik and Peggy Orenstein. Poniewozik, a media and television critic for Time magazine, wrote an article entitled “The Princess Paradox” where he discusses this evolution of expectations. As well as him, Orenstein, a contributing writer for the New York Times Magazine, wrote an article with the title of “Cinderella and Princess Culture” where she also discusses the development of the expectations on girls. Even though Poniewozik and Orenstein discuss the evolution of expectations portrayed on girls, Orenstein is able to illuminate the more complex ideas that Poniewozik is attempting to express based on the expectations of girls.
Over the years, Disney has presented many movies to their audience—most having a Princess as the protagonist. These movies became a babysitter for most parents in the early stages of their child’s life. Most people found these movies as relatively harmless. The obvious assumption about the Disney Princesses is that they only desire true love since almost every movie ends in romance. Parents just viewed these movies as romantic movies on a child’s level. However, these movies were not solely intended for an audience of an age that can be counted on both hands. They were intended to speak to “an intelligent and active audience” (Sumera 40). However, there are many people who disagree with the ways of the Disney Princess movies. The
In our modern society parents want to know who the best role models are for their children; especially parents of young girls. Most girls are introduced to Disney Princesses at a young age, but what most parents don’t know is that not all Disney Princesses are positive role models of modern society. The princesses were amazing role models for their time but since then many opinions have changed on what is expected of women and what is not some; people in society today can argue weather certain qualities that the princesses posses are acceptable for today’s youth. The most famous princesses are the “Original Disney Princesses” :(in chronological order) Snow White, Cinderella, Aurora, Ariel, Belle, Jasmine, Pocahontas, and Mulan.
Snow White, Sleeping Beauty, Cinderella, and Ariel are all names almost every young female can recall. These are just a few of Disney’s most memorable characters, the “Disney princesses” which are idolized by young girls everywhere. These princesses are portrayed to be strong willed, optimistic, and hardworking women who overcome various hardships throughout their life. Talk about being the perfect role models for little girls everywhere- but are they really? Although they may seem to have admirable qualities, by the end of these Disney movies, each princess receives their happy ending with their “prince charming” at their side. This concludes that happiness is obtained only by finding your “prince charming”. A princess’ “happily ever after”, that is repeated in these iconic Disney movies, distorts what true happiness is and could be for girls around the world. This perceived reality promoted by Disney then becomes engraved in our young girls’ minds through ways that are much like propaganda in the political arena. Propaganda is a form of language commonly used to manipulate intended audiences. In Disney’s case, their intended audience consists of young girls around the world. These Disney films display methods of propaganda, such as doublespeak (Lutz) and the two-extremes fallacy (Cross), which result in our young girls believing in a false reality. There needs to be attention brought about this flawed perception of a sole happiness that is continuously depicted by Disney and shared through ways of propaganda, as it is damaging the minds of our young girls- the future contributors of our society.
Cassandra Stover explains in her Journal Damsels and Heroines: The Conundrum of the Post-Feminist Disney Princess, the dramatic shift with Disney princess at the peak of the late 1980s and early 1990s. She explains that the shift can derive from feminist movements and how the change can be directed to the third wave of feminism. She examines the original Disney princesses and decribes them to be more passively aggresive and unindependent, while the new princesses are more independent and brave. The author then explains if the shift from the old to new princesses are actually better, and not just different. Stover analysizes that Disney princesses evolve and are a part of the worlds change on feminism.
For decades now, Disney Corporation has been providing us with countless films made to delight and amuse children and adults alike. But not all Disney films seem particularly appropriate for their target audience. Many of these films portray violence, gender inequality, and skewed views of leadership roles that seem altogether inappropriate for impressionable young children. Better and more contemporary heroines need to be added to Disney’s wall of princesses in order to counteract years of sexism.
What young girl does not dream of becoming a princess and living in a castle happily ever after? Virtually every young girl identifies with princesses and has watched at least one Disney Princess movie. From the first movies of Snow White and Cinderella, to the later movies of The Little Mermaid and Beauty and the Beast, to the most current movie Moana, Disney Princess movies permeate not only the movie theaters, but also our culture. In fact, “becoming a princess is as easy as purchasing a tiara and hosting a princess-themed birthday party or buying a Halloween costume and playing pretend” (Garabedian, 2014, p. 23). Nonetheless, as declared by Princess Merida in the movie Brave, “there comes a day when I don’t have to be a princess. No rules, no expectations. A day where anything can happen. A day where I can change my fate” (Andrews & Chapman, 2012). In other words, does the life of a princess measure up to the expectations of little girls everywhere? The Disney Princess brand has grown incredibly popular, especially with young girls. In spite of this, the franchise has also become extremely controversial due to potential gender stereotypes in the films. “Gender is one of the most discussed topics in today’s society…[it] represents and also reproduces certain attributes, expectations and roles which are associated with male and female…influencing the views and opinions of future generations” (Maity, 2014, p. 31). Yet, is the Disney Princess brand harmful to young children due to gender stereotypes? Two essays that contemplate the Disney Princess brand and gender stereotypes with opposite viewpoints on this controversial issue are “Girls on Film: The Real Problem with the Disney Princess Brand” by writer Monika Bartyzel and “In Defense of Princess Culture” by writer and mother Crystal Liechty. However, Liechty’s essay “In Defense of Princess Culture,” is the most effective article in convincing the audience of her point of view due to the claim, support, warrant, language, and vocabulary employed.
influences around them. The role models would impart on the young girls the necessary standards to compare themselves to learn their intrinsic worth and fight the opinion that women are inferior to men. Many times they look to the media for such influences. Disney princesses have for decades been the representation little girls see; however, not all of them are positive. The Disney Princess brand is broken down into three generations, or waves. The first generation, including Snow White, Cinderella, and Aurora, perpetuate sexism because they teach young girls that their value lies in their beauty and their relationship with a man. The second wave
Cramped in a small Los Angeles office, Walt Disney drew a few larger than life cartoons. After Disney’s big hit Alice Comedies and cartoons of Mickey and the gang, he moved his office to Burbank, California. There, Walt and his brother, Roy, came up with their most famous movies such as Cinderella, Snow White, and Alice in Wonderland. Now with two American amusement parks, three international parks, multiple cruise lines, multiple resorts, over five hundred films, and over thirty academy award, it’s hard to not heard of Disney. Every boy or girl has at least seen or heard of Disney movies. It’s such a big part of society today that it becomes influential in a kid’s childhood. This project will look at the underlying effect of the Disney princess phenomenon and how it shapes a young girls’ perspective of herself and how she’s “supposed” to be.