Throughout history marginalized groups have been represented indirectly through literature and film. The comic book industry is no different in that, the idea of the superhero being seen as an “other”, a different class of citizen is clearly evident. Until the first publication of the X-Men in the 1960’s, although superheroes were portrayed as “others” in society, they were not looked down upon, but rather put on a pedestal. The likes of Superman, Wonder Woman, and Captain America to name a few were treated like royalty and seen as utterly superior to the human race. With the publication of the X-Men, this representation of the “other” as a superior entity to the human race changed in that the X-Men were seen and referred to as mutants, rather …show more content…
In Gerad Jones’ Men Of Tomorrow , Jones argues that the characters authors create are inherently influenced by the experiences that the creators experienced during their life. Jones uses Superman and Batman as his examples, but his argument shouldn’t be limited to those two entities. If we look at Stan Lee and Jack Kirby’s background, we will see that both are (was) Jewish, a religion with a history of being ostracized by many different groups. Given Lee’s background and experience as a Jewish man, it comes as no surprise that he would create a group of superheroes that could represent a marginalized group. Each subsequent author and/or director of the X-Men comics and films brings their own unique experiences to the table in their portrayal of the X-Men which ultimately leads to one specific marginalized group being clearly represented in that specific author or directors interpretation. But, nonetheless this representation isn’t restricted to a single marginalized group, but rather any group who has been ostracized and deemed inferior in the eyes of the general public. In the book War, Politics, and Superheroes: Ethics and Propaganda in Comics and Film , Marc DiPaolo says “The …show more content…
On the first page of the graphic novel, an illustration from a panel that appears later in the novel depicts a William Stryker, an ex military anti-mutant advocate pointing at Night Crawler with the speech bubble above Stryker’s head reading “Human?! You dare call that A human?” , which, from the gecko sets the dark and serious tone for the graphic novel as whole. Throughout the novel, Styker leads a group of “purifiers” called the Stryker Crusade , which is anti-mutant group that goes out of their way to kill mutuants on the sole basis that they are mutants. Like Stryker, members of this group are radical extremist to say the least, in that they are so anti-mutant, they will kill non-mutants who are seen as mutant-apologists. Styker is depicted as a religious extremist, in that his rationality behind his anti-mutant views stem from the idea that mutants are spawns of Satan . In a conversation with Storm , who he has captured, he says in response to Storm saying, “We have done you no harm—Why are you doing this?” “Because you exist. And that existence is an affront to the lord.” In a flashback scene, we see that Stryker’s son was born as a mutant; Stryker than kills his son and his wife, attributing the birth of their mutant son as a message from God telling him that he was the “chosen one”
Movies and entertainment outlets speak volumes about the current state of a nation’s culture. Cinematic creations in the United States allow small voices to be heard and controversial issues to be addressed. However, a repetitive and monumental issue continues to be addressed, yet continues to persist in our 21st century culture, racial inequalities. Since the inception of the United States, black men and women alike have been disenfranchised at the hands of the “white man” in America. Instead of continuing the conversation today, the issue is continually silenced referencing the successes and achievements of the Civil Rights Movement in the 20th century. Nonetheless, an unfortunate reality looms upon this great land; racially based systems and structures continue to exist in 2015 the in United States. This paper synthesizes three films focused on racial inequalities in different time periods. Separate but Equal (1991), Selma (2015), and Crash (2005) illustrate how influential the Civil War amendments are, while serving as an uncanny reminder of how the racial prejudices during the 20th century continue to exist in our great nation today. Needless to say our nation has made great strides, but still has a long way to go.
In “Homeboy”, Malcolm X, a prominent leader during the Civil Rights era, discusses discrimination within the black community itself through the use of thoughtful imagery, eloquent diction, and symbolism throughout the essay.
Based on the evidence supplied by author Kent Anderson Leslie, slaves in antebellum Georgia did not always live under the oppressive system of chattel labor. According to Leslie, the rules that applied to racial hierarchy were not strictly enforced, especially when it came to propertied and wealthy planters such as David Dickson who chose to raise his mixed-race daughter at home. Amanda Dickson’s experiences during Reconstruction demonstrate that she had much more freedom after slavery was abolished than may have been expected before the Civil War. Amanda Dickson’s experiences and those of her mother in particular do not fit the presumed mold of oppressed slave with no opportunity for a better life.
