Monster By Walter Dean Myers Sparknotes

When analyzed online many of the definitions you will find for the word monster include: a strange or horrible imaginary creature, one who deviates from normal or acceptable behavior, or an animal of strange and/or terrifying shape. (Merriam Webster) When observing the “Monster Theory” by Jeffrey Cohen and the 7 theses that he provides in this text, one can begin to somewhat disagree with these formal definitions and attempt to say that it has an even greater meaning. Monsters might scare us and frighten us because of their physical appearances but also can provide us with possible solutions to gaps and uncertainties in our mind that Sigmund Freud would label as “The Uncanny”. I can only but agree with

The idea of what a monster is and how it pertains to modern day society has fascinated readers and writers for decades. Before taking this class, I was aware of what a monster is and the function it served in today’s society. Furthermore, after taking this class, I am now aware of what a monster truly is, and what really separates a monster from a regular person. The piece of text that I mainly chose to focus on and elaborate closely to demonstrate the aspects of a monster is appropriately named, Monster, by Walter Dean Myers. The reason I chose this piece of literature is because, Monster thoroughly elaborates what a monster is in todays society and how it functions in the modern day world. In this essay I will elaborate on

1. Monster is a novel written in a screenplay format with Steve’s journal entries mixed in throughout. Do you think this is an effective format for the book? Why or why not?

In Shelley’s Frankenstein, the monster commits a number of immoral acts out of rage. These actions are directly related to the monsters creation and upbringing. The burden of fault for the monsters actions rests on Victor Frankenstein’s shoulders alone.

Patrick Ness' A Monster Calls, is truly inspiring and an emotional novel for audiences that changes ones’ perspective towards facing death. Conor’s mother affects the main character of the story (Conor) due to the fact that she has cancer. Conor seems to be maintained and calm since Conors mom is still alive. Because of her sickness, Conor was reunited with his family once again, but he wishes they would both leave since his father and grandmother are trying to make him understand that there’s a good chance she won’t make it. The audience can only understand Conor if they understand what’s going on in his head. Overtime, this “nightmare” is shown throughout the text but is never explained until the final chapter. A nightmare that’s been

In the article “Monsters and the Moral Imagination,” Stephen Asma, a professor of Philosophy and Distinguished Scholar at Columbia College Chicago, argues that the existence of monsters have a purpose in our lives. It is not only to reveal our deepest fears, but to question our moral instincts. Being attacked by fictional monsters seems impractical, however, chaos and disasters do happen and exist in the real world. The creation of monsters is due to our reaction of our fears and the inability to control the world we live in.

“Fear and euphoria are dominant forces, and fear is many multiples the size of euphoria” - Alan Greenspan. New York author, Alan Greenspan, here is explaining that the threat fear presents is really no different than the state of intensity caused by euphoria. In Andrew J. Hoffman’s anthology, Monsters, there is substantial evidence that both fear and euphoria are inflicted upon men, by female monsters. The two threats men typically face against women are temptation and emasculation. Thus, in mythology and folklore, female monsters exemplify the impulse of desire (sexually) for men, and male weakness. These are creature that are lusted after and yet, still feared because of their power. Men find female monsters both fearsome and euphoric and will always threaten their dominance and control.

Throughout history we see monsters taking many different shapes and sizes. Whether it be a ghoul in the midst of a cold nightly stroll or a mass genocide, monsters are lurking everywhere and our perception of what monsters truly are, is enhancing their growth as a force with which to be reckoned. Fear of the unknown is seen throughout time, but as humans progress we are finding that things we once were afraid of we are less frightening than they once were. Monsters can evoke fear in their targeted victims rather than physically harm their victims. For instance, every year a new horror film is released with the next scary beast, but why do we call something a monster even if we know it is not real? Even certain people and creatures are

There is such kind of monsters, remain their appearance as a human, yet the things they do can only describe as monstrosities. They are not monsters in books and literature, a fear of unknown or sexual desires. People were, or still are facing actual brutal violence or psychological terror from those monsters. More importantly, the monster being talked here is one of our kind. They are human, yet described as “inhuman”, under the inhuman category of Stephen T. Asma’s book On Monsters, a bloody history, a dark past of humanity have been introduced as a monster. It is Khmer Rouge’s infamous security prison S21: the representation of the massacre took place in Cambodia in 20th century and this kind of monster, unfortunately, is still relevant to the world, even till this day.

The book I chose is called Monster by Walter Dean Myers. This novel won the Coretta Scott King award , the Printz award , and was also a National Book Award Finalist. Monster is the name and thing that Steve considers himself as he has gotten in a bit of trouble. This novel took place in Harlem New York in mid year of 1997. Steve harmon was in a drug store while some of the people he has been seen around the neighborhood with stuck the place up and murdered the owner of the store in cold blood now he is on trial for Felony 1 murder and this is the story of his trail. Our lives compare to each others in many ways. There are thousands of inferences that could be made

Monster is an example of what Patty Campbell would call a “landmark book.” Texts such as these “encourage readers to interact with the text and with one another by employing a variety of devices, among them ambiguity” (Campbell 1) Because it is told through the eyes of Steve himself, the plot can be difficult to decipher. It is ambiguous whether he is innocent or guilty of being involved with the crime. Steve learned to make things unpredictable from his film teacher Mr. Sawicki who teaches him, “If you make your film predictable, they’ll make up their minds about it long before it’s over” (19). Steve took his teacher’s advice and made this film script entirely unpredictable,

Monster by Sanyika Shakur yields a firsthand insight on gang warfare, prison, and redemption. “There are no gang experts except participants (xiii)” says Kody Scott aka. Monster. Monster vicariously explains the roots of the epidemic of South Central Los Angeles between the Crips and the Bloods that the world eventually witnessed on April 29, 1992. As readers we learn to not necessarily give gangs grace but do achieve a better understanding of their disposition to their distinct perception in life.

The study I chose was the Monster Study, it was a study that took place at the University of Iowa in 1939 by two female researchers named Wendell Johnson and Mary Tudor. They conducted an experiment on stuttering. This experiment was done on 22 orphan children in Davenport, Iowa. The children were separated into two groups, the first group received positive speech therapy where the children were praised for how good their speech was. In the second group the children were taught bad speech therapy and the children were belittled for every time they did not speak the right way. At the end of the experiment the normal-speaking children from group two that was belittled developed negative psychological effects, and

“Stories are wild creatures, the monster said. When you let them loose, who knows what havoc they might wreak?”

Monsters run free in epic poems of centuries far past; horrific, villainous creatures of fantasy who illustrate all that is bad in the world and stand for the tribulations the epic hero much overcome. The Anglo-Saxon epic Beowulf is no different. Some are born of, and in turn give birth to legends, such as the fire-breathing dragon, while others are tied to the bible. In studies, Beowulf's monsters are explained and will continue to be analyzed as symbolic of countless different ideas. In relation to each other and the epic's hero, the monsters of Beowulf represent the ever-present flaws of humanity and the monstrous feelings or behaviors that over take the mind in a moment of weakness, leading to eventual downfall.