Keeping in touch with the theme of suicide and romanticism, Hamlet’s deceased lover, Ophelia commits suicide by drowning in a river. Ophelia’s death is a tragic one, but the queen, Hamlet’s mother presents it in a romantic, elegant manor. The queen describes Ophelia’s death in an idyllic manor “Fell in the weeping brook. Her clothes spread wide, / And mermaid-like, awhile they bore her up”(Hamlet, IV. VII.)” comparing Ophelia to a mermaid. Ophelia’s suicide seems to be a foil to Hamlet’s wishful ideas of suicide. During Ophelia’s death, according to the Queen, she seems to be quite unaware of her demise “Which time she chanted snatches of old lauds, / As one incapable of her own distress”(Hamlet, IV. VII), while when Hamlet speaks of his suicide
Would Hamlet be different without Ophelia? This question could refer to both the character of Hamlet and the actual play. Ophelia’s role in Hamlet has been discussed by numerous critics, and many of them have questioned the necessity of Ophelia. While she is undoubtedly a lesser character compared to Gertrude, Claudius, or Hamlet, her eventual madness and demise provides an interesting discussion for Shakespeare’s critics. Although some critics believe that Ophelia only plays a miniscule role in Hamlet, she is nevertheless an essential component of the play. Ophelia serves as a foil to Gertrude, adds another feminine perspective, advances the theme of madness, and establishes the foundation for the final bloodbath with her premature death.
There are a variety of factors that can contribute to one’s demise. In the context of the play Hamlet by William Shakespeare many possibilities can be identified that pertain to Ophelia’s sudden death. Ophelia’s death was triggered by her mental breakdown due to the loss of her father. In the midst of her inner turmoil, her depression worsens as she learns that Hamlet, the man she loves departs to England. When she dies, Gertrude reports her death to Claudius and Laertes. Gertrude, The Queen of Denmark, is responsible for Ophelia’s death. By looking at Gertrude’s over protective relationship with Hamlet, her lack of initiative on the situations around her in a time of tragedy, as well as her vivid account of Ophelia’s death, evidence that
Ophelia started acted insane when Hamlet frantically ran up to her, grabbed her arms and shook her because he had seen the ghost of King Hamlet. “He took me by the wrist and held me hard. Then goes he to the length of all his arm, And, with his other hand thus o’er his brow, He falls to such perusal of my face As he would draw it. Long stayed he so. At last, a little shaking of mine arm, And thrice his head thus waving up and down, He raised a sigh so piteous and profound As it did seem to
Not only is Ophelia's death marked much less significant than the other male deaths noted in the previously mentioned articles, but Ophelia’s death is articulated as a passive accident, one that happened to occur, to no avail. Every other death in the play is met with vigorous analysis and criticism, unphased by the death of Ophelia, inadvertently caused by men. Ophelia is also described as “mermaid-like” adding to the previously set notion that women are sexual objects- even at death. At this point of the play, Hamlet proclaims in a bipolar and seemingly fraudulent manner that he has always loved Ophelia (although he ordered her to “get thee to a nunnery” and was the root of her abrupt madness and suicide), while Laertes threatens that he loved Ophelia more. The attention and passion are still not recognized and respected with Ophelia even after her death but is used as a game between two men to satisfy their guilt and build their ego, competing for the love of Ophelia that was only disrespected when she was
Hamlet was deeply in love with the recently departed fair Ophelia, daughter of Polonious, who also sadly is not with us. He loved her much more than he expressed, and it is unfortunate that his inability to express his love for her could have been part of her downfall. Although he treated her scornfully and rudely I know that he loved her more than anyone could imagine. Hamlet, I remember, at the dear Ophelia’s funeral, you told the whole world of your love. “I loved Ophelia. 40 thousand brothers could not, with all their quantity of love make up my sum,” you said. I cannot help but think that if you had expressed your love for the fair maiden, both her and quite possibly you would still be with us today. He loved his mother, Queen Gertrude. Although he held her in disdain for her hasty marriage to Claudius, who he despised, he still loved her with all his heart
Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.
