Kafka's Metamorphosis

Although work is immediately presented as the exterior factor pushing Gregor into the system, the majority of the book is characterized by Gregor’s relationship with his family-- and their individual role in forcing Gregor to stay within the norms of society. Even in the context of Gregor’s employment, his work itself can be seen as an extension of his familial pressure to operate within his societal role. The necessity of money, and it’s direct relation to his family was described

The title of the story “The Metamorphosis”, by Franz Kafka is misleading. Merriam-Webster defines metamorphosis as the “change of physical form, structure or substance, especially by supernatural means, a striking alteration in appearance, character or circumstance”. While there is an obvious change in the appearance of the character Gregor Samsa, it becomes apparent after reading the story, that his appearance is not the only thing that transforms. In the story, Gregor wakes up one morning to realize that he has changed into a giant insect. Not only did he transform into a creature, but he was also stripped of his humanity. The author Franz Kafka uses this symbolism to focus the reader's attention on one character that mirrors himself and his life. Both Kafka and Gregor are traveling salesman from Prague, experience dysfunctional personal relationships throughout their life and suffer from psychological conditions including alienation and isolation. Franz Kafka’s life, a heartbreaking story of human conflict, parallels with the main character of metamorphosis, Gregor Samsa.

The treatment of Gregor in this story rapidly declines after his metamorphosis and it is daunting to compare Gregor’s fictional life to Kafka’s real life. The use of indirect characterization throughout this story attempts to bridge the gap between fiction and reality. In this quote, “people who already have to work as hard as we do can’t put up with this constant torture at home, too”(Kafka 1187), Grete is speaking to her parents about the “torture” of having Gregor live in the house with them. Although these negative words being hurled at Gregor are hurtful towards him and his emotional state, it’s captivating to see how much of the story can be compared to Kafka’s life. Reflecting upon the story on a deeper level, with the comparison of Kafka to Gregor in mind, forces you to broaden your mind set. Not only does it do that, but it makes the story more compelling to read and helps the reader stay more

In Kafka’s “The Metamorphosis”, the character Gregor transforms from a man into a bug, specifically a cockroach. Although Gregor physically changes, he does not change as a person. Gregor merely accepts his new condition as a bug and his family’s continuous abuse and hostility. Gregor’s acceptance of his new bug form is representative of his passive personality before and after his transformation. Gregor’s passivity, in response to the hostile world around him, causes his eventual downfall. Therefore, Kafka uses the character Gregor to exemplify how a passive attitude can cause one’s demise.

Grete undergoes a change in perspective to such a degree that by the end of the novella it is she who declares, “we must get rid of it” (84). This change in perspective shows how Kafka believes that members of society often stop sympathizing with the isolated group when it becomes inconvenient for them to continue doing so. Gregor’s mother reacts in an initial manner somewhere between the father and sister since when first seeing him she “went two steps toward Gregor and collapsed right in the middle of her skirts” (23). These conflicting desires continue through the novella, such as when Mr. Samsa tries to kill Gregor, “she begged him to spare Gregor’s life” (65) but at the same time she is repulsed by him. This illustrates how she wants to help him and tries to think of him the same way she did before his transformation, yet is unable to. This resembles the idealists in society who theoretically support the alienated person but often succumb to social pressures when they are forced to face the problem. These three reactions to Gregor’s transformation as a result of the initiation of his isolation by the manager demonstrate the spectrum of reactions. From the immediate acceptance of the hierarchy represented by Mr. Samsa, to the true compassion of Grete and the idealism of Mrs. Samsa, Kafka shows how a wide variety of reactions is expected from society, and how people often change their opinions.

The story is very sad and realistic, some of the things that are related in Kafka's story can be found in modern families today. Gregor was a man who sacrifices himself working to pay his father's debts, instead off on his own where he could prospered. Gregor never was recognized by his family of all the efforts that he did, he was taken for granted and he was

society. Kafka shows his fear of rejection. He tries to meet others but fails constantly because of his own perceptions of society and thier thoughts of him. He displays that he is, “struggling, “if possible more fiercely,”” (Kafka, 7) to get out of bed and get out into the world where society is, as he perceives, treating him so poorly. Gregor exhibits these emotions by being stuck in bed or staying in his room, by choice, until his death. The motif comes through for the reader in this quote when Gregor is stuck in bed because he is a bug and Kafka thinks he himself is a bug. This is how Kafka sees himself vs. society. He does not realize that their is always someone to bring him in and accept him. All he knows is family and so he thinks that is what society is. He shows the irony of the situation, in the novella, is the fact that he could easily leave and find new accepting people but his view of society is narrow. Gregor wants his family to accept and praise him while Kafka wants society to praise and accept him. He wants to show the damages society has done to him in the same way that Gregor reminds, “his father that “Gregor was part of the family”” (Kafka 38). Kafka wanted to remind even society that he is a person and needed acceptance like everyone else. This explains to the reader that family has a large influence on the people that are a part of it. It also shows them to accept others for who they are and help them instead of ridiculing or ignoring them. He becomes antisocial and turns away at the sight of others or the thought of having to see others all because of his appearance. appearance becomes another factor in why he does not want society to see him as he is. He might not want society to see him because he believes things will only get worse after he saw the reaction his family had toward him. Even his sister, who he still paints in a

