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Meg Bogin's The Women Troubadours Essay

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Meg Bogin's The Women Troubadours

What is Bieiris de Romans’ speaker seeking from the woman, Maria, about whom Bieiris writes? More generally, what are female troubadours as a whole seeking from their loves, and their craft? Meg Bogin, in her The Women Troubadours, asserts that “their poems were addressed to women… to whom they vowed eternal homage and obedience. In exchange for their prostration, the troubadours expected to be ennobled, enriched, or simply made ‘better’” (Bogin, 9). Is the poetry of female troubadours less about the women being addressed and more about the troubadours themselves? By performing a close textual analysis of Bieiris de Romans’ poem to Maria, I hope to elucidate some possible answers to these …show more content…

“Achievement” implies a more personal form of accomplishment, and “honor” may—like one possible connotation of virtue—refer to a sort of public praise for deeds performed or character demonstrated. Although a monastic or personal connotation is plausible, we neither have any evidence that Maria is particularly religious, nor that she has a close enough relationship with the speaker that any specific personal achievements of hers would be known. Also, considering that the word “merit” is coupled with “distinction,” we will make the claim that public honor and the enjoyment of a good reputation are what the speaker intends to signify by a meritorious quality.

In the next line, Bieiris’ speaker praises the “joy, intelligence and perfect beauty” of the lady Maria. This line appears to applaud the goodness of her spirit, mind, and body, respectively. In attributing to lady Maria a joyful spirit, an intelligent mind, and a perfectly beautiful physical appearance, is the speaker praising assets particular to this Maria, or is Bieiris merely conforming to a literary convention? Bogin asks a similar question in her book: “What was courtly love really about? If it was not meant as a serious code of conduct, was it simply a literary game” (Bogin, 15)? In attempting to answer this question we should seek aid from the first line of the poem, which, as I have just defined, in essence merely speaks well of Maria’s

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