Othello Essay

How is the theme of suffering portrayed in ‘Othello’, ‘Wuthering Heights’ and ‘One flew over the Cuckoo’s Nest’?

The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle, a tragic protagonist is a nobleman or person from high status, who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high state of being to a low state or death. The tragic hero’s downfall, said Aristotle, was brought upon by some error of judgement. Aristotle’s theory is not the final word on tragedy, however it can support in pinpointing the pivotal traits in

Othello has been described as one of William Shakespeare’s most popular plays because the play focuses on its themes of good and evil, military, politics, love and marriage, religion, racial prejudice, gender conflict, and sexuality; but the controversy and debate surrounding Othello is “Why is Othello a qualification for a tragedy?”

Othello and Oedipus are traditional tragic heroes, because they both possess tragic flaws. Iago has no problem fitting Othello into his plot, the cause of Othello's downfall, because Othello is easily persuaded and has an unsuspecting nature. Iago was aware of this and expressed this knowledge in the quote, "The moor is of a free and open nature that thinks men that but seem to be so…" (Shakespeare line 442-443) Time and time again Othello believes Iago over anyone else and continuously gives into Iago's malicious traps. This quality is an encumbrance to Othello and is why he so easily believes Iago when he tells him of an untrue affair between Desdemona and Cassio. Using Othello's unsuspecting nature to his advantage, Iago compounds Othello's false beliefs by using beguiling evidence such as the handkerchief. Aso, he uses the description of Cassio's mingling with Bianca where Othello mistakenly thought he was talking about Desdemona to further Othello's beliefs. While Othello may have been too naïve, Oedipus was the antithesis.

determine as to which one will win, so that is why one cannot exist without the other. However, there are some whose emotions are unbalanced, which causes them to near towards one side more than the other one ­­ and many times the side a lot of people prefer to lean on is evil. Shakespeare’s play O​thello​is set in 16th­century Venice and Cyprus. Othello, a noble black general from the Venetian army has secretly married Desdemona, daughter of Venice senator Brabantio. Othello chooses inexperienced Cassio to be his lieutenant, while he decides to give the ensign position to Iago, a malicious but very experienced man who, with his stealth and knavery, will ultimately ruin almost everyone’s life since for a long time, he was desiring the position of lieutenant just like Cassio. At the end of the play, Othello, Desdemona, Iago’s wife Emilia, and his sidekick Roderigo die due to his revenge against Cassio, for obtaining the position he wanted and Othello, for being the man who he hates the most. The play ends with Iago being told that he will be punished and tortured for his actions. However, despite the fact that Iago is punished at the end of the play for doing all of the malicious things he did, he still manages to wear down Othello’s relationship with Desdemona, get Cassio demoted from his lieutenancy, and cause Othello to show his cowardness by

Shakespeare is universally revered for his characterization of flawed and psychologically unstable protagonists. Hamlet is a crazed, murdering prince, Lear is narcissistic, senile, and a verbally abusive father, and Macbeth is a murderous traitor to his king and country. These unfavorable and evil attributes serve Shakespeare's main characters by presenting them as realistically written men, and there always seems a degree, however small, of sympathy associated with their respective downfalls and tragedies. Othello, however, is an anomaly.

In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character

Throughout ‘Othello’, Shakespeare uses the manipulation of the protagonist, by the antagonist, Iago, to present a play controlled by men. In such a male dominated society, Shakespeare presents the women in the play as tragic victims at the hands of their husbands, in particular Desdemona and Emilia. Throughout this essay I will relate to the Aristotelian and Senecan descriptions of tragedy to come to a conclusion of how in ‘Othello’ Shakespeare presents women as tragic victims of men.

The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.

    Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.

“The Tragedy of Othello” is commonly considered one of Shakespeare 's greatest tragedies and one of his finest works. In this play we see many literary devices at work. Several of these devices are involved in Iago’s deceitful plot against Othello that creates much suspense for the duration of the play. In “The Tragedy of Othello,” William Shakespeare uses symbolism, irony, and tone to create this classic drama.

. He is admired by everyone in the play, even Iago comments on what a good man Othello is. Secondly, a tragic hero can not be perfect. He or she must have a flaw of some kind. In Othello’s case it is that he allows his emotions to take over. Manipulated by Iago’s lies, Othello is forced to confront emotions he obviously can not handle. His wisdom and patience are replaced by anger and hate. The power of these destructive emotions ultimately lead to Desdemona’s death and Othello’s suicide

Othello’s own flaws and insecurities; jealousy, rage, insecurities and misguided trust in others contribute to his tragic downfall. Othello begins to doubt his

Themes such as jealousy, deception and passion interwoven through the text of 'Othello' make the story riveting. But before we can understand why events take place and characters motivations' it is important to analyse the geographical arena in which the story of Othello and the moral struggles of the characters are brought to life. By including real locations, which Elizabethans would have herd of, the play appears to be more realistic. 'Othello' is reasonably geographically accurate and this helps to make the play, with it's unlikely events, seem more plausible.

His jealousy caused a weakness in his judgment and ultimately resulted in the fall from a noble status of power to a status of shame, which was caused from the manipulation that came from Iago, who throughout the play is challenges Othello and provides the drama of the play. It is through guilt that Othello will recognize the flaw within himself, another characteristic of a tragic hero according to Aristotle. Geoffrey Bent stated that, “Othello’s culpability need not destroy an audience’s sympathy: bad things that happen to virtuous people produce only melodrama. Bad things that happened to flawed people because their flaws produce tragedy” (Bent, 1998). These flaws within Othello are the result of the trusting relationship that he puts in Iago and the jealousy he has regarding his wife, Desdemona. Admitting, in the final speech Othello gives, draws the sympathy and compassion from the audience that makes him the epitome of a tragic