OUTLINE
TOPIC: THE DEPARTURE FROM TRADITIONS ENHANCES OUR OWN EXPERIENCES SINCE ALL CONSUMERS OF THE MEDIUM CAN EMPHASIZE WITH CHANGE.
INTRO
PARAGRAPH 1
TOPIC: THE PLAY “Our Town” DEPARTS FROM THEATER TRADITION BY BREAKING THE FOURTH WALL CONSTANTLY eSTABLISH THEATER RULES; Never address the audience, establishes a concise linear story, leave the audience watching not interacting, eSTABLISH HOW “Our Town” BREAKS THEM: The stage manager constantly converses with the audience, Numerous invisible props, and plants people to ask questions hOW WE AS AN AUDIENCE PERCEIVE THIS:at first we may be confused, even appalled at the norm, however we soon realize these choices add a necessary flavor to the play oUR REACTION TO THIS: When we accept these
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Early on, within the opening scene, the headmaster addresses the students about the importance of keeping tradition, within the school and their personal lives. Due to the ways tradition has been ingrained into their lives, the group of boys is reluctant to explore new grounds. Charlie stands obediently, listening to the teachers, Neil continues his monotonous life, and Knox admires Chris Noel from afar. Due to current societal norms, Charlie is forbidden from even considering to disobey a teacher, Neil is tied to his life by a stern father, and Knox cannot make his move on Chris while she has a boyfriend. However, after meeting, Mr. Keating the boys soon learn to move on from societal constraints that bound them to their misery. He actively encourages the boys to individualize themselves, they shouldn’t adhere to tradition if it makes them miserable. Because of his advice, the boys choose to pursue their dreams, Charlie begins to rebel by writing an article that asks why girls can’t go to Welton, which defies the tradition of the school. Neil pursues acting and lands the leading role in the production of A Midsummer Night’s Dream, to the dismay of his father, and Knox goes after Chris. All these acts of defiance were in pursuit of their happiness and catalyzed by their teacher. Many audience members will find these youthful acts of defiance reminiscent of their own youth, the classic rebellious teenage years. Since the audience has also acted similarly to these youths, they project themselves into our protagonists as they reject tradition. Ultimately, these acts of rebellion allow the audience to be a part of the story without breaking the fourth wall, and in the end when the Keating’s class stand to salute him, we feel the triumphant warmth as
Many, if not all, plays are written to evoke thoughts from people in the audience. Through their scripts, authors deliver messages about their opinions on various issues ranging from gender roles to class ranks. These messages are developed to provoke thoughts and questions from people who experience performances. In the play Rome Sweet Rome, the Q Brothers Collective use both new and old theatrical techniques to make parallels between the Roman and United States governments by addressing issues involving women’s roles in society, class rank, and homosexuality. The play uses methods both similar and different to other classic plays to deliver a message that is relatable to issues in today’s world. This message is enhanced through the use of acting styles, set design, costumes, music, and lighting.
Carthage College’s production of Urinetown offers an engrossing visual and aural experience that seamlessly combines spoken dialogue and musical performance to create a unique theatrical event. Playwrights Mark Hollman and Greg Kotis infuse their provocative subject matter with colorful satire and acerbic wit. By simultaneously exposing theatrical conventions and providing commentary on governmental and societal ills, Urinetown compels viewers to reflect on themes of oppression, deception, and rebellion. Although the show suffers from moments of distracting lighting cues and occasional errors in line delivery, a first-rate script and inspired costume design contribute to its ultimate excellence. By closely analyzing these successes and failures, one can better understand the exceptional amount of collaboration, preparation, and creativity required to produce a quality piece of
The play that we read for this unit is Too Much Punch For Judy, by Mark Wheeller. It is a form of Verbatim Theatre, which means the play is based on the spoken words of real people. This play is about the story of a young woman who kills her sister in an alcohol related accident. When I first read the play I couldn’t empathize with the story as I have never encountered such a shocking event in my life. In this essay I will describe, analyse and evaluate both my work and the work of other actors in my group, focusing on the mediums, elements and explorative strategies of Drama.
