Before I did my research, I had never heard of John Williams and Randy Newman, but afterwards, I realized, not only have I seen their work, I LOVE their work. I had no idea that John Williams was responsible for composing the soundtracks for Harry Potter, Star Wars, Superman, Jaws, Jurassic Park, and so many more. This one man was behind making all of these movies come alive with amazing soundtracks. Randy Newman is just as impressive with composing the music for movies like Toy Story, Monsters Inc., A Bug’s Life, Cars, and The Princess and the Frog. Hearing songs from those movies can instantly transport me back to my childhood. For this week’s viewing, I chose to watch Inception. The key concept that I noticed in the movie was pitch, specifically
The vision Christopher Nolan had for The Prestige (2006) was to add to the outbreak of street magician film, whilst playing a large dramatic subplot equal in grandeur to the magical performances within the film. In the final sequence of the film, I will analyse how the cinematography and sound resolves the plot so that it summarises the themes present in the film, whilst also invoking a response from the audience. Nolan predominantly uses close up shots, non-diegetic sound (music) and dialogue collaboratively to convey the dramatic, personal subplot of the characters and their relationships, whilst appealing to the audience bringing forth an emotional response from the audience. The heavy, slow, dramatic atmosphere of the ending sequence uses various techniques to summarise and uncover the underlying mysteries of the events throughout the film and consolidate themes introduced during the exposition.
Trainspotting presents an ostensible image of fractured society. The 1996 film opens, famously, with a series of postulated choicesvariables, essentially, in the delineation of identity and opposition. Significant here is the tone in which these options are deliveredit might be considered the rhetorical voice of society, a playful exposition of the pressure placed on individuals to make the "correct" choices, to conform to expectation.
“Insidious” is a 2010 horror movie centralizing around the lives of protagonists Renai (Rose Byrne) and her husband Josh (Patrick Wilson). The movie mainly focuses on the supernatural activity going on within the house, and it is later revealed that the cause of the hauntings is due to demons attempting to take over the body of their unconscious son, Dalton (Ty Simpkins).
The movie, Requiem for a Dream (Selby & Mansell, 2000) exposes the multiple faces of addiction. Addiction can change a person’s identity and therefore, impacts each person differently. This movie explores the life of four addicts who push the boundaries of their own lives leaving the viewer to wonder, how far will they go to use drugs? The focus of this paper is on what addiction looks like for the character, Harry Goldfarb.
Most people have heard his musical scores in famous movies and movie series such as Jaws, Superman, Jurassic Park, Indiana Jones, E.T., Harry Potter, and Star Wars, but many people don’t know the composer behind the movies’ masterful scores. John Towner Williams was born on February 8, 1932 in Queens, New York to John and Esther Williams. With a father who was a percussionist for the CBS radio orchestra, Williams was exposed to music from a young age. As a child, he studied piano, trumpet, trombone, and clarinet. Williams and his family moved to Los Angeles in 1948 where he briefly studied music composition at the University of California. In 1951, Williams was drafted into the United States Air Force during the Korean War. During his service in the
In the early 1900’s silent films amazed audiences with images, later talkies impressed with sound, today we have 3D. As technology continues to evolve so too will film genres. Genres, while having some shared characteristics, also differ in terms of stylistic devices used. For instance, the dramatic film “The Notebook” effectively uses color to reinforce theme and has plausible performers as the two main protagonists.
The movie, The Shawshank Redemption (1994), is based on a character Andy Dufresne. Andy is a young and successful banker who is sent to Shawshank Prison for murdering his wife and her secret lover. His life is changed drastically upon being convicted and being sent to prison. He is sent to prison to serve a life term. Over the 20-years in prison, Andy retains optimism and eventually earns the respect of his fellow inmates. He becomes friends with Red, and they both comfort and empathize with each other while in prison. The story has a strong message of hope, spirit, determination, courage, and desire.
