Katherine's Last Speech In The Taming Of The Shrew

Petruchio wears the psychological mask of a guy who only has eyes for money. He makes his mask clear to the reader when he tells Hortensio to “wife wealthily” adding “you don’t know the power of gold.” after being told about Katherina’s bad behavior, not to mention her temper. It appears that Petruchio marries Kate for her money, but immediately starts to “kill her with kindness”. He begins going so by depriving her of food and sleep because he claims that neither the food from the kitchen nor the bed is good enough for her. Petruchio puts on a show of bad temper towards his servants for every fault, showing Kate what it is like to live with a bad-tempered person. For the first time in her life, Kate finds herself trying to get someone else to control their anger. Petruchio also shows Kate that she will get the things she wants when she learns to agree with what her husband says. By treating Kate in this manner, Petruchio seems cruel, but there is a reason for it. If he were truly interested only in money, he could have left Kate at home and gone out on his own. In the end, his efforts to improve his wife have worked. He improves Kate’s life, so that she does not continue to live an unhappy life. Because of Petruchio, Katherina the shrew is happily married in the end, and comes to be a good example to

One of the most fundamental themes while reading Shakespeare is the prominent reminder of women at the end of the 16th century and their roles placed under men, as women were a threat to the masculinity, and thus, power held by men. There are clear misogynistic elements in all of the works performed through Shakespeare’s plays, most predominantly appearing in The Taming of the Shrew. As quoted within texts and contexts of this play, the reader becomes aware that The Taming of the Shrew “participates in a tenacious popular tradition of depicting domestic violence as funny” (Dolan

In addition, Kate’s final monologue, also in Act 5, scene 2, tells the audience a lot; about the play itself, as well as the society in Shakespeare’s era. On face value, Kate’s final monologue seems to be a long lecture about serving your husband, no questions asked. “Then vail your stomachs, for it is no boot, / And place your hands below your husband’s foot” (v, ii, lines 92-3, page 221). However, Shakespeare gave Kate the last word in the play, a sign of her consistent power and control. As well, her monologue can be perceived as quite ironic. Kate is aware of the beliefs about how women in the household should act and, as clearly portrayed throughout the entire play, the role Petruchio has been trying to get her to fill. By playing along fullheartedly with society’s expectations, in front of the large audience of guests, Kate becomes “truly tamed” - or just incredibly

The Taming of the Shrew, written by William Shakespeare, is historical proof that flirting and temptation, relating to the opposite sex, has been around since the earliest of times. Because males and females continue to interact, the complications in this play remain as relevant and humorous today as they did to Elizabethan audiences. This is a very fun play, full of comedy and sexual remarks. It's lasting impression imprints itself into the minds of its readers, for it is an unforgettable story of sex, flirting, and happiness. The Taming of the Shrew remains as relevant today because of its relation to the age-old story of the battle of the sexes and dynamics of marriage, as well as the woman's struggle with both of these.

Petruchio also manipulates Kate psychologically by pivoting her thoughts in the direction of them being suited to each other for marriage. When he says “I am too young for you” (Act 2 Scene 1, 250), he starts making her feel old and unwanted. This comment makes her mad, and causes her to feel the need to prove that he is old, which she accomplishes in the next line by saying “Yet you are withered” (II, 1; 251). Thus she unconsciously admits that he is at least suited to her in age for marriage, if nothing else. By complimenting her, Petruchio is also able to play with her psychologically. He begins by saying she is beautiful, nice, and modest. Even though he may not mean it, and Kate probably suspects he is lying, it still has a positive effect on her. Complements boost her confidence and make her feel wanted, which is a new experience for her. Such complements eventually lead her to believe that he may actually love her, or that there is a possibility of love between them in the future. This method of manipulation does have its effects, because she only opposes their marriage once in front of her father, and after Petruchio announces that they have decided that she should “still be curst [to him] in company” (II, 1; 324), but they really love each other, she offers no counterarguments.

In the play Taming of the Shrew, written by William Shakespeare, many characters are reshaped and given new personality traits. Petruchio is known as being a cocky man who intends to help tame a shrewish young lady named Kate. There are many critics that believe Petruchio is solely obnoxious and a bully but through out his interactions with Kate it is shown that he truly cares about the well being of others. Of course at the beginning of Petruchio’s plan to tame a young lady he is acting off of his confidence and trying to impress those around him but this soon changes once he begins to interact with Kate. Petruchio proves that his ways have changed and he is only taming Kate to make her feel better about herself, “Petruchio uses psychological methods, not aggressive or barbaric ones, to tame Kate, which alls her to still be witty and intellectual, but also happily married, at the end of the play”(Natale,98). Petruchio truly believes that by taming Kate he is preforming a good deed and helping her accept herself in this process.

In the play Taming of the Shrew by William Shakespeare, Shakespeare includes several appeals of pathos, ethos and logos. In the last passage of the book, Katharina speaks out to all of the characters with a speech. Katharina describes how she has changed into a person who looks to her husband as her lord, her care taker. The characters who listened to her speech seemed impressed on how she has finally changed her rude attitude and how she obeys her husband Pertruchio’s every word.

Women in the era of Queen Elizabeth I were often portrayed through stereotypes such as, “The Good and the Badde” by Nicholas Breton. In this work women have desired traits such as loyalty, obedience, and innocence. Undesirable traits would be just the opposite, disobedience, raunchiness, treachery, loudness, and being outspoken. The play, “The Taming of the Shrew” by William Shakespeare, plays heavily to these stereotypes with the two female main characters; Bianca and Kate. Whereas Kate plays the Un-quiet one in the beginning, but transitions to more of a quiet one or the good wife while Bianca plays The Virgin.

