Indigenous Art Appropriation

Native American culture was a great influence on newly introduced western art when settlers first came to North America. Not only did Native Americans have their own style of art, sculpture, basket weaving, and other fine arts. Their artistic styles helped influence some European art and gave them a different outlook on not only art itself, but a brand new culture that they have not seen before. This paper will talk about the different styles of Native American art and compare it to European art styles and artist, as well as going into detail about how their culture influenced artistic styles.

Gustavo Diaz Ordaz became president of the United States of Mexico in 1964, years before the massacre, that took place in October 2, 1968 at ”la plaza de las Tres Culturas” in Mexico city, better known as “Tlatelolco Massacre” (“Mexico 's 1968 Massacre”). It was supposed to be an unarmed peacefull protest, but at sunset the police and military forces equipped with armored cars and tanks surrounded the plaza and began firing into the open crowd. The police fire hit not only the protestors but also innocent bystanders.

Aboriginal art has many inspiring aspects such as the link that it has to the past of Aboriginal people, kinship the dreaming, land and reconciliation. Charlie Colbung is the artist behind a large beautiful acrylic painting exhibited in the Plantagenet community resource centre, in Mount Barker Western Australia. Colbung’s painting is called ‘Past to Present’ and represents the journey to reconciliation of both Indigenous and non-Indigenous people. Full of depth, texture, colour and numerous artistic elements to entice audiences to engage and analyse his lovely art work as well as critically reflect on the art and the meaning behind the painting. Charlie Colbungs painting Past to Present is a beautiful example of Aboriginal art work.

The artist’s job is to be a witness to their time and location in history. They record and reflect on events and themes that have occurred in their personal life and society around them. Gordon Bennett creates artworks exploring Australian colonialism and the impact it has had on Aboriginal History. Bennett’s work bares witness to the disregard for Aboriginal people in history, in his time and today. Bennet grew up unaware of his indigenous heritage.

History was often written by an elite and privileged few. These people tended to marginalize the many voices of minority groups. As critical thinkers, it is important to analyze the histories of these groups for a better understanding of why “official stories” of Aboriginal people exist in such a way. By critically examining the history of First Nations and White relations in nineteenth century Canada, “Joe the Painter” and “We Must Farm to Enable us to Live” are able to challenge the common misconceptions of Aboriginals.

Lorraine O’Gradys’ unintentionally historic performances, seemingly elevate everyday life to the status of art. In her ‘exhibit’ at the Studio Museum, her work is represented through photographs, in ‘Art is…’. Thirty years ago, O’Grady presented ‘Art is’ in the form of a float in the African American Day Parade right here in Harlem. Performers pranced with empty frames, metaphorically capturing fleeting pictures of the people and places that surrounded the route of the parade. By doing so, the trappings of high art were brought out of the museum, into the street, which promotes a new way people might begin to recognize this new art form in the celebrations of every day life. The

The Canadian North, a rugged landscape often glamorized as a land of adventure and promise, hides a dark history. From the early day’s of the gold rush, when the land was first colonised, to the attempted cultural assimilation of the indigenous peoples through residential schools, the people native to the area are still in a struggle of identity and culture, and the resulting effects such as high suicide rates, poverty and drug abuse,. It is through this lens that I will examine the work of Ted Harrison, a prolific English artist who spent the majority of his life living in the Yukon and painting the contemporary society that he saw around him. There is no doubt that his work was highly intertwined with the indigenous culture, and as such his identity brings up questions regarding the appropriation of native american culture. To that end, this essay will look at the context of his biography, the subject matter of his work, and compare it to contemporary Native American artists in order to clarify the nature of his art.

The practice of witchcraft and the dark arts has been around for centuries. There are countless books, movies, plays, and television shows today that revolve around witchcraft and the practice of witchcraft. One of the most prominent eras for witchcraft was during the late fifteenth and early sixteenth centuries within the Medieval and Renaissance time periods. Around this time is when Shakespeare’s tragedy of Macbeth, which is one such play as it possesses a plot involving witches and witchcraft, was written and performed. William Shakespeare portrays the common belief of witchcraft during the Medieval and Renaissance time periods in Macbeth by exploiting the witches’ familiars, their leader, and their

Our country of Canada has a dark past. First Nations and Indigenous people in Canada were oppressed to the point where people now refer to what happened to them over 150 years as a cultural genocide. In this essay, I will attempt to explain the media’s coverage on the oppression that Indigenous people have faced, and why media coverage was so rare prior to this year. I will do this by looking in detail at three scholarly articles, five newspaper articles, and a YouTube video.

The READing outlined the role of movement and myth as a part of Indigenous histories yet with the arrival of settlers to Canada their colonial notions tried to replace and erase many of these worldviews and understanding. With the colonial attempt to assimilate and destroy Indigenous cultures in favor of European Christianity, Indigenous practices, understanding and tradition were band or lost. As seen through the banning of Potlaches and PowWow celebration, ritual and spiritual practises, destruction of land and the removal of children from communities and placing them in harmful residential schools stripping them of their languages and cultures. There are many, particularly due to their placement in residential schools that have lost the traditions and practices of their families and communities. The loss of these practises within art due to colonialization is a part of the reason why there large gape within Indigenous art histories, as many practise were banned, or not given the chance to learn from their communities. There are differences to pre- and early contact art as many could no longer practise or no longer knew how to make these traditional forms. It is this loss of information within nations that cultural continuance look towards, it is a re-learning of

that serve to contest current stereotypes of Aboriginality as well as create art that is a

Native American art is a profoundly expressive culture that has been a way of life for so many Native Americans. Native American art history has advanced over thousands of years and is composed of several idiosyncratic styles from the differentiating cultures of diverse Indian tribes. From Navajo to Hopi, each tribe has a particular history, which consists of many types of Native American arts including beadwork, jewelry, weaving, pottery, carvings, kachinas, masks, totem poles, and more. To truly understand Native American art, we will explore Native American art history, its subjects, and if Native American art has a spiritual connection to it.

The Canadian government was being deceitful towards the Mohawk peoples; they ignored their claims to the land and decided to build anyway. This was unjust act was bound to be followed by retaliation. Even after the crisis ended in September of 1990, one of the non-aboriginal locals stoned 75 cars that had aboriginal women, children, and elderly inside. This shows the hatred and disrespect for people who were just defending what was rightfully theirs. Cases like this one help to make Canadian's more aware of the current situation with the First Nations. It shows them how the government is and has been failing to treat the First Nations people fairly when it comes to their rights to the land.

The traditional aboriginal art depicts places, events and dreaming ancestors, also incorporating actual events, whereas the temporary was only for initiation ceremonies and funerals. The aboriginal art opens up ways of communicating the close relationship between the ancestral beings and the laws, views, values, ceremonies and obligations of the people. They enable understanding and knowledge within a community and also partcially the outside world.

Many people may have different views on the value of life. My ideas fit into the movie strongly because i believe that one man can change many lives. A human’s life should not have a value, but a bad experience may force us to put a dollar value to someone. A small life experience may change someone's life to a complete 180 and start headed back to the beginning. No income or status should put a value to a person in no circumstance. Someone with low income or low status may be in most cases more hard working and more time put into the people around. No human should have a dollar value placed upon them to determine how valuable their life or life period is worth.