Section I, of the Metamorphosis, explores Gregor’s physical transformation, his new problem with his occupation, and how those around him react to his unfamiliar appearance. Minding the fact that this is the first time his freshly acquired features are introduced to us, the readers, I’d have to say it resonates the most within me, aesthetically. Kafka writes, “One morning upon awakening from agitated dreams, Gregor Samsa found himself, in his bed, transformed into a monstrous vermin,” which resembled a giant cockroach. He goes on to say, “He lay on his hard, armorlike back, and when lifting his head slightly, he could view his brown, vaulted belly partitioned by arching ridges… His many legs wretchedly thin compared with his overall girth, danced helplessly before his eyes.” (Kafka 117). Predictably, considering I don’t possess an inclination for insects, it is not Gregor’s bodily conversion that is aesthetically pleasing. Rather, it is the stark contrast between his inconceivable situation and the ordinary terms used to convey it,

Kafka utilizes a new narrative perspective in the last passage of his work to expose the one-sided love between Gregor and the rest of his family. The majority of the story had been told in a free indirect discourse restricted to the mind of Gregor. In this position, Gregor’s humanity —despite his inhuman exterior— and his genuine love for family is revealed. As the only source of income for the family, he works with every fiber in his being to overcome the debt that plagues them, as “He felt great pride at having been able to give his parents and sister a life like this in such a beautiful apartment” (411). This compassion is clearly not reciprocated when the narration shifts to the remaining family following Gregor’s demise. Instead they critique the shelter that Gregor

Gregor’s role in his family characterizes him as an altruistic individual whose nature made him ignorant to his family’s manipulation. Gregor endures most of his hardships without complaint and puts the needs of his family firmly above his own. Upon realizing his transformation at the beginning of the novella, his first thoughts were not of alarm but of great concern about being late to work because it is his only means of taking care of his family (Kafka 6). After his father’s business failed, Gregor “work[ed] with special ardor” (27) doing laborious work as a traveling salesman, not only to “pay off [his] parents’ debt”(4), but to also spend what little money he has to give Grete the opportunity to perform violin professionally (26). With all these responsibilities, it’s inevitable for Gregor to be under great stress, which can infer that Gregor’s transformation is a result of his willful desire to escape the pressures his overburdened life. Gregor struggled between remaining a steadfast provider or following his desire for independence, however, his metamorphosis freed him from a job he detests. Now that it is impossible for Gregor to work, Mr.Samsa reveals that “he possessed more money than Gregor knew about” (#). This is a significant event where Kafka uses the motif of betrayal to emphasize the corruption in familial infrastructure represented through Gregor’s sacrifice and interaction with his family, as well as to socially comment about how people in society use

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

The sister, who had taken on a job as a salesgirl… studied stenography and French… to obtain a better position” (Kafka 41). This exemplifies the contrast of life previously and presently for Gregor, as before he felt satisfaction in being the sole breadwinner of the family, but presently however in his “imprisonment” as the narrator puts it, he is left with nothing but to watch his family through their privation.

Kafka was critical in bringing the new outlook on modern culture and particularly on modern man. Franz Kafka studied the modern man in the face of contemporary culture, and how he was steadfast in retaining his spirituality and identity, and gravitate towards authenticity and happiness. However, Kafka saw how the dehumanizing forces of industrialization and capitalism in the post- the WWI Europe posed a challenge to the modern man. Modern culture can be viewed tolerating and open to all. To Franz Kafka, modern culture coupled with technology is fast changing, and man has to maintain his self-consciousness in order not lose his spirituality and identity amidst these changes (Wintle pp. 708-710). Hence, as modern culture changes with the changing technology, religions are poised to change too, which presents fears to a man about losing his spirituality and identity upon embracing the modern culture. Interestingly, Kafka was mystical in his writings, with a keen interest in themes such as metamorphosis, existential and identity. If we look at “The Metamorphosis,” we can view the idea of how the dehumanizing effects of capitalism and industrialism are indicated within the writings. Kafka contends we become dehumanized with buying power and working too much. The transformation of Gregor seems to indicate a denial of responsibility to the changing forms of society’s conventions and values.

     In the third and final chapter, the family found the new drudgery of their lives. Their “overworked and tired-out family” (p. 880) increasingly neglected Gregor. He longed for responsibility and was “often haunted by the idea that next time the door opened he would take the

Engelberg exclaims, “the common alienation of two urban men, both suffering all the deleterious consequences of subsequent isolation, dehumanization, death” (Engelberg). Gregor’s isolation after turning into a cockroach continually provides evidence that he is no longer a part of the family; thus, he also loses his own instincts as a man. Kafka uses this isolation to exhibit what he experienced throughout his life, especially for being a Jew during World War I. Goldfarb explains, “For one thing, Gregor's repulsive appearance means he has to remain in his room, a prisoner, completely isolated. His existence was always a fairly lonely one, but this is worse: as far as friendship and intimacy are concerned, Gregor's transformation is not an escape from his past loneliness but an intensification of it” (“Goldfarb”). Gregor is isolated from his family because he looks different and he is rejected with any hope of reconnecting with them. Kafka utilises Gregor to show how being different from others leads to being isolated and eventual suffering. The dehumanization of people is caused by the isolation from others; thus, they often lose their will to live.