These negative portrayals of Mexicans fuels an already existing stigma. Griffin reinforces these archetypes through film and this in turn can lead to the
It’s a bird, it’s a plane, it’s a… black Superman? With the representation of all identities growing in different forms of media, superhero comic books have picked up this trend and have begun to introduce characters with diverse backgrounds. Due to the previously mentioned occurrence, readers of different creeds, sexual orientation, and ethnicities are being introduced to the world of superheroes. With this new trend, many questions arise concerning the impact and necessity of underrepresentation and fairness. How have superhero comic books widened their depiction of underrepresented communities, and what role does history play on the characters of comic books? More specifically, how have Marvel and DC Comics been affected by history, and
There are many people in our world today, that believe racism is a problem of the past, that segregation and inequality are expressions that are not relevant today. The cold heart felt reality of this statement is that racism, is even more alive in our world today, than ever before. Circumstances such as, Caucasians being paid more than African Americans for the same job and Caucasian police officers gunning down innocent African Americans and being acquitted for it, are just some examples of the racial tensions in our society today. The people that believe racism is no longer a problem in this world, are simply ignoring the recent and past tragedies of African Americans. The inequalities this minority group has endured, has caught the attention of certain groups of people, that are trying to bring change, by taking a stand for a solution. In this challenge, the media has been very effective, in not only bringing the problems to the surface but also in seeking to effect resolutions. Throughout our countries’ past, the media, and even more specifically, movies, have been a powerful tool in bringing light of many types of injustices brought onto minority groups. A prime example of a movie that presents some of these issues is “Remember the Titans”. Throughout this essay, I will be analyzing this film, identifying some of the aspects of the film’s form, content and symbolism, regarding the impact on American culture, that can be seen within it.
“White Privilege and Male Privilege: Unpacking the Invisible Knapsack” by Peggy McIntosh discusses about white privilege and male privilege as an invisible privilege that does not become a topic for discussion in white communities. The children of white communities are taught to not recognize what is white privilege same with male. Instead of recognizing what is white privilege or male privilege, they become ignorant of the privilege they have compared to other races without privilege. Peggy uses herself as an example to understand white privilege and the advantage of occupying a position of privilege. In addition, she lists a list of conditions that she meets as a white individual compared to her friends, who may not meet the conditions.
In 1988, Peggy McIntosh wrote an article in the book Things Are Not What They Seem: Readings in Sociology entitled “White Privilege and Male Privilege: A Personal Account of Coming to See Correspondences through Work in Women’s Studies”. Such a long title seems humorously unnecessary, is spite of the serious nature of its subject matter. In short, when McIntosh refers to “white privilege” she means that being of white decent allows her a set of assets at birth that people of color are not afforded, simply due to the light color of her skin. McIntosh proposes that white privilege is invisible to most Caucasians because they are not taught by their parents, teachers, or society that they are any better than other people. This is a double-edged sword because, while it allows some individuals to remain humble and socially compassionate, it blinds them to the fact the being white allows to a myriad of benefits not given to those of a darker skin tone. Of the unconscious benefits of being Caucasian that McIntosh listed, the two that I found most interesting were number seventeen (“I can talk with my mouth full and not have people put this down to my color”) and number forty-six (“I can choose blemish cover or bandages in ‘flesh’ color and have them more or less match my skin”). The former interested me the most because I do not associate basic table manners with someone’s racial background. If a person eats sloppily I normally put it down to them simply lacking essential etiquette
This article deals with the seen and also the unseen aspects of white privilege. The article discusses how male privilege and white privilege are connected to one another. Additionally, this article give 46 examples of how an individual white woman is able to navigate her day with the unseen privileges of her being the part of the dominant group. The dominant group is taught not to see their privilege and most of the time do not even realize they benefit from such a phenomenon.
