Misunderstanding Relationships in Boogie Nights Essay

Love is unique in its striking ability to be a driving force in dictating interpersonal relationships. It patterns behavior and orients individuals towards their distinct, unique attractions. According to Velleman, love penetrates deeper than one’s qualities; it extends to one’s rational will, or the essence of a person. To him, though love appears to have particularity, it is also a moral emotion. Kolodny subscribes to the relationship theory, asserting that an ongoing, interpersonal, and historical relationship with a relative is a part of the reason for love. In Kolodny’s view, the existence of the true self is irrelevant, as is the morality of love. Both Velleman and Kolodny disprove the quality theory; however, their perceptions of love and its morality differ. I believe that Kolodny is correct in his view that morality is irrelevant to love and that there must be factual reasons for love. Although it is enticing to believe that one is attracted to the essence of another, the essence is not motivation enough for love. The relationship theory takes into account the motivation needed to love a particular person from a historical, interpersonal, and ongoing perspective.

Boogie Nights is a film that aptly embodies the extravagant decadence of morals during the disco era, while also creating empathy for the debauched innocents who find themselves caught up in a lifestyle of hard-core sex, drugs and rock and roll. Sadly, while attempting to replace the loving family relationships they are lacking and in their search for self worth, these characters pay the highest price for fame. The film deftly takes the viewer to the seedy underside of the pornography business. But, like many of the young people who find themselves entangled in it, it is first introduced as a life of each and luxury with many good times and no consequences. The film portrays the life of a unique young man who gives himself

When one looks at romantic love, one would conclude that it is a social dyad that brings about certain responsibilities between two people in a relationship such as honesty, protection, openness and expressions of love. (William, 2008: 76). Contrasting with

Fairy tales tell us that once upon a time a girl met a boy; they fell in love, and lived happily ever after. Reality is not that simple. Long-term relationships force couples to get to know each other, involve themselves in each others’ worlds, fight through the hard times, and eventually develop deeper connections as noted through distinctive stages of Knapp’s relationship model. Although I have dated the same person for over two years, our communication through relationship stages makes it seem as though I am now dating a different person than the one I met years ago. Following dissolution and subsequent repair, I realize the most exhilarating of roller coaster rides develop through sets of ups and downs, much like the

In the movie Casablanca, directed by Michael Curtiz, two different kinds of love are exposed. The love relationship between Ilsa Lund and Rick is a more passionate relationship while the one between Ilsa and Victor Laszlo is more intimate. Love is composed of different feelings and because of that it can be expressed, as seen in Casablanca, in different ways. “The Intimate Relationship Mind”, a text by Garth J. O. Fletcher and Megan Stenswick, helps support that claim providing a scientific background on how love is shaped by those different feelings. It says that “love is composed of three distinct and basic components that each represent evolved adaptations; namely, intimacy, commitment,

Love is a term used daily in one’s life. Many categorize love in many forms. These forms differ from one-another such as the difference between love for food and love for one’s spouse. However, in the play; “A Midsummer Night’s Dream”, love takes different forms than the ones experienced in reality. One can classify the different types of love used in this play into three different categories; true love, love produced by cupid’s flower, and the state of lust.

Before beginning of this quarter, I had no formal education on the topic of love or cinema studies which made this course seem the most intriguing. This was a completely new topic to me. Through the many assignments and group discussions, I have a much greater understanding of the world of film and understanding love in east Asian countries. With the help of my peers reviewing my assignments and providing a different perspective on my essays, I have honed my abilities in writing and thorough film analysis.

Love exists in the short story “The Bear Came Over the Mountain” by Alice Munro and in the short story “What We Talk About When We Talk About Love” by Raymond Carver. in Munro’s short story the plot is that of a mentally ill wife, Fiona, who falls in love with another patient while her husband still tries to hang on to their old love. Her husband eventually wants to have an affair with the wife of the man his wife is having an affair with. Their love changed because of their circumstances due to ill health. Carver’s story discusses the different definitions of love due to the type and quality of relationships; everyone has a different definition. Love also exists all over the world within different environments and cultures. The concept of love depends upon the environment in which it inhabits. Love is dependent on the life of the people in love and it also depends on their current environment. Nature and nurture are also huge factors into the development and process of love. What nature and nurture mean is whether it is due to how the person lives and acts along with their personality compared to whether it’s all in their genetics beforehand. Love is more on the nurture side instead of the nature side of human experience.

