Writing and literature is seen as a way for the author to freely express his or her ideas to the public. In writing, the author has control of every aspect of their work and allows for the writer, no matter the world state, a sense of freedom inside their work. The 20th century, battered by economic depression and two world wars, saw these writers take their creative control to emphasize the current state of the freedom and control of the individual. Kafka’s The Metamorphosis, various World War I poems, and Brecht’s Fear and Misery of the Third Reich show the lack of individual freedom and control that people had over their lives during the destruction that occurred in the 20th century. Published in 1915, Franz Kafka wasted no time in starting his discussion about freedom and control through the life of Gregor. After he awakes and realizes he has transformed, Gregor begins speaking negatively about his job as a traveling salesman (Meta. 11-12). He hated his job, but could not afford to quit because he was the major provider for his family. Gregor did not have control over his occupation because of his family’s need and the capitalistic state. During the 20th century industrialization was still rising and although factories did not provide the safest conditions, people had to take any job they could to help the family make ends meet. Like Gregor, people did not necessarily have the freedom or control to choose their occupation. They simply took what they could get
I have chosen The Metamorphosis as my subject for this paper; I will take a close look at how the death of Gregor Samsa opens the doors to understanding the story. I will give examples of irony through Gregor’s metamorphosis and how this irony brings together the conclusion of the story. Through his death we see the truth behind his parents, which in it’s self is ironic. It is difficult to pinpoint one specific thing to write about in the story; there are just so many things that can be brought to light. If I happen to lose sight of my topic bear with me, there is just so much to be discussed in the novella.
Everyone has people they depend on. People that he or she knows will always be there when they’re needed. But what happens when those people just don’t show up or just all of a sudden stop caring? The feeling of loneliness can break down a person’s character and reduce him to a shell, or in this case and exoskeleton, of who he once was. We can see this in The Metamorphosis by Franz Kafka. When Gregor Samsa finds himself transformed into a giant beetle-like creature, what he needs more than anything is the love and support of his family, but he disgusts them. They shut him up in his room so that no one can see him. They are ashamed of him, and quickly forget that he was part of their own flesh and blood. All that they can see is the monster that appears on the on the outside. Gregor’s sister and parents betray his love for them and leave him feeling lonely in the most terrifying and desperate time of his life.
In the metamorphosis by Franz Kafka, there are significant actions and transformations which make the story sad, and strange with a happy ending. Explanations that are dramatic events that intensify the excitement of all these actions. Reality and reflection play an important role in this story because the events that happened could be applied and assimilated with modern society.
I originally pictured the choice that Gregor chose to work is because of the feudalistic ideas of his family, and the rule of the society makes the difference in individual self awareness. However through our class discussion surrounding the time and place matters, i realized that the Gregor felt he has to work because he lives in that area that makes him think it is his responsibilities to labor for his family. While we researched the background information about Franz Kafka, we come to the result that the reason why Gregor doesn't like to work, it is because in the period of Kafka exist, and where he wrote the book, which is limited by the rule of society and the rigorous control from his father.
Introduction: Kafka depicts the working class as having to make personal sacrifices in order to survive in a capitalist society. Kafka does this through the characterization of Gregor as depressed, the symbolism of food and the diction surrounding Gregor’s father employment status.
Ralph Freedman’s critical essay titled “Kafka’s Obscurity” on Franz Kafka’s The Metamorphosis delves into the idea that from changes in the protagonist’s physical limitations, familial bonds, and his being “[he] is finally reduced to a mere speck of self-awareness which is ultimately extinguished” (Freedman 131). General questions of “why” and “how” are almost immediately dismissed due to the calm and monotonous tone that Kafka implements throughout the novel. Instead, the reader is encouraged to ponder the consequences of separating one’s mind from their body, in particular, how long can their humanity stay intact when the rest of them is replaced. Freedman reveals the “paradoxical” (Freedman 131) nature of The Metamorphosis in which the demise of one’s life may also be blissful release, especially when the individual in question was arguably inhuman to begin with. The transformation itself is emphasising the character’s current dejection and is highlighted by the transformations mirrored in the family as well.
Everyone knows that one person from school who does not fit in. These people are known to us as strange, weird, and different from the standards set by the majorities of society. In the article, “Isn’t Everyone a Little Bit Weird?” at the beginning of Unit 2 in the My Perspectives textbook, the reading describes how even the most remarkable individuals how some hidden unexpected traits. “The Metamorphosis” is a short story by Frank Kafka. Gregor, the main character, wakes up to realize that he has turned into a bug. Throughout the story, we see how his life is slowly falling apart as his family suffers from his transformation. Overall, outsiders are not those who are misjudged or misunderstood because everyone is weird in some way, even as they attempt to fit in, people never take time and are quick to create judgements of others, and society wants all identities to be equal in order to avoid the fear of change.
