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How The Past Inspired Artist Creation Of Work And What Impact Has On Their Creativity And Our Own Developmental

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“How has the past inspired artist creation of work and what impact has this had on their creativity and our own developmental process?”

Taking inspiration from the past both directly and indirectly has always been a large part of art as a whole and for artists as individuals. An artist may view work from other cultures and times, and then incorporate aspects such as techniques, themes, media and subject into their own work. By looking at others work it encourages artists to experiment with new things and think differently about their own work. Some might say this can limit creativity while others might say it causes it. Art movements although often wanting to be something new and alternative, can be said to be inspired by the past. …show more content…

Prominent members of the group included Monet, Renoir, Pissarro and Degas. Typical characteristics of paintings from the Impressionist artists might include landscapes and urban scenes with bright colours, long thin visible brushstrokes and a focus on accurately portraying light. The early group were inspired by artists like J.M.W. Turner and his use of colour. Like Turner, impressionists often let the colour guide their painting. A core idealism of the movement was to trying to capture light at a particular moment. To do this they often decided to paint en plein air, they found this gave the paintings a sense of freshness. Multiple techniques were combined from artists like Velásquez, Constable and Turner. These techniques included impasta, making grey and dark tones from complementary colours and an emphasis on natural light. By combining these techniques of the past they created a new creative style of painting. Another common technique among the artists included the use of complementary colours as this was thought to bring out deeper and brighter colours with the paintings. One of the core ideas of impressionism linked to the same idea of spontaneity is to show an experience and to think about what the mind would see. For example not painting in all the faces in the background, only the ones in the interest of the painting and the audience.

Monet’s ‘The Water Lily Pond’ is probably his most recognised

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