Monophony, Polyphony, Heterophony, and Homophony are all textures of music. The
texture of music is the structure of the different parts. Monophony music is that in which only
has one part, while polyphony music consists of multiple parts. Heterophony and homophony
are like polyphony, they have multiple parts. Homophony is when the multiple parts move with
the same rhythm, this is also referred to as chordal music. Heterophony is when an
accompaniment is added.
Monophony is the simplest texture of music, it means "one sound" and describes music
with one line of melody. It can be sung by one or many people, they just have to sing the same
notes and rhythm. Some examples of monophony are Happy Birthday, the Star-Spangled
Banner, and unison singing at religious
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It consists of many separate melodies with their own notes and rhythms.
This style requires multiple singer but it can also be done with a single musician playing the
piano, organ, or guitar. This style was mainly used mainly during the Renaissance. If I were to
use a set of lines to describe polyphony music I would draw multiple lines moving up and down
intersecting with each other.
Heterophony is the melody with slight alterations to the melody from person to person.
This style is found mainly in the Native American, Middle Eastern, and South African cultures.
A good example of this is jazz music; each musician puts his own spin on the piece. If I described
Heterophony using a set of lines I would draw two close to each other that look almost the same
but there would be slight differences.
Homophony is the most popular musical texture today. It consists of the melody and the
harmony. The focus is on the melody while the harmony support it. Some examples of this are
our more popular types of music, like rock, wrap, and pop, also accompanied vocal music,
In Tabuh Pisan, there are homophonic textures as well as monophonic textures because the solo instrument is not accompanied as it plays in the introduction, however the Gamelan melody later dominates it by playing the melody and is accompanied by the Kendang rhythm. In the Beethoven Symphony, the textures are monophonic, homophonic and polyphonic. Monophonic texture is seen when the melody is introduced by one instrument. It is also homophonic because there are single melody lines that are accompanied by other instruments. However, when it plays a fugue or canon, the texture is polyphonic because there are two melodies present at one time. Thus both pieces show changes of
In the nineteenth and twentieth centuries, musical value through various ideological positions grew up. In general these positions suggested, that the highest possible value arises when music can be said to posses certain properties. For example: ‘eternality’, meaning that the music as a certain value which will never die; ‘universality’, meaning that music has the ability to express ‘the human condition’; ‘originality’, when music breaks with convention to establish new stylistic norms which would influence future generations; ‘complexity’, for example counterpoint, executive demands on performance,
* Listening: CD 1:1 (Beethoven’s Symphony #9) & CD 1:2 (Japanese gagaku) 3. Sounds are organized into music by people thus; music is a form of humanly organized sound * Music is a human phenomenon
Though, in spite of waves of cultural differences causing ebbs and flows of the rising and falling of war and peace, the cohesive effects of music seems to ignore cultural differences by giving them reasons to celebrate their commonalities. And the almost infinite number of sounds that creates the musical kaleidoscope of jazz perhaps best embodies music’s cohesive elements.
Pauline Oliveros composed a piece titled "Sound Patterns." Some of its traditional musical techniques that we are used to is the polyphonic texture and the A Capella voices. It also uses a form that we are quite familiar with Sonata form.Milton Babbitt composed a piece titled "Ensembles For Synthesizer." We here the manipulation of tones and pitches in what is called a 12-tone technique. I believe that an artists tends to create music such as the ones listed above to expand our mind set on our belief of the musical world and its aspects. It gives them the opportunity show us a whole new world of things like dynamics, rhythm, timbre, and much more. An open-minded listener could experience this as a whole new aspect to view the world of music.
Although this music is very organized it is often, ironically, perceived to be very chaotic to the listener.
Early on in the 20th century the predominant form of popular music were definitely musicals, and there was no bigger stage than that
Voice may be high-pitched and have an unusual rhythm and intonation – may sound sing-song like or monotonous.
How Music Works with Howard Goodall – 01 -- Melody Melody is such a central element of almost all music. It is perhaps the most important element of any piece of music. The melody is a horizontal succession of pitches which is brought together in a particular rhythm to produce a memorable tune. The melody is also known as monophony because it is a simplest musical textures with a single succession of notes.
•Monophonic, texture evolved to homophonic texture in opera and solo arias, influencing both sacred and secular music. Many instrumental compositions were also homophonic.
In this case of the two songs, we will consider the musical elements of melody and
The texture of a piece describes the harmonic interaction within a piece. It expresses the way the parts and voices are woven together and is often referred as the “fabric” of music. The four basic textures of music are monophonic, homophonic, polyphonic, and heterophonic. Monophonic refers to an unaccompanied melody line, homophonic refers to a accompanied melody, polyphonic is two contrasting melodies played together, and heterophonic refers to a single melody played by two or more musicians. Some musical techniques, such as imitation, canon, and fugal, are always polyphonic texture because there are more than one melody being played at the same time. The texture of both my pieces are mostly homophonic because
At the same time the piano was showing up, a new music style was emerging. It was the homophonic style,
Music styles of different time periods influenced the diversity of many genres. The music styles and genres of the 20th century all started from one point and continue to expand over time. The style of jazz music built the basis for rock ‘n’ roll music, and the style of rock ‘n’ roll music built the basis for pop music. Basic rhythms, inspirational lyrics, and the emotion the music style exerts all contribute to the creation of new genres. The process of evolution influenced by multiple styles created the music of the 20th Century.
With the variety of life throughout the world, there are different expectations for musical literacy. For instance, the style of Japanese music is very different from that of Cajun music, or Hispanic from West African. These variances give each culture a particular style of expression. Music literacy isn't even confined within cultures; it also produces a way for different cultures to learn from each other. For example, western rock musicians often incorporated traditional Indian music into their style during the 1960's, which broke boundaries between different approaches to literacy.