Most Memorable Works Of Architecture

In this excerpt, von Simson looks at how the writings of intellectuals influenced the development of Gothic architecture. He begins by looking at the writings of St. Augustine and his love for music and how the importance of measurement found in music also applies to architecture. He then goes on to address two important schools of thought that influenced the formation of the Gothic style: The Platonists with their focus on cosmology, and the monks at Clairvaux, including St. Bernard, who focused on spirituality. In this section, von Simson focuses on the former and the connection between the cosmos and the Gothic cathedral. He argues that these medieval scholars saw God as an architect and the cosmos as his cathedral. In his study of both St. Augustine and the Plantonists, von Simson works to identify the ways in which these intellectual schools of thought influenced Gothic architecture.

As legend has it, the builders of St. Basil’s Cathedral were blinded by the command of Ivan the Terrible, so they could never create a building greater. There is still the question if St. Basil’s is actually the most beautiful cathedral made in its time. Comparing it to the beautiful Pisa Cathedral and Assumption Cathedral, which were made around the same time, one could find it hard to decide which is the most artistic. Looking at the materials, art, and icons of cathedrals are ways to gauge how beautiful the building is. St. Basil’s Cathedral was the most beautiful cathedral made in its time.

It's critical that Gothic engineering was fundamentally given to the working of religious abodes. Gothic design is known for the utilization of curves that point strongly upward and flying supports, which allude to structures that hold up substantial dividers. Flying braces make the rich, vertical upward line of Gothic engineering and take into account bigger windows, which Gothic specialists used to showcase splendid recolored glass windows. Renaissance engineering included more Romanesque structures (fabricating a home around a yard, for instance), regularly based around circles rather than the vertical, upward development of Gothic design. In the Renaissance, figure was much more imperative than engineering. Figures, for example, Michelangelo's David demonstrated amazing naturalism and a grasp of the bare human

The Notre Dame Cathedral is certainly one of the most beautiful locations in the world, as the city of Paris as a whole and the building's surroundings contribute to making visitors acknowledge the importance of this monument. Construction on the cathedral started in 1163 and was largely finished by 1250, with most of its features emphasizing Gothic influences. The building's architecture, the sculptures present in it, and the impressive stained glass all stand as reminders that the French community invested most of its cultural values into the church at the time when it was constructed.

“Gothic cathedrals were usually the tallest and largest buildings in the city. (Document G: Gothic Cathedrals)” This piece of text tells me that the Cathedrals during that time were like the Empire State Building of New York City. The Empire State Building is one of the most popular skyscrapers of our time. This shows why the Notre Dame showed cultural advancement in Europe.

Thanks to all these technical developments developed during the Gothic period, the master builders were able to build more slender, tall and light structures. But in any case, the vaults exert a series of transversal thrusts that cannot contain excessively high pillars, so that it was necessary to find a constructive solution that would unload these pushes towards the outside. This solution is the system of flying buttress and abutment, equivalent to the old abutments attached to the wall, which should have reached gigantic proportions to withstand the new lateral efforts. The new architecture evolved rapidly in the Île-de-France. The origin is located in the Abbey of Saint Denis (1140-1144), pantheon of the kings of France located near Paris. The bishops of the most prosperous cities, competing for the skill of their artisans and architects, set out on the career of the construction of cathedrals, rivaling in splendor and prestige. The best examples are concentrated in this area of France around Paris, and among them stand out, with their starting dates: Laón (1160), Paris (1163), Chartres (1194), Bourges (1195), Reims (1211) , Amiens (1220) and Beauvais (1225).

Both the Notre Dame de Chartres and the Bourges Cathedral are expressions of a new age of faith that grew out of the medieval Christian theology and mysticism, (Frank, Patrick). The Notre Dame de Chartres was used for meetings, concerts, and religious plays. It was the only indoor space that could hold all of the towns’ people. Most importantly, the Chartres cathedral was used as a place for worship. The Bourges cathedral was dedicated to Saint Stephen and was also used as a place for worship.

This remarkable improvement in methods indicates the fresh importation of skills from the East and this applies not merely to England but to all Western Europe at that time (“The Flowering” 88). Into three main phases the development of architecture through the period may be divided. The elements of Gothic style and their gradual elaboration over a period of rather more than a century came first at the opening of the 12th century. After the year 1000 there was a fully coordinated Gothic art particularly marked by the invention of windows with baltracy, Jean d’ Orbais probably used it first at Rheims cathedral during the generation following 1211, why the east end was begun. A century followed with classic poise in which an international architecture reached its peak and produce perfect forms of castle and palace, cathedrals enriched with painting patterned tiles, figure sculpture and stained glass (“The Flowering” 92).

