Essay on Indian Music

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Indian Music

The music of India is one of the oldest unspoken musical traditions in the world. The basis of for Indian music is “sangeet.” Sangeet is a combination of three art forms: vocal music, instrumental music (Indian music). Indian music is base upon seven modes (scales). It is probably no coincidence that Greek music is also base upon seven modes. Furthermore, the Indian scales follow the same process of modulation (murchana) that was found in ancient Greek music. Since Greece is also Indo-European, this is another piece of evidence for the Indo-European connection (Dance and music of India).

The vocal tradition is especially strong in Indian music. It is understood that the song is probably the most ancient form of …show more content…

It is linked to the Sanskrit word “ranj” which means, “to colour” (Indian music). Therefore, rag may be thought of as an acoustic method of colouring the mind of the listener with an emotion. It is not a tune, melody, scale, mode, or any concept for which an English word exists. It is instead a combination of different characteristics. It is these characteristics, which define the rag. There must be the notes of the rag. They are called the swar (Indian music). There must also be a modal structure. This is called that in North Indian music and mela in carnatic music (Carnatic music). There is also the jati. Jati is the number of notes used in the rag. There must also be the ascending and descending structure. This is called arohana/avarohana. Another characteristic is that the various notes do not have the same level of significance. Some are important and others less so. The important notes are called vadi and samavadi (Indian music). There are often characteristic movements to the rag. This is called either pakad (Indian music).

The Indian rhythm is known as tal. Tal means “clap”. The tabla (Indian drum instrument) has replaced the clap in the performance, but the term still reflects the origin. The basic concepts of tal are tali, Khali,vibhag, matra, bol, theka, lay, sam, and avartan.
Tali are a pattern of clapping. In addition to the claps, there are also a number of

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