Modernized Art Forms and Styles Essay examples

In the early 20th Century, western history has entered a new era with the fast development of modernization, industrialization and the technologies. The machines took over the human labor they gradually replace the important role of human in the process of making and change the ways people live, started the fast pace, high speed of modern lifestyle. Modern art approached with a number of painter, sculptures, poets who individually or collectively to redefine through around this century. The new art forms are creative world’s response to the perspective of the new lives and ideas provided by the industrialized and technological advances that results modern society to evolve itself in a new way. Many artists began to experiment and

Picasso's innovations expanded our minds and actually went to the art. His work has influenced many art and research not only in the art world, but also influenced the sculpture, architecture and music. The CUBIST movement revolutionized many of the world's features. This has provoked a new thinking process, which leads to a new style and deep in the sense. It changed the way to see the world. Picasso's Cubism is trusted as the greatest break in the art history since the Renaissance revolution. The Picasso artist's "rules" gave to the people. His analytical cubism transformed the paintings from a single perspective to many perspectives and broke geometric shapes. His later cubism, Synthetic Cubism it’s developed by use of daily

Overall, the ideologies discussed within the articles Written In Blood: 20th Century Art by Stephanie Dudek and Estrangement As A Motif In Modern Painting by John Adkins Richardson address similarities and differences from various standpoints. Modernistic ideologies towards social, cultural and technological changes of the 20th century are demonstrated in both articles. The article by Stephanie Dudek emphasizes on the employment of radical and transgressive values by modern artists within their work to target cultural, and artistic principles that have persisted over many generations leading to a transformation within the subject of art (Dudek 105). Furthermore, modern art set out to obtain new visions of reality as witnessed within the Cubist

When art was modernized, it was no longer a certain style. New artist were looking for new materials to use for paintings and sculptures. Artist were also wanting to free themselves from the depiction of external reality, and focus on art that could provide feeling or ideas. Modernists educated each other to embrace the “primitive” style of African and Pacific art. Cubism Style opened a path for artist to learn about pure abstraction or non- objective art. New wave of artistic experiment incarnation was called the avant-garde. Avant-garde were artists from the New York School who

In mature form, its spatial structure resembled that of synthetic cubism. Generalized as a cultural aesthetic, it called for the evolution and refinement of type objects to a perfect standard.”

If today modern American and European art are among the most studied topics in the history of art, it is definitely due to the work and life of Alfred Barr, and his exhibition and catalogue of “Cubism and Abstract Art” 1936. His understanding of modernism shown in the chart that accompanied the exhibition as a visual tool for creating a logical understanding of the transcendence of the movements and their developments which helped to create a pure modernist style. This is probably one of the most significant accomplishment of Barr so far in his life, for creating an understanding for a civilization as he gathered all of his

The beginning of 20th century was a time of drastic change. New developments were made in the arenas of the classical sciences, social science, psychology and philosophy - each challenging traditional thought. Industrialization and the introduction of many new, challenging concepts in the fields of politics as well as the development of new technologies gave artist more freedom to innovate and break the rules of traditional art. By using new materials, techniques and the new approach artists were pushing boundaries of what has previously been accepted art practice in order to invent radically new styles.

Cubism is a new and so far highly influential art style created by two incredibly talented artists Pablo Picasso and Georges Braque. They came up with the style initially three years ago (1907) and have been developing the idea ever since. Cubism’s style represents the flat, two-dimensional surface of an image, disregarding traditional methods such as view, chiaroscuro, modelling and foreshortening.

Cubism was discovered in 1907 by Georges Braque and Pablo Picasso. This in particular was deemed the first abstract style of modern art. The cubism style of painting show many different views and angles of nontraditional perspective. Futurism was a wonderful Italian movement that praised modernity. Custructivism used geometic language to symbolize a social vision. It was very difficult to understand and would eventually be changed by Socialist

The transition between the 19th and 20th century has brought further development of modernistic ideas, concepts and techniques in art. Inspired by Cezanne’s idea, saying that all nature objects can be illustrated with just three geometrical figures: cube, sphere and cone, Pablo Picasso created his first paintings, which became the icons of modern art and cubism movement in

Marinetti addressed the “death” of traditional art in his Futurist Manifesto of 1909 when he stated “Why should we look back, when what we want is to break down the mysterious doors of the Impossible? Time and Space died yesterday. We already live in the absolute, because we have created eternal, omnipresent speed” (2001 21-2). Marinetti, among with artists of the Futurist, Vorticist and Constructivist movements of the 20th century, believed that mechanisation was fundamental to creating a new future where machines played a vital role in modern society. The traditional style of painting and sculpture — in accordance to Futurist principles — had no place in this new future.

