Essay Justifying the Murder in Beloved by Toni Morrison

In her novel Beloved, Toni Morrison spins an intricate web between names and numbers for the reader to unravel. The deep connection that lies between names and numbers is a direct correspondence to the identity and worth of black people during slavery. Beloved begins with the identity of the house which is characterized by a number. The house is given a temperament as if it is a living, breathing entity and yet it still referred to as a number. The significance of this is symbolic to the plight of the black slaves. Regarded as little above the common animal, slaves were defined by their selling price, essentially they were reduced to a number. Viewed as nonbeings they nevertheless feel and suffer their place in the south. The character Beloved is similar in this regard as well. All that defines her is an age and a name that remains unfluctuating through time. In an insufferable and cruel world, names and numbers play a critical role in understanding the identity of black existence in the South. To uncover the implications and nuances that names and numbers play will be instrumental to delving into the lives of black slaves. Beloved contains a vast amount of names and numbers and the connections between them deepen the novel and provide mammoth insight into understanding and interpreting Morrison’s work and purpose for juxtaposing such elaborate bonds between names and numbers.

Toni Morrison's novel, Beloved, allows for one to experience slavery through three generations of women. The complex development of the horrors of black chattel slavery in the United States intertwined with a story a freedom helps the reader to understand the ongoing struggle of the Afro-American population after emancipation. Denver, although never a slave, is at first held in bondage by her mother's secrecy about her past and only sets herself free when her mother is forced to cope with her memories.

At the climax of her book Beloved, Toni Morrison uses strong imagery to examine the mind of a woman who is thinking of killing her own children. She writes,

In this chapter, we learn that Sethe was already pregnant with Denver when she ran away from Sweet Home. By the time when Sethe collapsed her feet in the woods, a white girl Amy Denver had found Sethe. Due to Sethe’s fear about Sweet Home, she told Amy Denver a false name- “Lu”, because if she were caught, she would be returned to Sweet Home, and she would continue experiencing her previous painful daily life again. Amy Denver helps Sethe by massaged her feet and release her pain. Later, Sethe gave birth to her baby successfully with Amy’s help and Sethe also naming the child after Amy Denver.

Sethe understands that her history, filled with the pain of slavery, grief over losing her children, and guilt over Beloved's death, and tries to hide from all the anguish. However, she admits that the past seems to "always be there waiting," thereby emphasizing the idea that past horrors of life continue to haunt forever. It appears as though the power of her experience in slavery influences her so greatly that the memory triggers great pain, causing the horrifying incidents to "happen again." Even though Sethe understands that she cannot ever fully escape her history as it will come back to trouble her, she still tries to avoid them and thus attempts to shield her daughter from the horrors of history: "As for Denver, the job Sethe had of keeping her from the past that was still waiting for her was all that mattered" (45). It seems as though Sethe tries to deny the fact that history does not simply disappear. She still tries to protect Denver "from the past" even though history "waits," prepared to cause trouble and inflict the pain Sethe tries to repress. It appears as though Sethe continuously tries to fight against her memories and ignore her past in part one. For example, after she wakes, she begins "Working dough. Working, working dough. Nothing better than that to start the day's

Although this event is repeated several times, it is never repeated for the some reason or in the same way. We go from meeting Amy before Denver is born, to the actual birth on the boat, and finally the story of naming the baby after she is born. This sequence of events, and the use of the story over and over again, show its significance in Sethe’s life so far. Not only was it the start of a wonderful relationship with her daughter, but it was also the start of some pretty horrible memories. This is referring to Sethe’s sudden urge to try to kill her children as protection from future slavery. While she thought this was a good idea at the time, it turned out to be yet another horrible memory in her life. Using this story a number of times in the text shows the overbearing weight Sethe must carry with this

Sethe divulged to Paul D the catastrophic events that caused her to run away from Sweet Home, and then she surrendered her sons and daughter to a woman in a wagon because she was worried about the family’s future under the Schoolteacher’s reign. Her description of the assault was straight forward. She told Paul D and very succinctly the roughness and cruelty of those white people especially the two white boys who beat her while she was pregnant with Denver injuring her so badly that her back skin had been dead for years. She refers to the situation as