Discrimination is one of the world’s biggest problems right now. In the Movie The X-Men and the book The Chrysalids they show a wide variety of different types of discrimination. Discrimination comes in different ways from verbally to physically. The theme of discrimination against mutants shows throughout the Book and Movie as Humans Vs Mutants. If you take a glance at The Chrysalids book and then take a glance at The X-Men movie they seem that they don’t have anything a like, but if you look in deeper into the story they have a lot of similarities. Both the X-Men Last Stand directed by Brett Ratner and the book “The Chrysalids” written by John Wyndham Have many similarities. The characters, Themes, and actions the society takes upon
In today 's society, equality is a big deal, with many people still fighting for their rights. People all over the world are still being discriminated against, a topic that is not uncommon for a vast amount of dystopian novels. In fact, it 's a very common theme for multiple dystopian pieces. Scott Westerfeld 's Uglies, Joelle Charbonneau 's The Testing, Liam Hughes ' The Social Classes, Kurt Vonnegut Jr. 's Harrison Bergeron, and Wes Ball 's interpretation of The Maze Runner all have social discrimination integrated into their story lines. Despite the many problems in dystopian societies, authors also present the classic hero that rises above those issues and works to rebuild their government or community. However, a hero isn 't just born, they 're made through a series of events such as problems with social class discrimination.
Dave Chappelle talks about how many different types of people in society today benefit from racism and other social constructs whether or not they know it. While minority groups toil under racism, sexism and classism the majority groups benefit. While blacks were heavily oppressed from times of slavery all the way until the Jim Crow era whites benefited from the system of oppression. Back when women had no rights and sexism was rampant men were benefactors and while life gets harder and harder for the poor it gets easier and easier for the rich. In the books we read race and class are major themes in all of them. Many characters get the short end of the privilege stick while others benefit greatly from different types of privilege whether or not they are aware of it. Most of the characters are either too young or too ignorant to do anything about the privilege gap in these books. Chappelle talks about opportunities given to those with privilege. Whether it’s having the knowledge that getting kicked out of one prestigious prep school just means enrollment in another or simply being able to freely go wherever a person wants knowing they won’t be questioned or beaten unequal opportunities based on privilege are plentiful in our novels this year. While several characters exemplify the benefits of privilege Kevin, Scout and Holden best illustrate what privilege, whether known or unknown, can do for a person.
Power binaries are a prevalent feature in all societies, past and present. One group in power holds the position at the top of the binary and, in doing so, pushes those who do not fit into the group to the bottom, socially and politically powerless. During the 1930’s in America, the most significant binary was the division between whites and people of color, specifically African Americans. (“Historical Context: Invisible Man”). Ralph Ellison’s novel Invisible Man explores this time period through the story of an unnamed narrator struggling to find his individual identity as a young black man in a world that is constantly holding him down. The trials and tribulations the narrator endures and the people he encounters on his journey exemplify how the imbalanced power structure of a racist society will not truly allow even successful people of color to obtain substantial power unless they twist the definition of power itself.
The movie, “Captain America: The First Avenger,” involves two posthuman characters, which Marvel Comics created. Captain America is a super hero, who is known as the world’s first super soldier and many humans look up to him all over the planet. Red Skull is a super villain and is known to create havoc and terror in the lives of humans. Post humans can challenge the idea of community in several ways, but one factor that tends to stay the same, relating to posthumans, is that humans can easily be persuaded to follow in the footsteps of someone they believe is superior to them, such as Captain America or Red Skull.
The relatability from what the subject material is to how it can influence the audience is crucial in understanding of how Marvel Studios applies to their main audience. Marvel Studios have a wealth size of different movies that appeal to different types of audiences (ComicBookCast2,2016). It is good to have a variety of themes and emotion to display to your audience (Weekend Warrior, 2016). The subject material that Marvel Studios bases their universe on is too over the top for the average everyday people going to see movies, but Marvel Studios have made the effort of condensing and making it more simplified (Weekend Warrior, 2016). Marvel Studios have also known not to scale down on their projects and make it more ridiculous as possible, such as Ant-Man, Doctor Strange, and Guardians Of The Galaxy or to lighten how unrealistic it is to make it more realistic including but not limited to Captain America, Thor and Iron Man (Weekend Warrior, 2016),(ComicBookCast2,2014). The themes in Marvel Studios have never been misunderstood or misrepresented