DARK DESCENT
I sung of Chaos and eternal Night,
Taught by the heav—nly Muse to venture down
The dark descent, and up to reascend …
—John Milton, Paradise Lost
1
PANDEMONIUM
“YOU’VE GOT TO BE KIDDING ME,” THE BOUNCER SAID, folding his arms across his massive chest. He stared down at the boy in the red zip-up jacket and shook his shaved head. “You can’t bring that thing in here.”
The fifty or so teenagers in line outside the Pandemonium Club leaned forward to eavesdrop. It was a long wait to get into the all-ages club, especially on a Sunday, and not much generally happened in line. The bouncers were fierce and would come down instantly on anyone who looked like they were going to start trouble. Fifteen-year-old Clary Fray, standing in line with her best friend, Simon, leaned forward along with everyone else, hoping for some excitement.
“Aw, come on.” The kid hoisted the thing up over his head. It looked like a wooden beam, pointed at one end. “It’s part of my costume.”
The bouncer raised an eyebrow. “Which is what?”
The boy grinned. He was normal-enough-looking, Clary thought, for Pandemonium. He had electric-blue dyed hair that stuck up around his head like the tendrils of a startled octopus, but no elaborate facial tattoos or big metal bars through his ears or lips. “I’m a vampire hunter.” He pushed down on the wooden thing. It bent as easily as a blade of grass bending sideways. “It’s fake. Foam rubber. See?”
The boy’s wide eyes were way too bright a green,
Some Americans remember where they came from; others don’t. That’s the case in Daniel Chacon’s story “The Biggest City in the World”. It is a story about Harvey Gomez who is a Mexican American young man whose grandparents migrated to the Unites States from Mexico. Harvey has only been to Mexico once in his entire life and neither of his parents has ever been there before. Therefore he doesn’t know anything about his native culture or language. In this story Harvey travels deep inside of Mexico for the first time with his Mexican history Professor David P. Rogstart and gets exposed to its culture and language. On the contrary, Carolina
Milton addresses the light emanating from Heaven, saying it is God's. Lucifer argument of freedom convinces me to a certain extent. I feel as if he should just stop trying to get back at God because he is never going to win. I feel that he should just focus on Hell or “his kingdom”. Milton is currently returning to Heaven, in the wake of having spent the initial two books in Hell. Milton actually feels heavens light, however he can't see it since he's visually impaired. This doesn't keep him from continuing to write, in any case. He's excessively determined and strong minded. The writer hasn't overlooked different well known visually impaired artists and prophets, for example, Homer and Tiresias; he's equivalent to them in visual impairment
“What is this?” He asked Hector slowly, examining his hand with the new piece of jewelry attached to it “what does it do?”
It is hard to challenge what is seemingly normalized in society. Especially when looking into the realm of gender and sexuality, the male and female gender accompanied by heterosexuality is often just accepted and deemed as a social norm. Social institutions such as marriage, health-care laws, and the economic system benefit those who act within the heteronormative behaviors and appropriate gender expression. The gender binary, though, is far from accurate when assuming personal identity. If someone follows the social script of the femininity, he or she is expected to be female and possess female anatomy. The same goes for men: if he or she expresses masculinity he or she is expected to be male with male anatomy. Anything outside of this expectation is deemed socially unacceptable and subject to backlash. With the strong ties Western society has to the gender binary and appropriate gender roles, it is impossible to picture anything else. The Fa’fafine in Samoa, however, present a great challenge to the norms instilled in society.
Paradise Lost is a poem about Adam and Eve, how they were created and how they came to lose their place in the Garden of Eden, which was also called Paradise. It is very similar to the book of Genesis in the Bible, except it is expanded by John Milton into a very long, detailed, narrative poem with a different view of Satan. Even though he leads a war against God, is sent to hell, and seeks revenge throughout the poem h still ends up being a very likable character.
Few topics have been examined and debated as much as the biblical account of the original sin. This continual scrutiny of the story is attributed to its significance, as the fate of humanity is irrevocably changed by the actions of two: Adam and Eve. While both are guilty of eating the forbidden fruit, who is more to blame? A case can be made for both Adam and Eve, but after analyzing John Milton’s interpretation of the original sin in his Paradise Lost, it is evident that the naïve Eve should not endure the full brunt of your wrath. Eve was moved by Satan’s logical arguments and would not have eaten the fruit if he had not tempted her. O Creator, Eve’s punishment should be lessened as Satan’s convincing arguments coupled with Adam’s neglect led her to believe that eating the forbidden fruit was acceptable.