One of the biggest worries when reinterpreting the play is whether or not to change is context; for our audience, as a director we must contemplate about whether or not it is better to change the context to make it more applicable to our society or to just leave it. However, in this case, I have decided to change the setting of the play by modernizing it to be set in modern America. The modernization of the play will allow for a new canvas where a whole new variety of ideas can be explored.
11. Point out some moments in the play when the playwright conveys much to the audience without dialogue
theater on the stage of New York’s Town Hall. The debate explored some of the most
Fictional rhetoric and theatrical provide a situation to show the relevance of this episode beyond the
The visual that a play presents is a dominating factor in the quest to invite an audience member into a world of which they feel a part. In a play such as Bus Stop by William Inge, this is especially important because Grace’s Diner plays a primary role in the storytelling. Inge’s use of the iconic American diner to tell his story is ingenious. Simply setting eyes on the set inevitably evokes pleasant feelings of familiarity and comfort in the minds of most audience members. A diner is a place where people gather; a place where individuals from different backgrounds share a similar experience. Inge crafted his characters meticulously in order to create contrast, conflict, and chemistry that would drive the plot through the forced
Some novels and plays seem to advocate changes in social or political attitudes or in traditions. Choose such a novel or play and note briefly the particular attitudes or traditions that the author apparently wishes to modify. Then analyze the techniques the author uses to influence the reader or audience’s views. Avoid plot summary.
In this critique I will be analyzing the different aspects that go into producing a play such as, lighting, set, costumes, space, props, actors, etc., and how each served its own significance in the production of “Our Town”. Specifically, I want to focus your attention to the theme, set, costumes, and lighting of the play. Additionally, I further elaborate on the play, by including a brief summation of my opinion on the play and the effects that it had on me, at the conclusion.
Before I set out to find performances to write this paper about, I wanted to make sure that I was experiencing something entirely new and foreign to my long list of plays and performances that I have already seen. I was fortunate enough to attend two new shows that I had not seen before. The first performance was at the Dietrich Theater at Sierra College where I saw Sierra College Theatre Arts’ production of I Never Saw Another Butterfly, written by Celeste Raspanti and directed by Debra Hammond. The second was Little Shop of Horrors: The Musical, written by Howard Ashman and directed by Steve Gold and Mike Mechanick, performed by Rocklin Community Theatre at the Finnish Temperance Hall in Rocklin. Both performances offered a unique and inviting
“In my class you will learn to think for yourself again” (Dead Poets Society). Mr.Keating tells the boys this in the film “Dead Poets Society” on their first day in his class. “Dead Poets Society” is a movie that is about a teacher (Mr.Keating) that teaches a class and it inspires them to seize the day and follow their own path but it's not as easy as it sounds, not many teachers agree with Mr.Keating’s teachings and nor do all the boys and it shows a small group of boys come out of there shells and sprout their wings and their struggles along the way.
In the movie, it was very evident how influential Mr. Keating was to the thinking of the boys in his class, but I don’t see
TV shows, movies, and school plays are modern results of centuries upon centuries of exploration and growth in not only the art of live performance, but the very core of storytelling as well. Throughout its rich and exciting history, however, it’s difficult to find a period quite so prosperous for the art of western storytelling as the Elizabethan era: an era which sparked exponential growth that would be built upon for centuries to come. Since its very beginning, Elizabethan Theatre has had a marvelous impact on the lives of everyone it touched, with effects that can be seen to this day.
“The Dead Poets Society’ is a movie that conveys many messages that are even more relevant today than they were in 1989. The movie gives you an insider look into Welton academy for boys a prestigious school known for its extreme standards. We follow a class of students who are inspired by a one of a kind teacher Mr Keating, someone who changed their view on learning and the world. The film touches on the subjects of the power of teachers, pressures from parents and teen suicide.