In contrast to this, Kate is very angry and frustrated by the Petruchio, and immediately becomes "shrewish," resorting to insults, 'A joint stool,' and violence. This gives the effect of Kate being much less in control of what is going on, and perhaps reflects the direction their relationship is going to take, that Petruchio will be the one in charge, and Kate will not have any control. This could however also demonstrate Kate's intelligence and wit, that she is able to keep up and match Petruchio's wordplay. However Kate feels the need to resort to violence, again demonstrating Petruchio's intelligent wordplay and calm attitude, as he does not react violently towards Kate, but simply

The Taming of the Shrew is one of Shakespeare's most famous plays, and has weathered well into our modern era. For all the praises it has garnered throughout the centuries, it is curious to note that many have considered it to be one of his most controversial in his treatment of women. The "taming" of Katherine has been contended as being excessively cruel by many writers and critics of the modern era. George Bernard Shaw himself pressed for its banning during the 19th century. The subservience of Katherine has been labeled as barbaric, antiquated, and generally demeaning. The play centers on her and her lack of suitors. It establishes in the first act her shrewish demeanor and its repercussions on her family. It is only with the introduction of the witty Petruchio as her suitor, that one begins to see an evolution in her character. Through an elaborate charade of humiliating behavior, Petruchio humbles her and by the end

The relationship between Kate and Petruchio is completely different from the love of Bianca and Lucentio. "Kate is a neglected, hurt, and humiliated daughter who disguises her grief from herself as well as others with a noisy shrewish temper" (Craig 342). She has a fiery disposition and a reputation for reacting violently to people. The challenge of capturing her is Petruchio's real attraction to her. He can be seen as a rough, unfeeling, greedy, "swash-buckler" who cares nothing for Kate's feelings (so long as she has money). "

As the play continues, we learn even more about Kate. For example, when Kate and Petruchio go back to Baptista’s, Kate begins to see how Petruchio operates. She learns that if she does what Petruchio says, even if she knows it is not true, she will get something she wants out of it, like going back to her father’s house. Petruchio test Kate when they meet the real Vincentio on the road and he asks Kate if she has ever seen a finer young women. Knowing what he is up to, Kate shows her amazing wit and decides to play his game. She has figured out that Petruchio has a method to his madness and if she plays her cards right, their relationship can be a partnership with a series of actions and rewards.

The film itself is iconic in its own ways, however, it has been designed to fit the expectations of love and marriage at the Elizabethan era. Franco Zeffirelli himself directed the movie in the 1960s which can have a different approach to how he views the themes of love and marriage. During the 1960, many events occurred that changed the social laws and expectations of people. Being single was seen acceptable yet still not admirable. With this change, divorce was soon introduced as well. Yet as Zeffirelli himself grew up meeting the expectations of the Elizabethan era, he found the new system contrasting, wanting to follow the system that already existed. This concept allowed him to construct the Taming of the Shrew without modernising and changing the concept of the play written by Shakespeare. Within the film, these ideas and concepts are evident, with one specific example being Katherina's monologue near the end. As Shakespeare's play is a written script, it gives little indication of the tone of the characters throughout the whole film, in this case, making the confusion of whether Kate is sincerely tamed or simply playing along with Petruchio's

Love is one of the most powerful things in this world. People will go to great lengths to achieve another’s love. From youth we have been showered with tales of true love’s kiss and of Prince Charming breaking the Evil Queen’s curse. Time and again, we are made to see the power of love. In the play, “The Taming of the Shrew” by William Shakespeare, the renowned playwright takes love deeper than just passion. Shakespeare goes under the surface of love, all the way to its core. The story truly begins as Baptista Minola’s two daughters are readied for marriage: Bianca the sweet and innocent; Katherina the shrewd and curst. Men gravitate towards beautiful Bianca and flee when Katherina appears. Hortensio, a good friend of the main protagonist, Petruchio, wants to marry Bianca, in order for that to happen, Hortensio must get Petruchio to marry Katherina. Yet, Petruchio knows what he is getting himself into and he wisely sees past Katherina’s prickly outer shell. He proves that the Katherina isn’t what everyone in Padua thinks she is. Petruchio exposes the superficial problems in his society and demonstrates that respect and love are one and the same. Furthermore, Petruchio’s determination and heart allows him to woo the girl, marry her and activate the Taming of the Shrew.

During the play Taming of the Shrew by Shakespeare, Petruchio is a very intriguing character. One of the more notable things he does in the play is ‘tame’ Katerina. However while the play is called “taming” of the shrew, I believe his intentions are to have a loving relationship with his spouse. However I don't believe that was the case the whole time! Petruchio originally did not have feelings for Kate because he claims during the beginning of the play that he travelled to Pertua to marry a woman with a rich father. Whilst attempting to tame her he claims he is enjoying doing so, I believe that he is enjoying because he is getting to spend time with her, while falling in love with her and not even realizing it. After Petruchio has starved her and deprived her of sleep as well as other things, he makes a real attempt to be nice to Katherine and I believe that's what really tamed her. Overall I believe Petruchio’s original intentions were to use Katherine and marry her for her wealth. But over time he began to fall deeply in love with her. We see this by Petruchio putting a great amount of effort into his attempt at taming Katherine. We see this during his thoughts and speech about marriage and happiness. And lastly, we see this through his flirty and affectionate gesture towards Kate. Through these things I believe that Petruchio as well as the audience learn a valuable lesson about love, you cannot force it.