The fictional life and death of a twelve year old little boy named Robert is vividly articulated in this moving tale by Thomas Wolfe. The reader learns of the boy’s life through four well developed points of view. The reader’s first glimpse into Robert’s character is expressed through a third person narrative. This section takes place on a particularly important afternoon in the boy’s life. The second and third views are memories of the child, through the eyes of his mother and sister. His mother paints the picture of an extraordinary child whom she loved dearly and his sister illustrates the love that the boy had for others. Finally, an account from the narrator is given in the ending. It is in the last section of this work that the
1. What do you consider to be the major themes of the film and why?
“You see the badge on this jacket?” I said. The kid leaned forward a little.
John Milton’s famous poem Paradise Lost has influenced society throughout the ages on a number of topics ranging from the fall of Satan to the marriage roles that Adam and Eve teach us. One idea stands alone though more so than that of any other topic that Milton writes about and that is the idea of a Satanic Trinity. The Satanic Trinity shows how the evil of Hell spread to Earth and how it tempts us in our everyday life. Milton writes about the Satanic Trinity because he believes that one must understand the evil that comes out of the Satanic Trinity before one can fully appreciate and embrace the good that comes out of the Holy Trinity.
Beating at the heart of Paradise Lost lies a common theme that Milton’s God controls all. He makes the best choices for man and his legion of angels due to His omniscient presence. Stemming from this capacity to create life with an overarching lens, He creates the most favorable outcome for his creations. Contrary to Milton’s God’s all-knowing perspective when creating Adam, in Frankenstein, Mary Shelley estranges Victor Frankenstein from his humanity during his creation of his monster. This validates that man should not play God because man does not have the vision to fully understand his own actions, leading to chaos and violence when he attempts to create life.
Historical significance is the most influential qualifier by which a book is determined to be a “classic” or not. Though a myriad of factors are involved when determining significance, many literary classics have the following characteristics in common: a revolutionary approach to an idea or problem, themes relevant to the events taking place during the piece’s writing, and a long-lasting effect on literature. While subtle, Milton’s Paradise Lost contains all three of those attributes. Paradise Lost has controversy, a theme of hope relevant to world events at that time, and provides a literary template upon which numerous other works are based.
The theme of the 'heroic' in John Milton's Paradise Lost is one that has often been the focus of critical debate, namely in the debate surrounding which character is the 'true' hero of the poem. Most critics of the subject have, however, noted that the difficultly in defining the 'hero' of Milton's work is mainly due to our “vague understanding of what constitutes heroism”1 and the fact that “the term itself is equivocal”2. The 'vague' terming of what heroism can be defined as it what draws critics to disagree with one another over the nature of heroism, as Charles Martindale points out that there are 'different models of heroic', many of which Milton employs in his epic poem. To incorporate these different 'models' of the heroic into his
In the epic, Paradise Lost, John Milton’s, characters dramatically establish theme. Milton tells the story of Adam and Eve, as well as the story of Satan’s rebellion against God. Milton emphasizes the major theme of “Man’s disobedience” through his representation of Adam and Eve and also partly through the interactions between Satan and God. Man’s disobedience in “Paradise Lost,” is defined by Sin. The word Sin is defined as the act of going against the law of God. In the epic, Adam, Eve, Satan and God perfectly set up the theme, while propelling the story along. Every action of the characters has the purpose of propelling the story forward. In this case God effects Satan; which, leads to Satan affecting Eve, which results in the climatic fall of Adam, who is the final sinner in the epic. Milton successfully links each character through action and reaction, to carry out his main trust for writing this epic, which is to emphasize the first offenders of man’s obedience towards God by way of sin.
John Milton's epic “Paradise Lost” is one that has brought about much debate since its writing. This epic tells the Biblical story of Adam and Eve, although from a different perspective than what most people usually see. Milton tells the story more through the eyes of Satan, whom most people usually consider the ultimate villain. The way in which Satan is portrayed in this story has caused speculation as to whether Satan is actually a hero in this situation. He certainly has heroic qualities throughout the story, yet still is ultimately responsible for Adam and Eve's sin. Satan can easily be classified as a hero in this story, as well as the main antagonist, depending on the viewpoint of the reader. Milton introduces Satan as an important