What is real and what is really real? Philosophy is interesting and can be really confusing at times. The film I will be analyzing with philosophical views does a good job on giving examples of the nature of reality and the Methodological doubt. I will show by giving examples of Descartes rule that everything is to be doubted and Plato’s allegory of the cave.
The entrance into the eternal return stands as one step in the entire process. A constant revisiting of the moments of trauma serves as the next step in the return. Within Inception, the manifestation of trauma stems from Cobb’s creation of dreams based upon memories of him and Mal. Ariadne joins Cobb in one of his trips into the elevator-architected dreamspace. One floor, we glance at a train passing through Cobb’s subconscious. The train comes from the memory of how he and Mal returned to reality; they laid their heads on the tracks while the train rode over them in order to die in the unreality they had made in Cobb’s subconscious. This signifies the moment where Mal would never know if she was in a dream or reality and therefore the moment
Most of the movie is taken in Joel’s mind or his memory removal process. Starting from his nearest memory that they broke up till his last remaining memory of Clementine that they first met at a beach. I think the most possible reason the movie is called Eternal Sunshine of the Spotless mind is referring to the deepest memory (or say, soul) survived and reserved in their both minds that brought them back to the beach and met each other again. This title quotes entirely from Alexander Pope’s poem which know as describing a very contradictory mood from the unattainable love. So does it, the movie shows Joel wants to remove all memory of Clementine while he still loves her, but then during the process he changes mind and want to try his best to keep these memory which is the “spotless mind”. In my mind, the soul theory is the personal identity that the movie most engage. According to the soul theory, to have a same identical, it’s not necessary to have a same memory, but it’s necessary and sufficient to have the same soul. In the movie, though Joel erased his memory, he still has his soul which makes him fall in love with Clementine again, even in theory he can never love her then. On the other hand, this movie seems to intensely against Loke’s memory theory that sharing a memory of an experience is necessary and sufficient to be a same person. And I think the movie also presents its own personal identity that for one person to be identical to the other person, they should have
There are thousands of movie composers in the music industry, a few who triumph and whose work is well known to almost half of the world. One example of that can be the famous Maestro John Williams. John
Movies and other forms of popular entertainment sources have often presented varied information and as well as misinformation about schizophrenia, most specifically in regard to its negative portrayals, which can lead to confused public opinion. In summary, majority of movies and popular entrainment media sources portrays people with schizophrenia as violent and with homicidal and suicide thoughts. In addition, most characters in these media sources are portrayed as Caucasians, males, and with supernatural abilities (Gaebel, 2011).
In Michael Gondry’s Eternal Sunshine of the Spotless Mind (2004), the connections between people and memories become the focal point of a very unique romance. Through the use of new technology, the possibility of erasing memories makes painful relationships disappear like they never happened. The tale of Joel and Clementine allows the audience to rethink and question the process they undergo as beneficial or destructive. Though the process might be helpful in eliminating the pain caused from another person, four key scenes show how the lessons learned through relationship experiences are important.
At the start of the film, Ashoke and Ashima leave India for America and their life together begins. The move from the big city of Calcutta to the big city of New York is much lonelier because they have no family nearby and the land is unfamiliar. The climate is also different, it is winter time and the weather is cold. Ashima is learning very quickly that the living conditions are different. Ashoke explains to her that they have gas twenty-four hours a day, and the difference between hot and cold water symbols. Also there was no need for her to boil the water for drinking; she could just drink straight from the tap. Life in America is different and at times lonely, however Ashoke believes it’s the land of opportunity.
Throughout the movie, The Notebook, there were many different aspects that corresponded with the material learned throughout the semester. There were times were you were able to pin point why each problem was faced based on different character backgrounds. As began to watch the movie, you start to understand the culture aspects of each individual by the way they talk and present themselves, which caused many situations to arise. Also, these many situations arise throughout the movie that affected the outcome of decisions made: biological, psychological, and social/environment. However, diversity played a magnificent role from the beginning to the end. So, therefore, throughout this paper you will have a better understanding of the analysis of this film, which should provide information about the movie.