Miscommunication In Sense And Sensibility, By Jane Austen

Like Marianne, Mrs. Dashwood is romantic and whimsical, more prone to act on feelings than reason. Also similar to her youngest daughter, she often misjudges both the characters and situations of individuals. When Elinor tells Marianne of the difficulties Mrs. Ferrars presents in marrying Edward, "Marianne was astonished to find how much the imagination of her mother and herself had outstripped the truth" (18). Furthermore, Mrs. Dashwood's reaction to Willoughby is just as naïve as Marianne's. "In Mrs. Dashwood's opinion, he was as faultless as in Marianne's" (43). It is only Elinor, acting with the maternal caution her mother does not possess, who has reservations about Marianne's suitor.

Jane Austen's 1811 novel "Sense and Sensibility" puts across an account involving two English sisters who come across a series of hardships in their endeavor to find their personal identities in a relatively hostile environment. Elinor and Marianne Dashwood are forced to leave their home, the estate at Norland Park, consequent to their father's death. The two experience economic problems and come to see the world with different eyes as they move in a small house and as they interact with people who are primarily motivated by finances. Even though the two sisters have diverging personalities, they go through similar experiences and they come to have similar perceptions of society.

We can find in this piece of literature work that Marianne Dashwood is guided by too much passion and acts inappropriately, while her sister, Elinor reacts with too much prudence. Eventually, both sisters are rewarded with marriage once they learn how to regulate the appropriate amount of emotional response and gain knowledge through experience. Moreover, we can observer that both concepts are necessary in order to act in a correct way. The author tries to show the readers how important sense is in our lives. Not only can we act through our reason but also we need to take into account our

The author Inger Sigrun Brodey, a reputable JASNA’s North American Scholar who is a frequent speaker at Jane Austen Society meetings, writes in the article "Making sense of sensibility." from Persuasions: The Jane Austen Journal that Marianne Dashwood symbolizes sensibility and her sister Elinor represents common sense. Marianne shares many similarities with Lydia Bennet, the youngest daughter in Pride and Prejudice. Both believe their world is naturally good without corruption such as greed and lust to mar it. Both have foibles that strangers generally are naturally good. However, in actuality there are very good actors that manipulate the vulnerable. Humans have a way of being imminently selfish and Austen is depicting it with the characters such as the dastardly Mr. Wickham of Pride and Prejudice and thoughtless Mr. Willoughby of Sense and Sensibility. Both men affect their counterparts in a negative way and take advantage of the situation. This creates a bias of distrustful feelings, that sympathy may be able to heal, but society might think is self-absorption. Nonetheless, pity is created for the poor creatures. In fact, it is sensibility or empathy that is necessary to have a deeper connection like love or hate, and it is fear of rejection that may be the culprit of a hesitancy to love. This relates to the larger picture of the transition between the Enlightenment and Romanticism, sense contrasts sensibility because sense has logic and sensibility is fueled by emotional reactions

Austen describes Willoughby through three different perspectives. The first perspective is the narrater’s perspective, next Marianne’s perspective and lastly Elinor’s perspective. These different perspectives reflect the different tones Austen uses. Austen seems to support Elinor’s view of Willoughby, which suggests that caution in relationships is the overall message of the book.

In Jane Austen’s Pride and Prejudice, the similarities and differences between Mr. Darcy’s proposals show that a strong romantic bond should develop from an absolute understanding of each other’s characters.

In a novel overflowing with misconstrued romance, “Emma” by Jane Austen succeeds in misleading the readers, as well as the actual characters on the matter of who is really in love with whom. Although it is teeming with romantic dialogue, the characters have a tendency to misunderstand confessions of love, as well as comments made in passing concerning the secret feelings of others. Through forms of narration and dialogue, Jane Austen forces the reader to interpret these subtexts and draw conclusions concerning the actual romantic intensions of her complex characters, while also deceiving readers on an adventure of romantic deception.