It is widely believed that “Living life without honor is a tragedy bigger than death itself” and this holds true for Hamlet’s Ophelia. Ophelia’s death symbolizes a life spent passively tolerating Hamlet’s manipulations and the restrictions imposed by those around her, while struggling to maintain the last shred of her dignity. Ophelia’s apathetic reaction to her drowning suggests that she never had control of her own life, as she was expected to comply with the expectations of others. Allowing the water to consume her without a fight alludes to Hamlet’s treatment of Ophelia as merely a device in his personal agenda. Her apparent suicide denotes a desire to take control of her life for once. Ophelia’s death is, arguably, an honorable one,
The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim
I thought I would be able to bottle up all of these emotions but it seems I cannot bear it any longer; I must let it all out. I must tell you, Hamlet, that living in this mad world is driving me to the brink of insanity. I am just so fed up with going about every single day persuading myself that I had ought to ignore it all and simply, sweetly smile. But why should I? Why should I sit around and let the likes of men like you order me around any longer? Yes Lord this, yes Lord that! Who do all of you men think you are? Being ordered around by my father, brother and you, my former lover, completely frustrates me every time. Am I your maid? Your slave? Your toy? You all speak to me with such
Queen Gertrude and Ophelia, the main female characters in Shakespeare’s dramatic tragedy Hamlet, have a variety of personal qualities and experiences in common. This essay, with the help of literary critics, will explore this commonality.
By his cockle hat and staff and his sandal shoon.” (V. IV. 23-26) This shows how Ophelia has became crazy over Hamlet’s inability to show affection towards her and him rejecting her. Ophelia’s madness soon spirals into her commuting suicide by drowning herself in the river. This can be linked to Nietzche’s statement that there is some madness in love, as Ophelia’s love for Hamlet caused her to become crazy. Hamlet also shows signs of madness due to his relationship with Ophelia. Throughout the play it is unknown to the audience if Hamlet truly has feelings for Ophelia. It is not until Act V that the audience becomes aware of Hamlet’s true feelings when he finds out about Ophelia’s death, Hamlet states, “ I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum. What wilt thou do for her?” (V.I. 255-257) This shows how Hamlet become mad with rage and sorrow as he hears of her death, finally revealing his true feelings. This relates to Nietzche’s statement that there is some madness in love, as Hamlet has not been able to show his true feeling for Ophelia, and once he become aware of her death he is filled with sorrow. This madness is shown when Hamlet develops a plan to fool everyone to thinking he is crazy.
In William Shakespeare’s, “Hamlet”, Hamlet’s love interest and Polonius’ daughter, Ophelia, died a passive and sudden death. While hanging wreaths from a willow tree, Ophelia fell from the tree and drowned in a brook. Although her death was claimed to be accidental, it is unknown if she committed suicide because she made no attempt to save herself. Her death represents the life she lived and the relationships she had with other people like her father and Hamlet. Ophelia’s death symbolizes her life with being controlled by her father, her honor and privilege of being buried in sacred ground, and the sudden termination of the relationship she had with Hamlet.
2.3 “This is I, Hamlet the Dane” – Why Hamlet is responsible for Ophelia’s death
Hamlet’s response to death reflects aspects of human nature today. People, then and now, want answers when they lose someone close to them; they want to know what happened to them and why they lost them in the first place. Depending on the loss, the mysteries surrounding a death can vary. This loss of a loved one can be sudden, like in Hamlet’s case, or unexpected, like in Ophelia and Laertes’ case, but the need for answers and justice remains. Moving forward, other aspects of human nature are revealed through looking at Ophelia and Laertes’ responses to death.
Ophelia’s poignant suicide (or accidental death) might also be a source of sorrow for Hamlet, as he often states throughout the play that he loves her. Gertrude (Hamlet’s mother) describes her as having dies naturally, maybe having fallen accidentally into the river, but had not made an effort to save herself. Even in death she is seen as beautiful, and it is a doleful reminder that all things, even beautiful, have an ephemeral time on this