The Critical Metamorphoses of Mary Shelley’s
Frankenstein
You must excuse a trif ling d eviation,
From Mrs. Shelley’s marvellous
narration
— from th e musical Frankenstein; or,
The Vamp ire’s Victim (1849)
Like Coleridge’ s Ancient Mariner , who erupts into Mary Sh elley’s
text as o ccasionally and inev itably as th e Monster into Victor
Frankenstein’s lif e, Frankenstein; or, The Modern Prometh eus passes, like
night, from land to land and w ith stang ely ad aptable powers of speech