As much as society does not want to admit, violence serves as a form of entertainment. In media today, violence typically has no meaning. Literature, movies, and music, saturated with violence, enter the homes of millions everyday. On the other hand, in Beloved, a novel by Toni Morrison, violence contributes greatly to the overall work. The story takes place during the age of the enslavement of African-Americans for rural labor in plantations. Sethe, the proud and noble protagonist, has suffered a great deal at the hand of schoolteacher. The unfortunate and seemingly inevitable events that occur in her life, fraught with violence and heartache, tug at the reader’s heart-strings. The wrongdoings Sethe endures are significant to the meaning

Sethe’s relationship is in a balance at the beginning. She has the two poles of attraction, Paul’s desire to settle down and start a family, and Beloved’s desire to draw Sethe back into the past. Throughout the novel, acts of cruelty wind into her life and alter the outcome of her days. Cruelty in Beloved affects both the perpetrator and victim in that the perpetrator becomes consumed by such acts, and the victim simply devolves to be more and more vulnerable to such acts. In Toni Morrison’s Beloved, Beloved’s acts of cruelty reveal how one’s inner desires can overcome the perpetrator, and dehumanize victim in the long term.

Toni Morrison’s Pulitzer Prize winning book Beloved, is a historical novel that serves as a memorial for those who died during the perils of slavery. The novel serves as a voice that speaks for the silenced reality of slavery for both men and women. Morrison in this novel gives a voice to those who were denied one, in particular African American women. It is a novel that rediscovers the African American experience. The novel undermines the conventional idea of a story’s time scheme. Instead, Morrison combines the past and the present together. The book is set up as a circling of memories of the past, which continuously reoccur in the book. The past is embedded in the present, and the present has no

    The maternal bond between mother and kin is valued and important in all cultures.  Mothers and children are linked together and joined: physically, by womb and breast; and emotionally, by a sense of self and possession.  Once that bond is established, a mother will do anything for her child.  In the novel Beloved, the author, Toni Morrison, describes a woman, Sethe, who's bond is so strong she goes to great lengths to keep her children safe and protected from the evil that she knows.  She gave them the gift of life, then, adding to that, the joy of freedom.  Determined to shield them from the hell of slavery, she took drastic measures to keep them from that life.  But, in doing so, the

Love is said to be one of the most desired things in life. People long for it, search for it, and crave it. It can come in the form of partners, friends, or just simply family. To some, love is something of a necessity in life, where some would rather turn a cold shoulder to it. Love can be the mixture of passion, need, lust, loyalty, and blood. Love can be extraordinary and breathtaking. Love being held so high can also be dangerous. Love can drive people to numerous mad things with it dangerously so full of craze and passion.

To survive, one must depend on the acceptance and integration of what is past and what is present. In her novel Beloved, Toni Morrison carefully constructs events that parallel the way the human mind functions; this serves as a means by which the reader can understand the activity of memory. "Rememory" enables Sethe, the novel's protagonist, to reconstruct her past realities. The vividness that Sethe brings to every moment through recurring images characterizes her understanding of herself. Through rememory, Morrison is able to carry Sethe on a journey from being a woman who identifies herself only with motherhood, to a woman who begins to identify herself as a human being. Morrison

The atrocities of slavery know no bounds. Its devices leave lives ruined families pulled apart and countless people dead. Yet many looked away or accepted it as a necessary part of society, even claiming it was beneficial to all. The only way this logic works is if the slaves are seen as less than human, people who cannot be trusted to take care of themselves. In Toni Morrison’s Beloved the consequences of a lifetime of slavery are examined. Paul D and seethe, two former slaves have experienced the worst slavery has to offer. Under their original master, Mr. Garner the slaves were treated like humans. They were encouraged to think for themselves and make their own decisions. However, upon the death of Mr. Garner all of that changes. Under

In her essay "Beloved: A Question of Identity," Christina Davis discusses the issue of identity from an historical perspective, a textual perspective and an authorial perspective. She looks at the text in comparison to the slave narrative, explores how the text itself expresses issues of identity and describes Morrison's choices of authorship and their contribution to identity. Her exploration of the theme of identity calls upon the treatment of self-image, particularly in the context of slavery; and outward image as expressed by naming and other white descriptions of the black characters. Her organization of information is historically sequential, ordering elements as they occurred