History is a condensed and filtered version of memory, created by those in power and featuring the events that are convenient for them to incorporate. The second visual representation demonstrates this through symbolism. On the right hand side of the page there is a bouquet of wilted flowers representing the vast and unique collection of memories that depict an event. These flowers are shown looking into a mirror however the reflection is that of a perfect version of that type of flower. This represents history, showing that memories are greatly condensed, edited and distorted when they develop into public history. Colour is used in this picture to highlight the difference between history and memory by contrasting the imperfections of memory …show more content…
During the film Lincoln is shown as the faultless leader he is famous for, representing the audience’s collective memory, however he is also humanised through the inclusion of instances where he had to make difficult decisions. During scene seven Lincoln’s secretary confronts him about a lie he told. Lincoln makes a biblical allusion saying ‘If you can look into the seeds of time and tell which grain will grow and which will not, speak then to me.’ In this scene there is low-level lighting and dark music playing in the background emphasising the seriousness of what Lincoln has done and showing that he was not necessarily the faultless leader collectively remembered. Lincoln is also humanised through the portrayal of him as a father and a husband, encouraging the audience to empathise with him. In scene twelve of the film Lincoln is shown arguing with his wife and threatening to lock her in an asylum. Here Spielberg uses pathetic fallacy through the storm outside to emphasise the sadness and anger Lincoln is feeling. Lincoln is portrayed through low-angle shots showing that he is in a position of power and history is reinforced through the Mise en scene of the room. In the film Spielberg shows unconventional interpretations of Lincoln’s life in collaboration with …show more content…
In the poem ‘We will never forget- Auschwitz’ Alex Kimmel seeks to modify the audience’s perspectives on the holocaust by incorporating specific memories into well-known history. He does this by continuously referring to the Nazis as black jackals, the symbolism shows that he believes the Nazis to be evil whilst the animal reference is used to dehumanise them. When the composer says, ‘where black jackals condemned millions to gas’ he appeals to the audience’s collective memories using the word gas to refer to concentration camps. He also imposes blame upon the Nazis using high modality and religious connotations in the word ‘condemned’. The composer seeks to substantiate his memories using a time frame to reference history, adding realism and authenticity to his opinions. This can be seen when the author says ‘soon the parents choke and turn blue, later the children turn rigid with death.’ The composer uses a dysphemism here to emphasise and substantiate his past memories. The satirical tone of the poem is used to emphasise the events the author believes have been excluded from history. The author particularly focuses on the misconceptions he believes are associated with the Nazi’s attempting to further shame and dehumanize them saying, ‘six days a week the jackals drink beer and rejoice doing the devil’s
Through the experiences of the characters, Akiba Drumer, Moishe the Beadle, and the two executed young men, Wiesel exhibits how the oppressiveness of the concentration camps causes these victims to ultimately lose faith and self-respect in response to the injustices they face. To illustrate, Wiesel uses pathetic fallacy to unify and mimic the setting with the mood. With the migration to new settings, Eliezer is introduced to more violence, his body’s strength drastically weakens, and his hope for liberation and peace is diminished. The symbolic “Never shall I forget that night” (Wiesel 45) not only creates an earnest mood, but also depicts the use of night as a motif.
“We Will Never Forget- Auschwitz” is one of the touching poems written by Alexander Kimel. It depicts the horrifying experience of the Holocaust from the Jews’ perspective. To begin with, “Auschwitz” is an allusion to a concentration camp established by the Nazis in 1940 in Poland and it became an extermination camp in early 1942 (“Glossary of Terms”). This camp witnessed the miserable life of the Jews during that period as well as their extermination.
All though it was very dry at times, and could easily be classified as a uninteresting political movie about America’s most important historical moments, I enjoyed the film overall. Instead of focusing the movie on the life of Abraham Lincoln, it does focus on his passionate leadership in the final four months of his presidency. I soon began to sweat and clench my fists as the month of January continued in the movie, time crunching down and down as the Republican agents tried to gain more and more Democratic favor on the passing of the amendment. It felt like a fast-paced, parkour chase. I felt Lincoln wasn’t completely politically minded, constantly telling stories to many men and women who he comes in contact with, seeming humble and wise, always trying to give perspective with the moral of the story.
In Plath’s poem she frequently uses figurative language about Nazis and the Holocaust. Plath depicts herself as a victim by saying she is like a Jew, and her father is like a Nazi. Plath uses a train engine as a metaphor for her father speaking the German Language, and also to depict herself as a victimized Jew being taken away to a concentration camp.
“Never shall I forget that night, the first night in camp, which has turned my life into one long night, seven times cursed and seven times sealed. Never shall I forget that smoke. Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky… Never shall I forget those moments, which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God himself. Never,” (Wiesel 34). The novel Night uses vivid imagery to construe some of the awful events that took place during the Holocaust, events that could have been prevented had a single person not been given absolute power over everyone else. The main character will never be able to forget these things because “Nothing in Eliezer’s religious studies has prepared him for the sight of children being burned alive in pits, a sight made all the more horrific for readers by our knowledge of his own youth and the youth of his sister Tzipora, from whom he has been separated forever,” (Dougherty). Had these things been prevented it would have saved many people, Eliezer being among them, from immense amounts of physical and emotion pain. The examples from this novel prove the ramifications of one becoming too fond of controlling others around
Language has the ability to impact the mood and tone of a piece in literature. In Night, Wiesel uses imagery, symbolism, diction and foreshadowing to illustrate dehumanization. The deeper true horror of the Holocaust is not what they Nazi’s did, but the behavior they legitimized as human beings being dehumanized by one another through silence and apathy.
