Monocular Depth Cues: Walt Disney World

Walt Disney created some of the greatest and most advanced technology ever. Much of his Technology is still here today. Until he created Disneyland there were no other theme parks of it’s kind. He didn’t stop there he created Disney World one of the biggest theme parks ever. No matter what it was Walt always thought he could do better.

In regards to depth, the use of lines in the floorboards creates depth, drawing your eye to and from the back of the room.

4. Space- Perspective is demonstrated in many ways. This artwork takes up almost the whole canvas. The horses on the edge look like they were maybe even squeezed in. All of the characters in this artwork look to be congregated to the middle of the painting, besides the villages in the distance. Linear perspective is used in the placement of the villages in the background and in all the men and horses, which are grouped in the middle of the screen. Looking at the features in the painting I notice the use of overlapping and vertical placement, which both imply depth. The horses overlap each other as well as the gentlemen and other elements of the painting. The brown horse’s head overlaps the black one hiding its mouth. The villages and hills in the background appear to be very far away (diminishing size); they look smaller and distant from the rest of the main aspects of the painting.

Math happens behind closed doors at Walt Disney world or should I say that math happens inside of a secret tunnel somewhere in Walt Disney world but we will not get in to that just yet. Where does the real magic happen, people might ask? To begin with some people might say the magic starts with the Disney characters, the rides or others might even say it is the parades that Disney world have at the end of the day from the fireworks, to the yummy cotton candy and the treats that they bring out for people to enjoy along with the characters coming out all at once to entertain everyone. There are so many wow factors during the parades at Walt Disney world. Nevertheless Neither one of

The first thing that I learned about perception was earlier discovered by a psychologist by the name of Max Wertheimer. He discovered that our body clearly separates images into figures

Depth is mostly occurring in the background with the mountains and the field with going all the way to the mountains. Jean-Francois Millet did an amazing job in showing the depth in his artwork. By adding the depth in the artwork, the artwork easily become more realistic. Normally a person can look across a field and can see for miles. That is exactly what Jean-Francois Millet did when he painted the Potato Planters.

Perspective lines occur also in the background of the painting in the upper right in the trees getting smaller as they descend into the painting. This painting is an example of linear perspective. All lines converge at a vanishing point.

The technique most artists use to project an illusion of the three-dimensional world onto a two-dimensional surface is called perspective. Objects are painted smaller the farther away from the audience is supposed to be, and are painted bigger the closer the audience is supposed to be. A vanishing point is helpful in creating perspective. This technique helps to make up a sense of depth in a piece of art. In Autumn on the Seine, Argenteuil, perspective is created by the body of water that is in the foreground of painting. This body of water is going off into the distance in which you cannot see it’s end. In the background, there are

The concept of linear perspective is simple to understand. There is a horizon line, which is the point where the sky meets the ground. There is a vanishing point, which is where all the lines of the painting run inward to meet the horizon line (Exploring Linear Perspective).

This depth or distance that the beholder of the eye misses as he/she analyzes the action of the 2-dimensional portrait is what’s called the painter’s space. In reality, one of the greatest abilities one’s eyes have is being able to determine depth and distance; small objects are at a far distance and bigger

It is all about how people view the world, determined what is seen to be real, identifying objects and colors at a fast rate which is the main feature of perceptual binding, Gestalt theory, and feature integration. Gestalt theory focuses overall of an object whereas feature integration looks at parts of an object. This process enables the objects to be seen in a full visual context. Perceptual binding but it is spatial and temporal providing binding for both perceptual and cognition. According to Whitman (2011) perceptual binding formulae the object through cognitive mental process whereas, feature integration suggests that a person consolidates individual topographies of an item to generate a more whole perception of it. In terms of perceptual

Compare and contrast Marr and Nishihara’s and Biederman’s theories of object recognition. How well do they explain how we are able to recognize three dimensional objects despite changes in viewing angle?

We see things with our eyes through different visual cues this is called “Depth Perception”. “Depth perception is the use of two different types of visual cues to perceive depth, Binocular cues and Monocular cues” (Department of Psychology,2015). “Depth perception lets us view items in three dimensions and the distance of items. We use several cues to perceive the distance (or depth) of the objects from us and from each other” (Department of Psychology,2015). Goldstein (1984) stated that Cues for seeing depth come from binocular disparity, and also from a range of monocular cues such as motion parallax, linear perspective, relative size, interposition, relative height, and texture gradients. (as cited in Laboratory Manual: Psychology 111/112