Southeast Asia has gone through large changes in its social landscapes during the late twentieth centuries that resulted from globalization, urbanization and authoritarian regimes. Particularly in the last three decades of the twentieth century, Thailand has been undergoing radical social and economic changes in which its practices and politics has transformed its social and cultural realities. Increasingly influenced by globalized economic and social institutions, Thailand has come to confront crises that made her people insecure in the present and anxious about the future.
The remembrances of these pasts are influenced by the politics of the present that is seen in the context that ranges from the politics of the nation, to the practices
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“Committing Suicide Culture: The Only Way Thai Farmers Escape Debt” is precisely this reminder for the people, of the suffering and enslavement of the poor that is manipulated by those in power.
Manit Sriwanichpoom’s (b. 1961) “Horror in Pink” series of 2001 targets Thailand’s deliberate amnesia of history that has allowed for the repeating of atrocities. Sriwanichpoom is an artist/activist who uses photography to make art of a social and political nature, and is best known for his Pink Man series. “Horror In Pink” appropriates old black and white journalistic photographs of the graphic display of violence and murder of October 6, with the juxtaposition of the smug Pink Man-and-shopping-cart icon.
Sriwanichpoom’s Pink Man is a representation of his dissatisfaction towards consumerism that has been mindlessly embraced within the Thai society. Sriwanichpoom expresses in many interviews, his rejection towards consumerism and materialism as a system that has enslaved the people without them realizing. In his series of work, the Pink Man wanders quietly and emotionlessly, with a likeness of a robot, through luxurious and busy business areas of Thailand and Europe. The colour pink, is generally considered as tasteless and vulgar by the high class group of Thailand, as it is more popularly used by night-life girls and comedians. Pink is also often associated with feelings
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Sriwanichpoom’s interests in the events of the photographs were concerned with opposing the deliberate loss of historical memory pervasive in Thailand, and with recalling the event itself. These images also target the contemporary official histories that falsify the meaning and circumstances of the 1970’s events. Many modern history textbooks in Thailand completely skip these events or included biased reports claiming students turning violent, and playing down the massacre as a “misunderstanding” between two sides. Tackling Thailand’s “collective amnesia” referred by Dr. Poshyananda, Sriwanichpoom’s “Horror In Pink” calls the viewers to reflect on the importance of history in the shaping of contemporary
As a Thai woman who has relocated to the United States of America in 2009. The first thing I noticed about the US is the size of the country. The difference between Thailand and the United States that affected me the most is the “Culture”. There are three cultural values between Thais and the US are Collectivism-Individualism, Competitive and Cooperative, and belief about talk-silence.
I chose to do my research paper on the colorful and extraordinarily detailed mural titled “Dhrtarastra (Dharma King of the East Direction) with 16 Attendants” by Shashi Dhoj Tulachand. Shashi is also known as Guru Nawang Chhogyall Tenzin is a 69 year- old spiritual leader of the Chhairo gompa, a branch of Tibetan Buddhism from Tuksche, a remote village located in Mustang, Nepal's northernmost district, adjacent to Tibet. He is a master in Buddhist thangka painting who is committed to re-establishing the lost teaching tradition of Chhairo gompa. Shashi comes from a long line of Buddhist artists, his father Kamal Dhoj Tulachan, and grandfather were responsible for many wall paintings and statues to be found in gompas, chortens and private household shrines in the villages of the Thak Kola and the upper Kali Gandaki area.
The book Silencing The Past is about how people “silence” the past through selective memories to benefit us in the present. We pick out certain events and either dramatize them or play them down to the point of no importance. This paper is about both our played up dramas and our forgotten realities.
Do events of the past affect an individual’s life? How important are memories of the past for people of the future? Does the past, even relate to the future at all? To figure out the answers to these questions, one has to understand the impact that past events can do to one’s future. Events in the past are essential to an individual 's development and can change their perspective of life. As a matter of fact, you can see these questions being answered in Classical Literature, Modern Literature, Current Events and even Visual Rhetoric.
