Pavane: The Influence Of Gesture In Art

The history of ballet dates back to the 18th century starting with Baroque dance. Fabritio Caroso da Sermoneta was a famous Italian Renaissance dancing master. He was born around 1526-1535 and died around 1605-1620. His dance manual "Ballarino" was published in 1581, with a subsequent edition, significantly different, Nobiltà de dame, printed in 1600 and again after his death in 1630. In the 19th century there was the pre-romantic, romantic and the classical ballets. Anthony Tudor deserves an honorable mention for his choreography and teaching. Pre-romantic ballet occurred sometime circa ?? up to 1831. The romantic period covered the early to mid 1800's. This era also introduced the calf-length dress. A few of the great Romantic dancers were Marie Taglioni, Fanny Elssler and Carlotta Grisi. The tequnique became more developed, but the role

Dance is found in all cultures. It is considered a way to communicate without talking. During the Renaissance period, ballet was considered a Russian specialty. The highly qualified and sought after dance companies would tour the world performing in front of those who had never experienced ballet before. By exposing ballet to the United States of America, the Russians inspired and sparked a demand for legitimate ballet in America. It took place throughout the 20th century, currently known as the Russo-American Era.

The main topic of my research paper is comparing and contrasting the difference between Chinese Classical dance and European Classical ballet. The questions I will develop in the paper included as follows.

Costumes during the period immediately preceding the Revolution, commonly known as the Baroque period, were extremely showy. Dances were typically cold and extremely stylized, they did not seek to connect with the audience but rather to astound them with extreme wealth. Watching a ballet from the time period would more likely leave the audience in awe at the scenery and intricacies rather than feeling raw emotion from a moving storyline. Ballet’s that were shown in the theaters leading up to the fall of the Bastille were always subject to scrutiny and censorship. Each ballet or play that was shown on stage had to be consistent with the political and social views of the monarchy.

As world has changed over the last century or so, the ballet world has been changing with it. There are many people who have helped shape that change. The changes in style were mainly influenced by George Balanchine. George Balanchine, a Russian choreographer and ballet dancer, also known as the father of American ballet, was the man who was said to have changed the style of ballet forever. Along with these changes in style came changes in visual design elements, inspirational figures, and changes in what the ballets themselves tend to rely on. Many of the features given to ballet in Russia in the 15th and 16th century still remain to this day, but many features have been altered to fit . Let’s take a closer look at what features truly

Whether we look at a romantic ballet like La Sylphide or a classical ballet such as Sleeping Beauty, audiences are constantly mesmerized by the gracefulness and weightlessness of the ballet dancers. They seem to defy the laws of physics, which is greatly possible due to the use of the pointe shoe. However, many masterworks that were created in the Romantic era did not solely rely on the pointe shoe to help convey messages. Instead, the choreography, dancers, scenic elements, subject matter, and music all helped shaped masterworks such as La Sylphide, Napoli, and Giselle. Similarly, in the Classical era, these elements all played a role in shaping famous ballets like La Bayadere, Sleeping Beauty, and Swan Lake. But once we take a closer look at these ballets from the Classical era, we can see how much ballet evolved. Nevertheless, it is important to note that the Romantic era was the stepping stone for this pure art form that we have been able to preserve for more than 160 years.

Something I found interesting is that Ballet was actually FIRST introduced during the Renaissance time and Modern dance history in Europe actually started with Renaissance (http://www.ducksters.com). There were also several new dances that were invented at the time (http://www.dancefacts.net). Music and dance were actually the main forms of entertainment (http://www.ducksters.com). However, dance quickly rose to importance among art and science (https://socialdance.stanford.edu). Unfortunately, no choreographic descriptions of the dances survived from the 14th century, the Renaissance time (https://socialdance.stanford.edu).Most dances were actually a passionate form of flirting. The actual true purpose of the dance steps were flirtations (http://dance.lovetoknow.com). Dance was considered as much a part of education as reading or eating with a knife or fork (http://dance.lovetoknow.com). Dance was mainly to socialise (http://www.streetswing.com). These are some interesting facts I learned about the past of Renaissance