Throughout time there has been of course many influences that have impacted the art world and have made it what it is today. However, there are some artistic movements that have had a greater impact and stand out over others. The movement that has always personally stood out to me was Ancient Egyptian art. The works that were produced for time period are interesting in terms of the lack of tools and the innovation to make these paintings, sculptures, and architecture that almost seem impossible to have been constructed. In my opinion the arts produced during the Early Dynastic through the New Kingdom of Ancient Egypt are some of the most technologically advance forms that stand out over all other art forms for the time

The sculptures created in the Renaissance era saw the use of new techniques and styles that were never used before. The artwork had a huge impact of humanism on the different artists in this era. Starting around the 14th century and ending around the beginning of the 17th century the Renaissance era art was all about realistic linear perspective where the artist would observe objects from close and far and then paint it. This enabled the artist to get a lot of depth in his or her sculptures. Also, the art changed to depicting joy of human emotions and pleasures of life. On the other hand, art of today, also known as contemporary art, started a few years after World War II up to present day. During this period, different art movements occurred that influenced artists all over the world. In the 1950 and 1960, contemporary art was influenced by movements like Abstract, Expressionism, Pop Art, Neo-Dada, Minimalism and New York School. Some of the famous artists of this era are Andy Warhol, Wassily Kandisky, Robert Lichtenstein and Jackson Pollock (Witcombe, 2005). The 1960s was a playground for modern art. In spite of this new movement in art, the innovation and technical skill was not of a near caliber as of the Renaissance era. This mainly because of the lack in detail and human spirit, these are not recognized in modern art sculptures, paintings and photographs today. This being a

Unsatisfied with Italy’s dilatory transition to modern styles of art, Marinetti called for a movement lead by youth conducting constant upheaval of traditional art. These highly avant-garde notions lead him to relegate museums to the level of graveyards; perhaps to be visited annually in tribute to the past, but never to be copied or exalted. He expresses that youth, still untired and fueled by rage, can offer the most to great art. He possesses a genuine desire for constant change, and in suggesting that only those younger than forty can create change in the arts, he claims, “When we are forty, the younger and stronger men will probably throw us in the wastebasket like useless manuscripts-we want it to happen!” In an extreme example of his push forward, he propounds that artists not only adopt pejorative attitudes towards libraries, academies, and museums from the art world, but also incinerate and flood these institutions. In his manifesto, as well as in futurist paintings such as Giacomo Balla’s Street Light, the juxtaposition of celestial light sources with overpowering man-made lamps suggests the superiority of progress, technology, and machine power over that of historical insight and nature. Several times, Marinetti alludes to a transition from mythology, past knowledge, and logical thought in replacement of the life of speed and revolution sought by the futurists and succeeding movements. For example, he claims, “Let us give ourselves utterly to the unknown, not in desperation but only to replenish the wells of the absurd!” This break from adherence to previously acquired knowledge in pursuit of a rediscovery of the nature of life and a study of the illogical aspects of life is in accordance with contemporaneous avant-garde movements such as Dada. (Despite the Dadaists’ opposition to

“Modern painting, breaking through old conversation, has released countless suggestions which are still waiting to be used by the practical world.”(Gropius) The birth of modernism and modern art goes back to the Industrial Revolution, a period that lasted from the 18th to the 19th century, in which rapid changes in manufacturing, transportation, and technology profoundly affected the social, economic, and cultural conditions of life in Western Europe, North America, and eventually the world. Before the 19th century, artists created art pieces for wealthy people and institution places like the church where they can create art works about storytelling of religious or mythological scenes . These arts were there to instruct the viewers.However, this changed when during the 19th century many artists began to create works that were about people, places, or ideas that interested them, and of which they had direct experience. With the popularization of the idea of a subconscious mind, many artists began exploring dreams, symbolism, and personal iconography as avenues for the depiction of their subjective experiences.Challenging the notion that art must realistically depict the world, some artists experimented with the expressive use of color, non-traditional materials, and new techniques and mediums.