The article “History Still Matters” by Bill Moyers expresses some important concerns in our societies over the loss of interest in history. Throughout the article Moyers explains the loss of interest but also shows the reader the subject is crucial for societies to progress. He uses deeper meanings to further understand the importance of history as well as expressing the reasons he thinks cultures have lost interest past events. The author also mentions that although people find no relations to history in today’s world, there are conflicts that can resemble current problems. It is also imperative to realize history has assembled our concurrent world. For those reasons we can have our own outlook and interpretations of history to further understand the progression and stage we are currently in.
ynn Peril’s, Pink Think is a book that examines the influences of the feminine ideal. Peril was born in Milwaukee, Wisconsin, but has lived in the San Francisco Bay Area since 1985. She writes, edits, publishes, and dissects popular culture, especially that concerning gender-related behavioral instructions. She starts off the essay with her thesis saying that the human female is bombarded with advice on how to wield those feminine craftiness. She starts the book with how young women were supposed to wear conservative dresses, and get boyfriends in hopes of those boyfriends to become their husbands and fathering their children so they may become what was perceived as victorious, a mother and housewife. These ideas and concepts fitted to the times that Peril mentions in her book. She founds this a very negative outlook on pink think and is trying to me, the reader to also look at the book as something negative and vile. Today, I believe that these stereotypes have indeed changed, and do not exist as much in the world we live in today. However, in today’s world new concepts and ideas have manifested in for young women in America.
Written by Lynn Peril, Pink Think: Becoming a Woman in Many Uneasy Lessons provides evidence that between the 1940’s and 1970’s the idea of “think pink” influenced women in the United States. Using an overwhelming number of primary sources, Peril argues that through western consumerism, women are placed into a specific gender role. Along with arguing that toys, education, and even dating are gendered aspects of women’s life, Peril’s research also reveals that women were subliminally told how to appropriately act in a male dominated society. Published in 2002 by Norton, Peril’s book notes three terms that are important to her argument. The first term, ‘pink think,’ can be defined as “a set of ideas and attitudes about what constitutes proper
Often in the general public of readers and audiences, the terms history and memory coalesce and seem to easily flow together when considering historical consciousness of the past, and yes, there is an intertwined relationship between the two. However, there are distinct differences between these two expressions. History can be described as “a reasoned reconstruction of the past rooted in research.” It can belong to anyone and can be known by anyone, whereas memory is usually passed down and owned by a certain community or group. Memory is also used differently – it can be framed to suit a person or community’s specific ideologies, it can give value, and there can be deeper meanings such as helping one cope with the weight of past in that
The economic boom of 1977 to 1997 had a dramatic impact on Thailand’s northern villages. While the center of the country, Bangkok, was rapidly industrializing, the north fell behind. Due to a lack of income and resources, the north had to watch the
The country of Thailand is an emerging nation in the globalized world. Over the past two decades, the country has experienced a multitude of changes in the political, economic and international arenas. As a nation, it has survived the economic crisis of 1997, the tsunami of 2004, the government coup in 2006, the flooding of 2011 and is preparing for a change in the views of the nation with the demise of their king. The AIDS explosion in the late eighties and early nineties seems to have targeted the country and the sex industry placing Thailand on the map for many of the wrong reasons. As Thailand continues to confront its own
The work of Mark Steven Greenfield is currently on view at the Lora Schlesinger Gallery at Bergamot Station in Santa Monica. ( September 8 through October 14) Raucous doodle-like designs, in vibrant transparent colors cover the large tableaux, punctuated with peep-holes of white and black. While most of the images are purely abstract, there are some realistic icons, heavy with social connotations. For instance, Crucilbum appears to be for the benefit of a feather clad, popcorn consuming observer. Upon first encountering the work, this viewer found the subject matter, and color selections both jarring and confusing. Furthermore, foreground beings appear to be inspired by the Raj, as they are bejeweled and bedecked in beads, yet there is nothing connecting the background and foreground elements. This work left this art lover feeling annoyed, and disinterested.
Economic Considerations: Thailand is great developing country because of the smart economic policies but political environment is not stable so there is effect for investors to pay attention much to invest.
Ever since Burma’s government turned into a military power, the devastation that the people have had to endure has led to intense oppression. This has become a problematic issue for Burma including its neighboring countries such as Thailand. The government has acted inhumanely towards its people. The oppressive acts include forced unpaid labor among its people, including its children and the elderly. Specifically, children have been forced to labor in the fields of beans, bricks, chilies, corn, pineapple, rice, rubber, sugarcane, and teak. Also, the government has also forced nearly half a million of its people to move from their homes so that various projects of construction and resource extraction can be conducted. An example of such a project is
On the other hand, despite the Thai government intervention to foster and maintain growths of
Abstract : This paper looks at the intersection of cultural memory, war and literary narrative in the specific context of the civil wars that raged Sri Lanka. It would consider the dynamics of cultural memory of an ethnic minority group during a civil war. To achieve this , the paper would attempt a close study of Shobasakthi , the Tamil Eelam writer’s titular short story “The MGR Murder Trial” from his short story anthology. The use of a popular cultural icon is deliberate in the story. The paper would consider the symbolism of this usage and thereby arrive at the author’s response to the civil war