Memories And Surmoring In Margaret Atwood's Surfacing

When a child is first born, they develop the first memory of their life. When a child learns how to ride a bike, that memory is also implanted in their mind. And when a child first plays a sport they love, another memory is added to their mind. Thousands upon thousands of memories are remembered from almost every person. We never stop to think that, unfortunately, people have memory loss and that people lose precious memories and they can’t retrieve it back. This author, Tara Altebrando makes this the same for The Leaving, by whisking the reader off on a suspenseful and high staked journey where Scarlett Waters, Lucas Davis, Sarah Madson, Adam Acosta and Kristen Daley return with a blank mind and no memories of their past they left behind.

In the book “The Memory Keeper's Daughter” by Kim Edwards a doctor and his wife have twins and the first child is a healthy boy but then the second child that comes out is a little girl with the signs of down syndrome and he asks his Nurse to take the baby away to an institution while he tells his wife the baby girl died. Through out the entire book it is a struggle for Dr. Henry's wife Norah to have closure with the fact that her baby girl is said to be dead and she never saw her, held her, or cared for her. Kim Edwards shows through the whole book that we are only human, the themes that life is beyond our control and through the connection between suffering and joy.

The essay The Writer's Responsibility by Margaret Atwood is written with the intent of urging the privileged writer to utilize their position to speak out for those who are unable to. Her intention is a noble one which I am in agreement with, however, in order for her to express this intent her tone is quite straightforward. It is this candid tone in combination with several generalizations which I have a gripe with. For example, on several occasions Atwood degrades her readers through grand generalizations such as when she says “on a whole the audience prefers art not to be a mirror held to life but a disneyland of the soul” (Atwood 1).

Memory is a powerful concept. Often when an individual undergoes a traumatic situation, the ramifications of these actions seep into an individualfs psyche unknowingly. In effect this passes through memory and becomes sub-consciously buried within a personfs behavioural patterns generally. The Reader by Bernhard Schlink explores the concept of a young mans subconscious desire for a woman whom he gcanft remember to forgeth (1Memento) as she is so deeply inlaid within his soul.

Fitzgerald implements a first party narrative through Nick Caraway’s recollection of the events of the plot in order to effectively demonstrate the scarring, yet beneficial, effects of memories on the current mindset of individuals. The story is of Nick’s past, whose memories are

First and foremost, authors E.B. White and Billy Collins both use exceptional repetition to portray the themes of their writings “Once More to the Lake” and “Forgetfulness”. In the essay “Once More to the Lake,” the main character expressed his connection to the lake from a young age. Later in life he brings his son and begins to be at a loss for his identity while being at the lake. Similar in theme, the poem “Forgetfulness” is a tale describing the loss of parts of one’s life that used to be known, much like identity loss. Repetition is a major key in both texts for pushing the theme of identity loss. During “Once More to the Lake,” E.B White experienced many moments that

Forgetting is how some people cope with their traumatic events in life. Something that would be hard to unsee is this traumatic because it would definitely make me feel extremely bad. This was a terrible start to chapter 5 because these are real world problems. ”But somehow while the baby’s grandmother wasn't looking, the little boy crawled under the truck and got caught between the rear

Farrell argues, “Merely telling one’s story of trauma, however is not enough to begin the healing process” (186). Flashbacks are more than a memory, even if one tells others their flashbacks, one still would not understand the meaning or the significance of the intrusive memory. According to Caruth, “The flashbacks or traumatic reenactment conveys , that is both the truth of an event, and the truth of its incomprehensibility” (Caruth 153). In order for one to understand and heal from their trauma, one

F. Scott Fitzgerald understands that memory is a double-edged sword, and he illustrates this thought in two of his short stories, Babylon Revisited and Winter Dreams. In his story Babylon Revisited, the protagonist, Charles Wales, is tormented by memories of his past. His wife is dead, and his old friends won’t stop interfering in his life. His sister-in-law is basing her current ideas of him on the fact that he was an irresponsible person in the past, and it hurts his life greatly. Winter Dreams takes a slightly different approach. In this tale, the memories of the protagonist, Dexter Green, start off as pleasant but are later warped by new information. With these two works, Fitzgerald describes the problems that memories can cause in

