Mats Ek

2349 Words10 Pages
Mats Ek

Allegra Vianello
English National Ballet School
2nd year
Words Count: 2304
23/04/2013

Contents Page

Introduction

Life and career

Re-making of the ballet classics

Stylistic elements of his choreography: clarity and irony

Themes

Movement Vocabulary

References

Influences and Muses

Bibliography

Introduction

In this essay I will present one of the greatest choreographers of the 20th century, Mats Ek. I will describe his specific stylistic characteristics, themes and dance vocabulary bringing as examples some of his most important re-adapted works such as Giselle, Swan Lake and Sleeping
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(https://secure.staatsoper.de/)

Swan Lake

“A lonely, somewhat weaker than the-average-Prince-Siegfried, who questions his sexuality (think Oedipus complex) and his mother’s open issues in attempting to marry him to someone just like herself. The Prince encounters androgynous creatures, swans that waddle through the ground rather than the graceful water creatures that we know from Petipa/Ivanov.” (http://www.theballetbag.com/2012/07/13/mats-ek-biography/)

(http://www.criticaldance.com/reviews/2002/cullberg_swanlake-021023.html)

Sleeping Beauty

“The teenager Princess Aurora falls in love with “the wrong guy” and ends up in a drug-induced coma. Carabosse appears as a drug dealer and tempts Aurora into pricking her finger with the “needle”. At Aurora’s birth the fairies are maternity nurses and later they are pop culture characters out of a TV show, while the Prince is a spectator.”

(http://www.theballetbag.com/2012/07/13/mats-ek-biography/)

“Ek has made an astounding break from the Sleeping Beauty we know and love, leaving not a single stone of Petipa’s edifice standing, renouncing all the choreographic gems cut by the imperial jeweller of the Tsarist ballet"

(Vollmer, Horst. Irreverently Classical: Mats Ek stages Sleeping Beautywith the Hamburg Ballet. Ballet International,7,1996:19)

Törnrosa – GöteborgsOperans Balett
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