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Manit Sriwanichpoom's Horror In Pink: Critical Analysis

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Southeast Asia has gone through large changes in its social landscapes during the late twentieth centuries that resulted from globalization, urbanization and authoritarian regimes. Particularly in the last three decades of the twentieth century, Thailand has been undergoing radical social and economic changes in which its practices and politics has transformed its social and cultural realities. Increasingly influenced by globalized economic and social institutions, Thailand has come to confront crises that made her people insecure in the present and anxious about the future.

The remembrances of these pasts are influenced by the politics of the present that is seen in the context that ranges from the politics of the nation, to the practices …show more content…

“Committing Suicide Culture: The Only Way Thai Farmers Escape Debt” is precisely this reminder for the people, of the suffering and enslavement of the poor that is manipulated by those in power.

Manit Sriwanichpoom’s (b. 1961) “Horror in Pink” series of 2001 targets Thailand’s deliberate amnesia of history that has allowed for the repeating of atrocities. Sriwanichpoom is an artist/activist who uses photography to make art of a social and political nature, and is best known for his Pink Man series. “Horror In Pink” appropriates old black and white journalistic photographs of the graphic display of violence and murder of October 6, with the juxtaposition of the smug Pink Man-and-shopping-cart icon.

Sriwanichpoom’s Pink Man is a representation of his dissatisfaction towards consumerism that has been mindlessly embraced within the Thai society. Sriwanichpoom expresses in many interviews, his rejection towards consumerism and materialism as a system that has enslaved the people without them realizing. In his series of work, the Pink Man wanders quietly and emotionlessly, with a likeness of a robot, through luxurious and busy business areas of Thailand and Europe. The colour pink, is generally considered as tasteless and vulgar by the high class group of Thailand, as it is more popularly used by night-life girls and comedians. Pink is also often associated with feelings …show more content…

Sriwanichpoom’s interests in the events of the photographs were concerned with opposing the deliberate loss of historical memory pervasive in Thailand, and with recalling the event itself. These images also target the contemporary official histories that falsify the meaning and circumstances of the 1970’s events. Many modern history textbooks in Thailand completely skip these events or included biased reports claiming students turning violent, and playing down the massacre as a “misunderstanding” between two sides. Tackling Thailand’s “collective amnesia” referred by Dr. Poshyananda, Sriwanichpoom’s “Horror In Pink” calls the viewers to reflect on the importance of history in the shaping of contemporary

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