Analysis of the story “The Metamorphosis”, by Franz Kafka was written back in the early 1900’s, but reflected a more modern way of thinking and lifestyle of today. Gregor felt that he was a slave to his job, isolated from his co-workers, and misunderstood by his family. Although that is the norm in today’s society, it was not the norm back then. In the story Gregor finds himself transformed into a cockroach and his internal struggles become a permanent reality. Kafka’s choice of the family member to play the role of the cockroach was necessary in portraying the curse of the working man only living each day in hurried lifestyle with no freedom.
Many views of existentialism are exposed in Kafka's Metamorphosis. One of these main views is alienation or estrangement which is demonstrated by Gregor's relationship with his family, his social life, and the way he lives his life after the metamorphosis. Namely, it suggests that man is reduced to an insect by the modern world and his family; human nature is completely self absorbed. Kafka reflects a belief that the more generous and selfless one is, the worse one is treated. This view is in direct conflict with the way things should be; man, specifically Gregor should be treated in accordance to his actions. Gregor should be greatly beloved by his family regardless of his state. This idea is displayed in three separate themes. First,
Also, in his writings, Kafka pointed out the dehumanizing forces of industrialization and capitalism in post-WWI Europe. Kafka saw bureaucracy establishments as being something that deprives the mere existence of real human standards of industrialization that will oppress a person in a workplace. “Work like this is far more unsettling than business conducted at home, and then I have the agony of traveling itself to contend with” worrying about train connections, the irregular, unpalatable meals, and human intercourse that is constantly changing, never developing the least constancy or warmth” (Puchner, P1881). Before the protagonist Gregor’s transformation, he views his life as a working insect being trapped in a society where alienation and decay are rampant because the workers are not happy. Gregor is stuck in prison
1. Gregor’s initial reaction to his transformation, more specifically his worrying about missing the train and dwelling on the hardships of his job, reveals the extent to which Gregor’s own self-identity and way of life is dependent on his work. While most people would probably be horrified to find themselves transformed into a bug, Gregor instantly thinks of his job because that is what comprises Gregor’s identify and without his job he has no purpose or worth in his society. As Gregor contemplates his future, he thinks to himself, “Well, there’s still some hope; once I’ve got the money together to pay off my parents’ debt to him [his boss] – another five or six years I suppose – that’s definitely what I’ll do. That’s when I’ll make the big change” (Kafka 8).
Throughout literary history, certain authors are so unique and fresh in their approach to the written word that they come to embody a genre. Franz Kafka is one such author; “Die Verwandlung” or “The Metamorphosis” is one of his works that helped coin the term “Kafkaesque.” Through this novella, Kafka addresses the timeless theme of people exploit-ing others as a means to an end. He demonstrates this point through showing that a family’s unhealthy dependence on the main character results in that character’s dependence on the family.
There exist few works of literary merit whose sagacious authors wrote so subtly upon the principles of economic and political theory that it is unlikely they themselves entirely grasped the extent of their implications. Fewer still possess the aesthetic capacity to concern themselves with so significant an ideology as that proposed by the highly esteemed, if not rather controversial, philosophers Marx and Engels. Alone within even this diminutive category, only one accomplishes this complex pursuit with such flawless effectivity, primarily through the use of an extended metaphor, although other devices are utilised as well, as Franz Kafka’s magnum opus, The Metamorphosis.
Writing is seen as a way for the author to freely express his or her ideas to the public. In writing, the author has control of every aspect of their work and this allows for the writer, no matter the world state, to have a sense of freedom and control inside their work. The 20th century, battered by economic depression and two world wars, saw these writers take their creative control and emphasize the current state of the freedom and control of the individual. Kafka’s The Metamorphosis, various World War I poems, and Brecht’s Fear and Misery of the Third Reich show the lack of individual freedom and control that people had over their lives during the destruction that occurred in the 20th century.
There are several aspects about the writing of Franz Kafka that make it enticing to the reader and tantalizing enough to keep the reader intrigued. The narrative that I find most intriguing by Kafka is "The Metamorphosis." The Metamorphosis is a tale wherein Kafka essentially gives his perception of the story of his life through the use of storytelling devices, which without the use of them would have made it a less interesting tale.