Kafka's Metamorphosis Literary Analysis

In Kafka’s “The Metamorphosis”, the character Gregor transforms from a man into a bug, specifically a cockroach. Although Gregor physically changes, he does not change as a person. Gregor merely accepts his new condition as a bug and his family’s continuous abuse and hostility. Gregor’s acceptance of his new bug form is representative of his passive personality before and after his transformation. Gregor’s passivity, in response to the hostile world around him, causes his eventual downfall. Therefore, Kafka uses the character Gregor to exemplify how a passive attitude can cause one’s demise.

Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.

In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.

Ralph Freedman’s critical essay titled “Kafka’s Obscurity” on Franz Kafka’s The Metamorphosis delves into the idea that from changes in the protagonist’s physical limitations, familial bonds, and his being “[he] is finally reduced to a mere speck of self-awareness which is ultimately extinguished” (Freedman 131). General questions of “why” and “how” are almost immediately dismissed due to the calm and monotonous tone that Kafka implements throughout the novel. Instead, the reader is encouraged to ponder the consequences of separating one’s mind from their body, in particular, how long can their humanity stay intact when the rest of them is replaced. Freedman reveals the “paradoxical” (Freedman 131) nature of The Metamorphosis in which the demise of one’s life may also be blissful release, especially when the individual in question was arguably inhuman to begin with. The transformation itself is emphasising the character’s current dejection and is highlighted by the transformations mirrored in the family as well.

Because Gregor’s job merely serves as a means to an end, he represents the proletariats who bear the burden of the bourgeoisie. Although Gregor “would have given notice long ago” if not for his parents, he must continue working to pay off their debt (Kafka 946). Once he earns enough money to fully pay off his parents’ debt, Gregor “[wi]ll definitely [quit]” (Kafka 946). This affects Gregor not only materially but also emotionally, as he fails to build any relationships. Therefore, Gregor’s need to support his parents inhibits many aspects of his life. Similarly, Marx writes that, due to exploitation of production from the bourgeoisie, “proletariats have nothing to lose but their chains.” Connecting the means of production to the proletariats, Friedrich Engels, Marx’s editor, explains that “human power may be exchanged and utilized by converting man into a slave” (Straus). Through this exchange, the worker not only loses his autonomy but also becomes subservient to the bourgeoisie. Because Gregor experiences this phenomenon, many find the book’s setting “as more plausible in a petit bourgeois[ie] family than in any other setting” (Stach 202).

In Franz Kafka's Metamorphosis, Gregor’s life dramatically changes with the event of his transformation to a bug. His family is not in full acceptance of what has become of him and Gregor begins to lose himself. He had once been the provider for his family and now it is as if his family reproaches him for his inability to take care of them. Gregor wants to again have a role in his family yet recognizes that his family would be better off without him and dies. There are several situations that Gregor experiences that makes him lose all hope. From Maslow’s hierarchy of needs it can be be seen that Gregor loses his humanity including the essential needs to humans such as his safety, his desire to be successful, and his desire for affection from others. The desire to feel love from his family and their rejection is the final event that leads to his depression and at the end to his death.

Everyone knows that one person from school who does not fit in. These people are known to us as strange, weird, and different from the standards set by the majorities of society. In the article, “Isn’t Everyone a Little Bit Weird?” at the beginning of Unit 2 in the My Perspectives textbook, the reading describes how even the most remarkable individuals how some hidden unexpected traits. “The Metamorphosis” is a short story by Frank Kafka. Gregor, the main character, wakes up to realize that he has turned into a bug. Throughout the story, we see how his life is slowly falling apart as his family suffers from his transformation. Overall, outsiders are not those who are misjudged or misunderstood because everyone is weird in some way, even as they attempt to fit in, people never take time and are quick to create judgements of others, and society wants all identities to be equal in order to avoid the fear of change.

