In The Waiting Room Essay

In the opening, she shares her childhood encounters with women in prose with the children’s rhyme “a little girl who had a curl”. This personal anecdote introduces the topic of the portrayal of women in literature, as well as establishes a connection with her audience.

Sharlet Cannon English 1302-56328 Professor T. Heflin August 9th, 2015 The Mother Abortion, a sensitive topic most people don’t want to talk about or try to figure out ways for it to be out-lawed. " The Mother," a poem written by Gwendolyn Brooks looks at abortion from a mothers’ point of view. This poem deals with the heartfelt emotions that a woman may go through after she has had an abortion. The theme, tone and figures of speech written displays overwhelming regret tormenting her mind.

The documentary The Waiting Room presents a safety-net hospital located in Oakland, California. In the film, director Peter Nix follows patients, doctors, and staff throughout a typical day. Furthermore, the film displays how the staff is overworked, causing an impact regarding how the American health care system is affecting millions of uninsured patients who try to cope with injury and disease. The film utilizes techniques from the observational mode such as long takes, crisis structure, and documenting unplanned everyday experiences to convey the cruel realities of Americans seeking hope and treatment.

Upon first glance, Edna St. Vincent Millay’s “I, Being Born a Woman and Distressed” may appear to simply trace the course of a woman as she impulsively engages in the passion of a one-night stand. Yet, from a psychoanalytic lens, elements in the sonnet function to inform a different interpretation, one that transcends the manifest content of the poem to suggest that the speaker’s distress stems from her repressed homosexuality.

A voice is given to the mother in this poem, who is representative of all women who have suffered under the churches morals and values and still hold a high regard for religion, in this case, Christianity. It is clear from Heaney’s depiction of suffering that the mother does share a maternal bond with

There is significant evidence throughout both 'The Long Queen ' and The Map Women ' to indicate that suffering is a central element of female experience. Both of these poems are present in the 'Feminine Gospels ' written by Carol Ann Duffy. The collection of poetry is seen to be teachings of feminism aiming to provide the reader visions of female identity. One feature of this identity that is examined within these two poems is the theme of mental and physical suffering that women universally endure.

The overall results are presented as a qualitative analysis and it allowed the researchers the opportunity to produce new inputs.

In both Elizabeth Bishop’s “In the Waiting Room” and Clarice Lispector’s “The Daydreams of a Drunk Woman”, we are exposed to speakers who, through an epiphany of their role in existence, discover a sense of self. With the geographic difference between Bishop and Lispector, and yet such similar themes, it could be contended that their writings are evidence that both existentialism and exploration of the image of one’s self are major themes in twentieth century literary writing and thought.

Every author, poet, playwright has a subtle message that they would like present to their audience. It may be a lifelong struggle that they have put into words, or a multiple page book that took a lifetime to write. A poet by the name of Anne Sexton sought out to challenge society’s views of women by writing “Her Kind”. A poet, a playwright, and an author of children’s books, Anne Sexton writes about the conflicts of a social outcast living in modern times. She voices the hardships she faces through three different speakers in her poem. At the end of the poem, the woman is not ashamed nor afraid of whom she is and is ready to die in peace. In Anne Sexton’s poem “Her Kind”, the main idea the speaker is depicting is the multiple stereotypes placed on a woman, by society. Sexton’s vivid use of imagery paints a picture of the witch, house wife, and mother cliché, while also implying the poem is autobiographical as Sexton went through her own personal struggles during her life.

Irene’s queer personality lives repressed in her id and the attraction can be noticed through many too detailed descriptions of Clare body parts and personality. “Her lips, painted a brilliant geranium red, were sweet and sensitive and a little obstinate. A tempting mouth” (45). It is impressive to see how this supposedly straight woman describes Clare’s mouth as tempting, yet she does not stop there, because Irene also describes her voice, “What was it about Clare's voice that was so appealing, so very seductive?” (52). The utilization of these adjectives is questionable because even when Irene talks about her husband Brian, she never uses adjectives that could express desire or even love. Irene is aware that her marriage is an arrangement where according to Brian sex is a just grand joke (60).

In addition, the feminist view of sexuality is evident throughout Rossetti’s poem. Laura and Lizzie’s magical experience portrays the pursuit for sensual awareness while struggling between physical identity and spiritual salvation. Furthermore, “She clipped a precious golden lock, she dropped a tear more rare than pearl, then sucked their fruit globes fair or red, sweeter than honey from the rock” (ll. 126-29) and “sucked until her lips were sore” (l. 136). With blatant sexual undertones, this pivotal moment signifies the character’s transition from maiden to woman or innocence to experience. Additionally, this exchange could be a metaphor for Laura’s relinquishment of her sacred virginity. As Laura falls sicker and slowly begins to deteriorate, Rossetti illustrates the consequences of succumbing to the temptation of men’s deceit and the importance of remaining pure. With use of vivid imagery, Rossetti further emphasizes the animalistic and uncanny

Analyzing the journey of a hospitalized patient is imperative in nursing practice in order to produce holistic, strengths based care (Gottlieb, 2014). When examining the patient and his or her journey, it is crucial for the nurse to explore many factors including the patient’s personal history leading up to admission, the unique and individualized care plan, impacting strengths and gaps within the healthcare system, as well as the factors affecting discharge care and planning. For the purpose of this paper, a patient by the name of Anna will be explored in order to highlight essential aspects associated with providing holistic care.

In Kate Chopin’s “The Story of an Hour”, Louise Mallard is caught in a cold marriage and a constrictive house. The same goes for Sarah Penn in Mary Wilkins Freeman “The Revolt of “Mother.’” Despite the fact that both stories share the topics of imprisonment and control, physically and inwardly, the ladies in the stories have diverse responses to their circumstances. Sarah battles the confinements without holding back, taking her opportunity, while Mrs. Mallard adopts a motionless strategy and is just liberated through the death of Mr. Mallard.

The imagination is the first site of an individual’s existence. It is within the imagination that the individual, through consciousness and unconsciousness, comes to know his or her true self, including one’s desires. Sigmund Freud influenced the studies of psychology and psychoanalysis, defining the unconscious as, “the storehouse of instinctual desires and needs. Childhood wishes and memories live on in unconscious life, even if they have been erased from consciousness. The unconscious is, in a sense, the great waste-paper basket of the mind – the trash that never gets taken out: ‘in mental life nothing which has once been formed can perish -- … everything is somehow preserved and … in suitable circumstances … it can once more be brought to light’ (Freud 1930: 256). Laura Mulvey beautifully expresses desire in, “Visual Pleasure and Narrative Cinema”, as, "Desire, born with language, allows the possibility of transcending the instinctual and the imaginary”, which may be understood as the imagination propelling forward with sexual desires (837). In many ways, poets of the Romantic Period, with the use of the imagination, reveal unconscious sexual desires through their writings. Much of this sexual drive triggered by repressed desires exists within Wordsworth’s poem, The Prelude. One may argue that these poets utilized the imagination as an instrument for relief from sexual desires. The imagination, one may say, is exceedingly

Since life writing has become a major trend, a new light has been shed on confessional artists. The impact which their personal experience had on their work has been more carefully examined and evaluated, as a literary recording of self became their token of recognition. Anne Sexton, one of the leading poets of the confessional trend, is not an exception, her literary heritage and inclusion at to the mode being, however, equivocal. Sexton’s texts require from their readers a deep insight into a number of contexts where they are firmly anchored. The emanation of self was a reason for the poet to start writing, a key concept in her poems, and, eventually, one of the factors causing her self-destruction. Even Sexton’s late work,