  Memories are works of fiction, selective representations of experiences actual or imagined. They provide a framework for creating meaning in one's own life as well as in the lives of others. In Toni Morrison's novel Beloved, memory is a dangerous and debilitating faculty of human consciousness. Sethe endures the tyranny of the self imposed prison of memory. She expresses an insatiable obsession with her memories, with the past. Sethe is compelled to explore and explain an overwhelming sense of yearning, longing, thirst for something beyond herself, her daughter, her Beloved. Though Beloved becomes a physical manifestation of these memories, her will is essentially defined by and tied to the

Susan Griffin, a feminist writer and finalist for the Pulitzer Price in non-fiction, explores the concept of forgetting in her chapter “Our Secret”. Unlike Foer, Griffin (1992) doesn’t seem to be too much a fan of remembering, describing memory to be like “a long, half-lit tunnel, a tunnel where one is likely to encounter phantoms of a self, long concealed, no longer nourished with the force of consciousness, existing in a tortured state between life and death” (p. 258). In fact, Griffin might argue that there are several benefits to forgetting, and that the collective memories of a traumatic past should not be remembered or preserved. Failure to retrieve memories may not always be a bad thing, in fact, unwanted memories – of childhood trauma, emotional rejection, or any of life’s inevitable disappointments - have the ability to torment and mentally exhaust a person. Throughout her essay, Griffin explores the hidden shame and pains that several characters carry, herself included, and the consequences they bring. She writes of one woman’s memories of the cold war, who, as a young child, witnessed “shoes in great piles. Bones. Women’s hair, clothes, stains, a terrible odor”, all of which left her sobbing and screaming in fear (Griffin, 1992, p. 233). Another gruesome account Griffin (1992) writes of, is as

Repression of memories is a psychological concept that has haunted modern psychology for years. Repression of memories also known as “rememory” defined by the mind pushing away traumatic or shocking experiences into a dark corner of a person’s unconscious. As this idea developed and began to be studied more thoroughly, slavery became an institution in which researchers saw promise in drawing conclusions about the dangers of repressing memories. In Toni Morrison’s novel, Beloved, the character narratives of Paul D and Sethe exemplify the dangers of repressing memories. Both disconnect from and push away unwanted emotional traumas or experiences from their past. However, this effort doesn’t pay off and their repression of memories is not successful. Through the use of symbols such as Paul D’s tobacco tin and Sethe’s scars and lost child, Morrison demonstrates how repression of the past isn’t effective and how it always comes back to haunt a person who doesn’t correctly cope with their trauma. Paul D and Sethe live unfulfilled lives as a result of repressed memories.

Naturally, life is a continuous cycle of experience and learning. Yet often times so much is buried in our lives that we fail to remember or recall what we have learned. Memories that range from miniscule facts to important emotions can often leave unknowingly from our mind. Billy Collin’s “Forgetfulness” shows how memories are delicate and fragile, and that the process of forgetting is one that is nonchalant. Billy Collins effectively blends subtle humor and irony with a dramatic tone shift to explain that ideas and facts that people think are important flee the mind, showing that nothing good can last. Although he refers to memories in a lighthearted, thoughtful manner, the poem gradually shifts (just

In everyone’s life there is a moment that is so dreadful and horrific that it is best to try to push it further and further back into your mind. When traumatized by death for example it is very natural to shut off the memory in order to self-defense suppresses the awful emotional experience. Very often it is thoughtful that this neglecting and abandoning is the best way to forget. In Toni Morrison’s novel Beloved, memory is depicted as a dangerous and deliberating faculty of human consciousness. In this novel Sethe endures the oppression of self imposed prison of memory by revising the past and death of her daughter Beloved, her mother and Baby Suggs. In Louise Erdrich’s

“The more you know about the past, the better prepared you are for the future.”(Roosevelt). Memories are a phenomenon that brings both good and bad thoughts of the past back into one’s reality. This comes to show that an individual is a product of her past but is not a prisoner of it, due to it being her history and not her present. Margaret Atwood speaks in her poem, “Morning in the Burned House”, as a child who is reliving her past, although, that is perceived to her as her reality and she becomes a prisoner of that memory. This poem illustrates the message that the past is not one’s reality in that moment; it is history that tends to repeat itself in one’s mind. In this poem, Atwood expresses her thought and message through the specific imagery she uses of the five senses and the fire. Atwood uses the five senses imagery as a way to make one feel as if she is beside the child, reliving that memory with her. She uses the fire imagery as a way to set the tone for the poem, that perhaps something bigger and more life changing happened to the child. As well, Atwood uses the theme of illusion versus reality as a way to portray what is the child’s truth and what is a memory.