The two poems “Never Shall I Forget” and “We Remember Them”, written by Elie Wiesel and Rabbi Sylvan Kamens, have their fair share of similarities and differences. These poems are both highly influenced by the Holocaust, the genocide of over 11 million people, 6 million of them being Jews, during World War II. In “Never Shall I Forget”, Elie Wiesel talks of his sufferings in a concentration camp and “We Remember Them” pass on the memory of those who died during the Holocaust. “Never Shall I Forget” and “We Remember Them” both have a shared theme of remembrance, but Elie Wiesel wrote of what he would rather forget than remember, whereas Rabbi Sylvan Kamens wrote of what he wishes to never forget.
‘The Action in the Ghetto’ is a poem based on the perspective of a holocaust survivor. Kimel re-tells the horrors that he had survived during the holocaust. Kimel uses various literary techniques to create a visual for the audience to ‘see’ his experience. Kimel describes the visual of ‘the hunt’ as “the creation of hell.” He uses this metaphor to describe the soldiers and their true nature. Kimel then goes on describing the Nazi soldiers as “enjoying the hunt.” Kimel’s perception of the Nazi soldiers was that they found the hunt to be fun which provides insight into the
The Holocaust claimed millions of lives , and the survivors witnessed an event incomprehensible to the remainder of humanity. Elie Wiesel, a burdened survivor of the Genocide, describes his own experiences in his autobiographical memoir Night. Throughout the years in the concentration camps, Wiesel and the other Jews witness countless events of Nazis intentionally dehumanizing the Jews. After hearing these brutal remarks for years, Wiesel begins to internalize these thoughts. His internalization is reflected in his writing as he often compares himself and the others to animals. He compares the Jew’s physical traits, but also the way in which they act. Elie Wiesel animalizes the Jews while personifying darkness to further dehumanize the Jews and show how the Nazi’s mental warfare continues to affect him.
For the visual portion of this essay I chose to print and paste pictures of objects that were either in the story or were symbolized throughout the story. I decided to put a justice scale for Harrison Bergeron because the story was about equality. the story was unique because it did not only make people ''equal in the eyes of God and the law,'' Kurt Vonnegut took the idea of equality to a whole other level by making every man and woman equal in every way possible, which is why I chose to represent this story with the justice scale. Another story that had a lot of symbolism is ''The Study in Geometry'' who's title cleverly means the study in triangles or in this case love triangle. In this story our protagonist
The holocaust can be regarded as one of the most awful events in history and the swastika continues to be a constant reminder of the horrendous acts of hate that were bestowed onto human lives. More than 1 million people were brutally murdered at the hands of an evil dictator named Adolf Hitler. Some of the vivid events and actions that took place during this time have been highlighted in the poem “The Trains” written by William Heyen. Heyen discusses the trains of Treblinka which carried the prized possessions of the many people who had been dropped off to death and/or concentration camps. In the poem, the author attempts to appeal to audiences of the 21st century around the world who do not fully understand the horrific incidents that occurred during the holocaust and the tragedy inflicted on its victims.
A little more than a month had passed since his inauguration. The differences of North and South could no longer be settled by peaceful means. Fort Sumter had been fired on. The President had already asked for 75,000 volunteers, and now, in May, he was asking for 500,000 more men to fight for the preservation of the Union. Lincoln’s cheeks had grown more cavernous, his brow and eyes more deeply furrowed. A man who saw him at this time, Gustave Koerner, commented: “Something about the man, the face, is unfathomable”. But it was his secretary, John G. Nicolay, who explained most eloquently why Lincoln’s hidden face could never be caught: “Graphic art was powerless before a face that moved a thousand delicate gradations of line and contour, light
Abstract: This essay reflects on the relationship of photographs, history, and memory based on a found and mutilated photo album. Photographs provide opportunities for disrupting and restructuring history with their attraction to memory; they privilege the subjective, creative power of the personal explanation and provide an emotional and even ideological grounding for memory. Photographs as manifestations of memory assist in the process of understanding the present.
Generally believed to have begun in Florence, the Renaissance – also known as the ‘Rebirth’ – was a period of reviving interest in classical art and the beginning of scientific revolution. The Renaissance period did not begin abruptly; instead, it was an idea that took shape since the time of the painter Giotto (Gombrich 2007). In the early Renaissance period, Giotto experimented with and laid the foundation for painting with perspective, a method that was refined and perfected by later painters and sculptors. The period towards the end of the fifteenth century was known as the High Renaissance. It was the apex of artistic innovations, techniques, and productions. The height of the
Three years ago, in Washington D.C I was astonished seeing Abraham Lincoln sitting in his throne looking down at me as I entered his presence. He was huge, but not frightening, though in the film he was tall, but his presence frighten many Democrats and Republicans. In Lincoln, he enforced the 13th Amendment to pass in the House of Representatives which became part of the United States Constitution. He believed this amendment would end the war and slavery which was critical to bring good to American society. In Lincoln, the first scene was the battle of Jenkins Ferry happening between white Confederate soldiers versus a battalion of black Union soldiers. This scene was gory, but a valiant fight the Union of the 2nd Kansas colored regiment sacrificed to support the Union and all of its African Americans whom believed freedom is naturally given and it is their right to fight and protect