Laura Kipnis’s “Against Love”, and Raymond Carver’s “What We Talk about When We Talk about Love” ,brings up the issue of what is the definition of love and is love what we think it is. Love has changed in comparison to what it once was, and we now loosely use the term, but what does it truly mean, and why do we buy in to it. Kipnis’s essay develops the idea that this “mature love” is when someone can love and be loved, and she takes the position that this does not happen. Although Kipnis believes mature love is neither a realistic expectation nor a good thing to have, I claim that the idea of mature love is not bogus, because even though it is rare to find, and may even take a few tries, I believe it is possible for people to have this mature love. Unlike Kipnis too, I believe mature love can take on different forms, and doesn’t have to just be so black and white like Kipnis explains it as.

Throughout history, the media has shown many different sides of love. Weather it be peaceful, violent, dangerous, beautiful, almost all forms of the media have shown love in some way. In the novel The Great Gatsby, love is shown between many different characters in different ways. The reader experiences love at its best and worst. We see relationships flourish, rekindle and end between the different characters. The most controversial relationship is the relationship between Daisy and Tom. Through infidelity, and mistrust, tragedy occurs. Other characters become associated with their marital problems, showing different kinds of love and relationships. In the play Hamlet, the reader also experiences many different kinds of love, ranging from

The romantic comedy is a subgenre that has as its central narrative the quest for love that almost always ends with a successful conclusion. It accents love in a light and upbeat manner while also frequently embracing sentimental or melodramatic story developments. Similar to every other genre, it has a set of characteristics or conventions that allow the audience to know what to expect. The key traits that allow one to recognize a movie as a romantic comedy are its realistic characters, traditional dating ritual, and slow story pacing. These conventions of romantic comedies can be further understood by analyzing the narrative functions of two films that depict positive images of true love and its power to transform one’s life: Roman Holiday and Notting Hill.

Love is said to be the greatest human experience in which mankind are privilege to partake in. To love can be a wondrous experience filling life with bliss and other strong emotions. Some people believe to love is to be alive and be able to see the good in the world and others. The purpose of this paper is to examine and find a better understanding of what is love, to explore what people believe love to be, and what lies surround the perception of love and to explore and expose what the meaning true love is or at the very least the authors understanding of the perception of love. In addition to exploring the concept, deception and the truth of love,

While people are often able to identify when they feel the emotion love, love itself seems to defy definition.  In her polemic “Against Love”, Laura Kipnis argues that love cannot exist as traditional expressions of love such as marriage, monogamy, and mutuality.  However, in her argument, she defines love incorrectly by equating love to expressions of love. This definition lacks a component essential to understanding the abstract concept of love: emotion. Recognizing love as emotion helps us realize that, contrary to Kipnis’ argument love by nature transcends all expressions of love. Love is subjective and exists in any and all forms. In her argument that love cannot survive as conventional expressions of love, Kipnis ignores the nature of love as emotion in favor of equating love to different expressions of love. Love is a force which exists above expressions of love; a true understanding of love can only come from an assessment of how individuals, not societies, respond to the emotion.

The twentieth-century tendency to view human love and sexuality within a dichotomized universe of deviance and normality, genitality and platonic love, is alien to the emotions and attitudes of the nineteenth century and fundamentally distorts the nature of

Love is a powerful feeling; it makes you do crazy thing. Many people spend years trying to find it, others give up thinking they’ll never find it. Love has been defined as an intensive feeling of a deep romantic or sexual attachment to someone. Of course, Love doesn 't have to romantic and/or sexual. People who are ace, as in asexual, aromantic and agender, can still be in relationships that are satisfying for them without the needs of a romantic relationship. Familial love is also non-romantic-sexual. However, in this paper, we will be talking about romantic-sexual love, what it is, and why I believe it’s so important to understand and experience.