Internal Conflict Between Romeo And Juliet And Capulet's

As we go on in the play of ‘Romeo and Juliet’ we discover that the

One such scene was the infamous balcony scene. Zeferelli stuck to the classical interpretation, while Luhrmann did not. In Zeferelli’s version Juliet was on the balcony outside her bedroom calling rhetorically, "Romeo, Romeo where fore art thou Romeo?" Romeo appears and climbs up the balcony, and they share a couple of small kisses before he departs. However, in Luhrmanns version of the play, events occurred slightly differently. Juliet is walking by the pool, when Romeo startles her and they both fall in the pool. Their conversation then takes place in the pool. In between getting interrupted by a nosy security guard they share several passionate kisses.

Romeo and Juliet is a timeless story about two ill-fated lovers. Originally written by, Shakespeare, this story has been adapted by different directors who all commonly try to add their own unique twist to it. Two of the most prevalent adaptations of Romeo and Juliet have been done by Franco Zeffirelli and Baz Luhrmann, who have taken this love story to the big screen. Franco Zeffirelli’s movie, which was produced in 1968, is extremely authentic and stays true to Shakespeare's vision, whereas, Baz Luhrmann’s version produced in 1996, is contemporary and appeals more to younger audiences. There are various differences and a couple of similarities between Zeffirelli’s and Luhrmann’s movie versions such as the costumes, their interpretations of

Shakespeare’s Romeo and Juliet has been modified numerous times and has been a source of inspiration for many playwrights and directors. Franco Zeffirelli and Baz Luhrmann are examples of directors that use Shakespeare’s legendary tragedy as a basis for their films.

During some of part one, and two, we slowly learn about Romeo and his dilemma. He has fallen in love with beautiful Rosaline and all of his heart is crying out to her. He vows to never see a beauty as fair as her, and complains about the rudeness and pain of love. He allows himself to go to the party with Mercutio and his friends, but remarks he won't have a good time. "I'll go along, no such sight to be shown, But to rejoice in a splendor of mine own."  That is until he sees Juliet. Instantly he forgets all of his lamenting for Rosaline love, and proclaims Juliet is the most beautiful thing he has ever seen. "O! she doth teach the torches to burn bright. It seems she hangs on the cheek of night, like a rich jewel in an Ethiop's ear; Beauty too rich for use, for earth too dear! So shows a snowy dove trooping with crows, As yonder lady o'er her fellows shows. The measure done, I'll watch her place of stand, And, touching hers, make blessed my rude hand. Did my heart love till now? forswear it, sight! For I ne'er saw true beauty till this night."

Luhrmann’s variation of the film is more suited to a teenage audience than Zeffirelli’s due to the vibrant settings and modern sets utilised throughout the film. Several of these sets include the beach, high rise buildings and petrol stations. These factors are used to tempt a younger audience. Zeffirelli’s Romeo and Juliet, however takes place in a medieval Italian city. Although the original play was based and performed in this location, teenage viewers cannot relate to the surroundings, hence making it difficult to understand or appreciate the plot.

balcony in order to get to her. The camera shot used is a close up of

Another aspect of sound in this film was how it affected the story. By using sound dramatically in certain parts and not using it at all in other parts, sound gave this story an entity of its own. For example, during long stretches of film with mostly dialogue, there was no music played in the background, only a phone ringing in the distance, or the men's voices during their deliberation. These long silences also took place during editing shots of the town and images that surrounded this German city. This dramatic difference in sound was a revelation of how mood can be made by images and sound put together to make an incredible component.

In the tragedy 'Romeo and Juliet', Shakespeare presents the inner struggles of Romeo and Juliet, the two protagonists as one of the main themes. This is clearly shown at the end of Act 3 Scene 2 when Juliet receives the news that Romeo has been banished and Tybalt has been killed. Juliet is distraught at the conflict of her loyalties. Should she express love for her family or should she express love for Romeo? By using many different language features, such as oxymorons, paradox, antithesis and dramatic irony, Shakespeare effectively displays Juliet's conflicting emotions. Later in the play, Shakespeare uses the betrayal by adults to again show the inner struggles of Romeo and Juliet.

The 1996 film, Romeo and Juliet, is Baz Luhrmann’s interpretation of William Shakespeare’s play by the same name. This film is part of Baz Luhrmann’s Red Curtain Trilogy where Luhrmann uses a theatre motif in each, with poetry and language being the motif used in Romeo and Juliet. This play was originally written by William Shakespeare who was an English poet, playwright, actor and a man who is considered one of the greatest contributors to English literature as he invented over 1700 now common words and wrote some of the world’s most famous plays. Romeo and Juliet was written in 1595 so Luhrmann had to give the film a contemporary twist but keeps the original themes of forbidden love and young romance to appeal to a modern audience. In the

Romeo and Juliet is a story based on conflict. The conflict in the story is Capulet against Montague. From ancient times, the two families have held grudges against each other. As the book states. “Two households, alike in dignity...from ancient grudge break to new mutiny. Where civil blood makes civil hands unclean (1.Prologue.1-4).” The grudge between the two families has led to fighting and even death.

The Hostility Between the 'Montagues' and the 'Capulets' in Romeo and Juliet by Shakespeare William Shakespeare’s play ‘Romeo and Juliet has a major theme of conflict. The main conflict in the play is the feud between the two wealthy families: the ‘Montagues’ and the ‘Capulets’. Shakespeare does not state the reason for the hostility between the two families. Shakespeare may have done this to indicate how long the feud has been going for. Shakespeare creates conflicts between characters in the play.

time era. Meanwhile, he portrays Romeo and Juliet as politically unbiased through the use of

Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.

Throughout Romeo and Juliet the theme of conflict is conveyed in many forms, mostly through physical violence; reflected in the era of the Renaissance where there was political turmoil and many European nations were at war. Shakespeare presents the theme in other forms as well; family versus family, sacred versus profane, parent versus child and language versus inner conflict. Conflict is a key in the structure of the play; it is highlighted in the beginning, middle and end. As an audience we are constantly being reminded of conflict which is reflected within the era the play was written in. The Renaissance was the 'rebirth ' of classical learning and was also the time when Science challenged many traditional Christian beliefs which resulted in Catholics fighting Protestants; the Gunpowder plot and the Spanish Armada. Shakespeare chose to dramatise conflict as it was the context in which he was writing plays. It is therefore arguable that this period was characterised by irreconcilable opposites in politics, religion and art. Nothing in the world can exist without its opposite- just as love cannot exist without hate, violence cannot exist without peace.