Willoughby and Marianne sparks an interesting relationship. Marianne is enthralled with the charming, handsome, and intelligent man who carried her down the hill in the rain. “His manly beauty and more than common gracefulness were instantly the theme of general of admiration.” (Ch. 9 pg. 40) Marianne already the constant romantic, finds him to be everything she could hope for. “His person and air were equal to what her fancy had ever drawn for the hero of her favorite story.” (Ch. 9 pg. 41) It is at this point in the novel when the reader begins to realize the meaning behind the title Sense and Sensibility. The two protagonists, Elinor and Marianne, represent sense and sensibility. Elinor’s personality and relationship with Edward is certainly sensible, while Marianne is more emotional and passionate, as reflected by her budding relationship with Mr. Willoughby. Every once and a while there is a clash between “sense and sensibility” through the two sisters. As the novel progresses perhaps Austen will reveal whether reason can influence emotion, vice versa, or if they both influence each other throughout the sister’s

Sense and Sensibility was first published in 1811, by Jane Austen, Sense and Sensibility represents the neoclassical, dualistic moral world where values and exclusion values will ultimately be successful in a painful, romantic feeling. Not only that, he was making serious cynicisms of society's eighteenth centuries in which the aristocrats were praised and indirectly influencing young people's minds, not the love of love but to betray it just for Wealth. In the novel, Lucy and Willoughby symbolize this kind of people of society

Of the dashing-but-evil Austen villains vying for last place, Willoughby is the worst: after winning the heart of Marianne Dashwood, the novel's heroine, by rescuing her after she falls down a hill and twists her ankle (ALL: TAKE NOTE). Over the next few days, Marianne finds, their taste to be "strikingly alike...The same books, the same passages were idolized by each...long before his visit concluded, they conversed with the

Sense and Sensibility by Jane Austin was a moralistic novel depicting the two main forms of attitudes at that time; the neo -classics and the romantics. The period in which it was written, nineteenth century England, was laden with social etiquette and customs imposed on people of that time; and thus the characters of Jane Austin's novels. The novels' two main protagonists; Elinor and Marianne Dashwood, exemplify the Neo classical era and the romantic era, respectfully. Jane Austin instils Neo-classic and romantic ideals in Elinor and Marianne as to present a view of each attitude and to further enhance the discrepancies of social nineteenths century England.

Jane Austen puts an emphasis on both loyal and rival sibling relationships in all of her works, and these relationships prove to be as important, if not more important, than those relationships of marriage. Pride and Prejudice offers insight on many sets of siblings. Sibling pairs each present different ways in which they interact with each other, and the dynamic of their relationship. The way in which Austen portrays certain sets of siblings may be a mirror of the way she was with her sister Cassandra, whom she was very close. Inspiration for these relationships may have come from ones she experienced first hand, or witnessed throughout her years. Pride and Prejudice expertly highlights the significance of sibling bonds, and how important

Pride and Prejudice, by Jane Austen, is a remarkable story showing the complications between men and women before and during their time of falling in love. The plot is based on how the main characters, Elizabeth Bennet and Fitzwilliam Darcy, escape their pride, prejudice and vanity to find each other; however, both must recognize their faults and change them. Jane Austen follows the development of Elizabeth’s and Darcy’s relationship in how they both change in order to overcome their own vanities and be able to love each other.

One person that seems to contribute greatly to the way love is perceived in this book is Marianne, as she experiences heartbreak but also great joy in finding the person to make her happy for the rest of her life. As she progresses through her life in the novel, she slowly reveals what love truly is through real-life situations that are similar to reality, without being sugarcoated or changed to please the reader’s mind. Jane Austen uses Marianne to show her own view of what she thinks that love can be like, and how it is not always what you might think.

When Charlotte Bronte said of Jane Austen’s novels ‘I should hardly like to live with their ladies and gentlemen, in their elegant but confined houses’ she was referring to the physical confinement of an interior versus an exterior setting. This confinement of the setting mirrors the social confinement of a woman versus a man in the societal structure at the end of the 18th and beginning of the 19th century. While Austen studies the societal position of women in most of her novels, her early work Sense and Sensibility, is perhaps the most interesting to take into consideration when reviewing the issue of confinement. In it Austen juxtaposes the freedom of the countryside exteriors with the confinement of the city’s interiors. These settings serve as a backdrop for the exploration of two female characters whose social status has been set back as a result of the primogeniture of the time.