‘The Metamorphosis’ by Franz Kafka, the composer of the novel, explores the relations between an outsider and an insider, and Gregor Samsa’s relationship with his family, gradually following up on how Gregor decided to become an insect that he was physically being seen as, although he had been psychologically/ mentally been feeling like an “insect” for a while now. Gregor allowed himself to transition into an insect, as he chose he would let his family affect his personal happiness. Subsequently, he made the choice to become accustomed to the routine of the life he was living, to exclude and suppress himself from all persons and things, and to become fully focused on his job and his duties, despite the fact that he despised it so much. Gregor wanted to believe that he was in full control of his own life and emotions, when he only allowed his family to affect him thoughts and progression, similarly just like Kafka’s did as well as confiding to become an insect

As readers, we are unsure of what Kafka's intentions were while writing the story "Metamorphosis". We see a lot of allegories that can be connected to Christianity. Through reading this story we can see different allegories such as Gregor being the only son of the family, groups of three and lastly the apple that struck Gregor in the back. Throughout this essay, I will talk about why I believe these can be connected to the Christian Bible and the importance of the allegories.

Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,

Also, in his writings, Kafka pointed out the dehumanizing forces of industrialization and capitalism in post-WWI Europe. Kafka saw bureaucracy establishments as being something that deprives the mere existence of real human standards of industrialization that will oppress a person in a workplace. “Work like this is far more unsettling than business conducted at home, and then I have the agony of traveling itself to contend with” worrying about train connections, the irregular, unpalatable meals, and human intercourse that is constantly changing, never developing the least constancy or warmth” (Puchner, P1881). Before the protagonist Gregor’s transformation, he views his life as a working insect being trapped in a society where alienation and decay are rampant because the workers are not happy. Gregor is stuck in prison

In 1915, Franz Kafka, writes a fictional short story, Metamorphosis, metaphorically reflecting on societal norms. The metaphor he uses is absurd. It is absurd because the main character becomes a giant cockroach. This is not quite the lived experience. However, Kafka stabs at the theme of dehumanization.

Their dependence is why Gregor places so much emphasis on his job even over his own state of being; because his main use to his family is his work. While Gregor’s job does make him miserable, the thought of escaping it gives him the hope to continue and thus gives him purpose in life. It is noteworthy that Gregor does not describe exactly what the “big change” he will make once he pays off his parent’s debt is. It is merely the thought of escaping his oppressive work environment that drives him to continue working a vicious cycle that makes up his life and consequently his self identity. This contrast can also be seen in Gregor’s initial reactions he goes from damning his job to “Hell” to exclaiming “God in Heaven!” when he realizes that he is late (Kafka

Making the ultimate sacrifice for sin, “[Jesus] made himself nothing by taking the very nature of a servant, being made in human likeness. And being found in appearance as a man, he humbled himself by becoming obedient to death” (New International Version, Philippians 2.7-8). In a scenario closely related to Jesus’s legacy, Gregor Samsa awakes to discover that he too has transformed into an inferior form, a beetle-like creature. While he maintains certain aspects of his humanity, such as his compassion and empathy for loved ones, he is considered nothing more than a repulsive bug. The flaws in Gregor’s family quickly become evident through their negative reactions to the transformation. Gregor quickly discerns that he has become a burden,

Mr. Samsa entrenches his family in debt with his business ventures, leaving Gregor to pick up the slack. Basically, Gregor had become a servant of his work, and, after his metamorphosis, passes that burden up to his father (Marx 3). The father, like Gregor, upsets the natural balance of society in his household by not working, up until the metamorphosis. The family starts to pay off the debts with Gregor’s income and stops after Gregor’s transformation. However, once Gregor, who used to pay the debts, dies, the family can finally go back to paying the debts (Kafka 55). In a way, Gregor dies before his literal death, where his father kills him. His labor, as alienating as it is, is a form of self-sacrifice (Marx 4). This is irony on Kafka’s part, but it simply serves to exemplify the Marxist aspects of “The Metamorphosis,” which are the themes of labor and money.