The movement is, above all else, gestural. The gestures start out as being removed from meaning and feeling, but eventually become more sensual and fulfilled. The gestures are also what could be considered taboo. Both dancers grab their breasts, groin, and thrust their lower bodies repeatedly throughout the piece. As the dance progresses, the movement goes from being placed and calculated to becoming something more reckless and passionate. There is also a lot of

Classical ballet took a step forward and revived prominent roles for men; whom previously the Romantic era had solely focused on the art of the

Dance critic Théophile Gautier states, “Nothing resembles a dream more than a ballet...” (Anderson 77). The effortless technique of the ballerina paints most ballets as exactly this. Consequently, there is more to a ballet than technique and dancing. Different types of ballets and their structural components separate one ballet from the next. It is important to understand the difference between the two main types of ballets: Romantic Ballet and Classical Ballet. Romantic ballet in the 19th century differs from Classical ballet in the 20th century structurally, technically, and socially. The two dance forms also vary in costumes and narrative. However, with all of those differences, they both use ballet technique for a specific purpose.

The history of ballet is rich, complex and full of powerful meanings depending on the time period. Ballet in the 15th century was seen as something that only select individuals could do, whereas, the 20th century ballet can be preformed by anyone. By thinking about how ballet performers have changed, a question may be thought is, have the people attending these ballet performances changed as well as the performers themselves? Today, children from ages two and up start taking ballet and family members come and watch their final recitals. National ballet companies are also an event and often draw attention to the higher-class individuals who have a taste for ballet. The ballet world could be seen as to having a quite array of attendees, events and functions, but that might not have always been the

French Ballet began in the 17th century. It was a flamboyant entertainment presented in front of the aristocracy and royalty in the courts. French Ballet was also performed when they were celebrating marriages and showing off the wealth and power of the ruler. Besides, Ballet was called “la belle danse”, and it means “the beautiful dance.” In order to help the audience to recognize the characters in the story, dancers usually wore extravagant costumes. Moreover, the idea of different ballet movements was based on the social dance of royal courts, like beautiful arm and upper body movements and floor patterns were included. Also, in the beginning, only men were allowed to dance ballet, and women played the first ballet with parts until 1681.

The ballet Giselle ou Les Willis was premiered at the Paris Opera on the 28th of June, 1841. The ballet follows the protagonist Giselle an innocent peasant who falls in love with Albrecht the Duke of Silesia, passing as a villager. When Giselle uncovers the truth behind Albrecht deceits she dies of a broken heart and is transformed into a Willi, a supernatural being that has been left at the alter. Giselle was created in the period known as the Romantic Era, which was named due to the influence of romanticism throughout Europe in the 1800s. The development of modern Europe begun between the 1780s and 1849 which was an economic transformation that set the first stages of the great Industrial Revolution. This period created changes that can be seen throughout the ballet Giselle with alterations to costuming and theatrical innovations, which changed how the public perceived dance. Themes symbolic of the time were generated and brought depth and emotion to previous one-dimensional storylines, as well as the development of how the roles of men and women in dance went against the way of society.

The man and woman face each other, with the man holding the woman's right hand in his left, and with his right arm around her. The Tango is the third dance to use this hold for couple dancing. The Viennese Waltz is the first dance done in this couple hold. It was very popular in Europe in the 1830's. Couple dancing before the Viennese Waltz was very formal and did not involve a lot of physical contact just mainly holding hands. About 10 years after the Viennese Waltz came the Polka. Also taking Europe by storm, the Polka became the newest craze to use this scandalous new hold. Tango was extremely different from anything that came before it, and was the biggest influence on all couple dancing in the Twentieth Century. The story of

The history of choreography is also very important Any choreography that seems new, fresh and different is usually a variation of something that has been done before. As long as men and women have lived upon this earth, they have danced. The art of movement is among the oldest of the arts.