The Gothic style, dating between the 12th century and 16th century, began in France and eventually spread throughout the rest of Europe. An example of the first true Gothic church was St. Denis of Paris. Now, it is considered one of our finest artistic periods, but at the time, the term “gothic” did not exactly hold the same meaning it does today. The name came from the Goths and was used rather negatively when describing this style of architecture as they considered it to be similar to the works of the barbarians from which the name was derived.

I also thought it was interesting to learn that the abbey church of Saint Dennis was the first introduction of Gothic architecture. Another interesting thing that I wanted to point out was, that many of the churches, including the abbey church of Saint Dennis and the Chartres Cathedral, "had lengthy construction histories" (Kleiner 379). But, one church, in particular, had a fairly quick construction time frame. The Laon Cathedral, pictured below, is an example of a church that began construction around 1160 and the construction was quickly completed, by 1200. Besides, Gothic architectural features, the Laon Cathedral also demonstrates some Romanesque features, including, "nave bays with large sexpartite rib vaults" (Kleiner 379). The textbook

Chartres Cathedral is one of the most significant achievements of all the historical architecture. Additionally, it is entirely preserved with its original details. The unique features of the cathedral are intact, and thus when one visits the place, he or she is likely to encounter the authentic architecture work as it was done many years ago. Chartres Cathedral symbolizes an atmosphere of awe and holiness (Katzenellenbogen, 2). As such, it was built for religious purposes. However, it attracts the nonbelievers as well. As a holy building, it has many glass windows to light the building. Due to its height, a double flying buttresses is used to support the high nave. The cathedral was the first building in history that used buttresses since it was considered as necessary for the peoples’ culture and as a sign of authority. It was built to reflect a symbol of power since the religious leaders engaged in politics too. The cathedral has many statuses that represent the Biblical aspects such as Elijah, Isaiah, John the Baptist, Jeremiah, and Simeon (Katzenellenbogen, 9). The standings portray the Christian faith that was used by the architectures while building the cathedral. The interior floor stands thirty-six meters high and is one hundred and twenty-eight meters wide. The sizes show how vital it is and it can host many peoples who visit for religious functions.

The Gothic style was an over exaggerated, awe-inspiring attempt to become closer to God. The worshipper was not only drawn to the altar, but experienced an ascent to heaven at the same time.1 These artistic gems are a grand testament to historical technology and the imaginative approach and vision of skilled craftsmen. The gothic style is one of the most

Gothic art flourished from the 12th century to the 16th century in Europe in response of the Byzantine and Romanesque tradition. Although Gothic is associated with arts, its most prominent use is in architecture, mainly for its pointed arch and flying buttress. To this day, the Gothic style is taken as a ‘label’ for visual arts such as concept art designs, yet the meaning stray from the original context, thus becoming rarely accurate.

Gothic architecture began in the 12th century and continued well into the 16th century as an attempt to reconcile Christian theology with Greek philosophy. Gothic architecture was deeply rooted in the previous architectural genre, the Romanesque, but architects this time around no longer desired to recapture the ‘classical’ and ‘antique’. If we focus on the Gothic cathedral, we’ll find that a Gothic cathedral had a unified and unbroken space that included the apse, rather than separating them like the Romanesque architects did. The main characteristics of Gothic style cathedrals included the groin-vault. Barrel-vaults had become too difficult to make and too heavy to install and so the Gothic architects decided to pull away from them and utilize groin-vaults instead. The ribs in the groin-vaults were conveniently aligned to form a diamond pattern on the ceilings. Atop these vaults was the second main characteristic of

With these great gothic style building appearing in Europe, there had to be architects behind the projects. Some of the most famous architects of the early gothic (1140-1194), high gothic (1194-1300), and late gothic (1300-1500) are, Jean D’Orbais, Jean Le Loup, Gaucher De Reims, Bernard De Soissons, and Abbot Suger of Saint-Denis. The patron, and client, for the first Gothic style building - Abbot Suger, wrote his views on the symbolism, at St. Denis, built between (1140-1144), but did not record the architect’s name. Jean D’Orbais' designed the first tracery rose window, and was a major milestone in church construction. Considering we don't