Essay on James Joyce's Dubliners - Anger and Misery in Counterparts

    In the early twentieth century, Ireland, and more specifically Dublin, was a place defined by class distinctions. There were the wealthy, worldly upper-class who owned large, stately townhouses in the luxurious neighborhoods and the less fortunate, uneducated poor who lived in any shack they could afford in the middle of the city. For the most part, the affluent class was Protestant, while the struggling workers were overwhelmingly Catholic. These distinctions were the result of nearly a century of disparity in income, education, language, and occupation, and in turn were the fundamental bases for the internal struggle that many of Joyce's characters feel.

In "Two Gallants," the sixth short story in the Dubliners collection, James Joyce is especially careful and crafty in his opening paragraph. Even the most cursory of readings exposes repetition, alliteration, and a clear structure within just these nine lines. The question remains, though, as to what the beginning of "Two Gallants" contributes to the meaning and impact of Joyce's work, both for the isolated story itself and for Dubliners as a whole. The construction, style, and word choice of this opening, in the context of the story and the collection, all point to one of Joyce's most prevalent implicit judgments: that the people of Ireland refuse to make any effort toward positive change for themselves.

In author James Joyce’s short story, “A Painful Case”, the reader is immediately introduced to the character Mr. James Duffy. Upon further inspection, it becomes evident that this character is easily defined by his tendency towards misanthropy. Misanthropy, as defined by the Merriam-Webster dictionary, is the “hatred or distrust of humankind”. This trait in Mr. Duffy is demonstrated clearly in a passage early on in the story: “His cheekbones also gave his face a harsh character; but there was no harshness in the eyes which, looking at the world from under their tawny eyebrows, gave the impression of a man ever alert to greet a redeeming instinct in others but often disappointed (142).” The key statement in this passage is the second

The setting of the story, Dublin, has been written in such a way that only

James Joyce wrote Dubliners to portray Dublin at the turn of the early 20th century. In Dubliners, faith and reason are represented using dark images and symbols. James Joyce uses these symbols to show the negative side of Dublin. In “The Sisters,” “The Boarding House,” and “The Dead” dark is expressed in many ways. James Joyce uses the light and dark form of symbolism in his imagination to make his stories come to life.

Like a shovel to dirt as a pen to paper. In “Digging,” Seamus Heaney uses specific elements such as diction, and imagery to convey his meaning that children don’t always want to be like their past generations of men.

James Joyce’s 1914 collection of 15 short stories The Dubliners has the continuous theme of money which further dwells into the idea of class systems, how colonies became a dichotomy, and how in the end, the colonists were nearly the same. Since Joyce writes these stories in the early 20th Century, there has been a large history behind colonization and the life that comes with it. In using everyday examples or little segments of the average day, Joyce expresses the idea and components of the class system in Dublin which shows the distinction and yet the similarities between the impoverished and the well to do.

Dubliners (1914), by James Joyce (1882-1941) is a collection of short stories representing his home city at the start of the 20th century. Joyce 's work ‘was written between 1904 and 1907 ' (Haslam and Hooper, 2012, p. 13). The novel consists of fifteen stories; each one unfolds lives of the different lower middle-strata. Joyce wanted to convey something definite about Dublin and Irish society.

Human beings yearn for better lives, often through escape. The main characters in James Joyce's Dubliners are no exception. Characters such as Eveline in "Eveline" and Little Chandler in "A Little Cloud" have a longing to break free of Dublin's entrapment and pursue their dreams. Nevertheless, these characters never seem to achieve a better state; rather, they are paralyzed and unable to embark on their journey of self-fulfillment. Joyce employs this motif of the empty promise of escape and its subsequent frustration through one's own responsibilities and purely physical acts. Through this, Joyce interconnects the different Dubliners stories to show that escaping life in a place as paralyzing as Dublin is no easy task on the individual.

How much does an artist’s life affect the art they produce? One’s art certainly can be an expression of one’s surroundings and in this manner the surroundings are woven like a thread into their body of work. Seamus Heaney, born and raised in Northern Ireland, has grown up with many strong influences in his life that are visible in his poetry. As Robert Buttel claims in his article on Seamus Heaney “the imprint of this poet’s origins is indelibly fixed in his work” (180). Living in the “bogland” as Heaney has described Northern Ireland left an imprint on his poems, as he often depicts the lush green countryside and pastoral scenes of his youth. However, he also acknowledges his modern society.

The Victorian era was a time of contradiction. While England lamented its traditional values, it also saw the potential for a better quality of life through industrialization. Tennyson presents this paradox, between traditional acceptance of life and a progressive need for enhancement, in his poems "Ulysses" and "The Lady of Shalott". Both of these poems express a want for self-revolution while each protagonist has duties and societal expectations that are holding them back. Tennyson uses experience, gender, and identity in "Ulysses" and "The Lady of Shalott" to explore the idea of personal revolution.

Throughout James Joyce’s “Dubliners” there are four major themes that are all very connected these are regret, realization, self hatred and Moral paralysis, witch is represented with the actual physical paralysis of Father Flynn in “The Sisters”. In this paper I intend to explore the different paths and contours of these themes in the four stories where I think they are most prevalent ,and which I most enjoyed “Araby”, “Eveline”, “The Boarding House”, and “A Little Cloud”.

James Joyce’s book of short stories entitled Dubliners examines feminism and the role of women in Irish society. The author is ahead of his time by bringing women to the forefront of his stories and using them to show major roles and flaws in Irish society, specifically in “Eveline” and “The Boarding House”. James Joyce portrays women as victims who are forced to assume a leading and somewhat patriarchal role in their families. He uses them to show the paralysis of his native land Ireland, and the disruption in social order that is caused by the constant cycle of abuse that he finds commonplace in Ireland. Joyce is trying to end the Victorian and archaic view of

Dubliners by James Joyce is a collection of stories centered around Joyce’s intentions to write the moral history of Dublin’s paralysis. Although paralysis seems to be the main theme in Dubliners, another motif comes across in the pages of the stories. As if all of the mental, physical, and emotional problems weren’t enough, many of the characters in Dubliners are alcoholics. Joyce utilizes the character of the drunk in many of the stories in Dubliners; hardly a story skips a mention of a drink. The negative effects of alcohol occur again and again through the collection of stories. For the most part, men are brought down by their addiction to alcohol and their inability to control themselves when they are drunk. In Dubliners, the characters seek their own desires, face obstacles that frustrate them, and ultimately give in to their need to consume alcohol. With Dubliners, James Joyce brings attention to the different issues that consuming alcohol caused in early 20th century Ireland using three particular stories; “Counterparts”, “Grace” and “Ivy Day in the Committee Room”.

James Joyce's Ulysses was written throughout a total duration of seven years, and was published by episodes in The Little Review, an American journal. The eighteen episodes were eventually put together in the form of a novel and published in 1922, in Paris, by Sylvia Beach.