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Marginalized Men

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Throughout history marginalized groups have been represented indirectly through literature and film. The comic book industry is no different in that, the idea of the superhero being seen as an “other”, a different class of citizen is clearly evident. Until the first publication of the X-Men in the 1960’s, although superheroes were portrayed as “others” in society, they were not looked down upon, but rather put on a pedestal. The likes of Superman, Wonder Woman, and Captain America to name a few were treated like royalty and seen as utterly superior to the human race. With the publication of the X-Men, this representation of the “other” as a superior entity to the human race changed in that the X-Men were seen and referred to as mutants, rather …show more content…

In Gerad Jones’ Men Of Tomorrow , Jones argues that the characters authors create are inherently influenced by the experiences that the creators experienced during their life. Jones uses Superman and Batman as his examples, but his argument shouldn’t be limited to those two entities. If we look at Stan Lee and Jack Kirby’s background, we will see that both are (was) Jewish, a religion with a history of being ostracized by many different groups. Given Lee’s background and experience as a Jewish man, it comes as no surprise that he would create a group of superheroes that could represent a marginalized group. Each subsequent author and/or director of the X-Men comics and films brings their own unique experiences to the table in their portrayal of the X-Men which ultimately leads to one specific marginalized group being clearly represented in that specific author or directors interpretation. But, nonetheless this representation isn’t restricted to a single marginalized group, but rather any group who has been ostracized and deemed inferior in the eyes of the general public. In the book War, Politics, and Superheroes: Ethics and Propaganda in Comics and Film , Marc DiPaolo says “The …show more content…

On the first page of the graphic novel, an illustration from a panel that appears later in the novel depicts a William Stryker, an ex military anti-mutant advocate pointing at Night Crawler with the speech bubble above Stryker’s head reading “Human?! You dare call that A human?” , which, from the gecko sets the dark and serious tone for the graphic novel as whole. Throughout the novel, Styker leads a group of “purifiers” called the Stryker Crusade , which is anti-mutant group that goes out of their way to kill mutuants on the sole basis that they are mutants. Like Stryker, members of this group are radical extremist to say the least, in that they are so anti-mutant, they will kill non-mutants who are seen as mutant-apologists. Styker is depicted as a religious extremist, in that his rationality behind his anti-mutant views stem from the idea that mutants are spawns of Satan . In a conversation with Storm , who he has captured, he says in response to Storm saying, “We have done you no harm—Why are you doing this?” “Because you exist. And that existence is an affront to the lord.” In a flashback scene, we see that Stryker’s son was born as a mutant; Stryker than kills his son and his wife, attributing the birth of their mutant son as a message from God telling him that he was the “chosen one”

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