Success & Jealousy in Beauty Beauty, written by Jane Martin in the mid nineteen hundreds, is an ironic play about two successful women, Bethany and Carla. Both women were the same age yet complete opposites. They also had completely different personalities and were unhappy with their lives. Martin casted and characterized them this way to illustrate a few themes. The drama was mainly centered on the theme that no one is ever happy unless they get their wishes granted. However, in these two women’s cases, getting what they wanted caused them to realize there is nothing wrong with being different. These two themes can be seen through the two character’s success, jealousy, and a genie. Bethany and Carla experienced success in …show more content…
Bethany just considered a self a disgrace and a piece of trash. Carla explained, “Bethany is beautiful and she has the charm, personality, and is perfectly pretty” (736). Of course, Bethany places a stereotype on beautiful by saying, “it is the real deal. Carla gets discounts on makeup for no reason. Parents treat beautiful children better and they even statistically get paid more. Beautiful people can have sex any time, any place” (736). Carla, confused, did not understand why Bethany wanted to be just like her. Bethany hated Carla most of the time because of her beauty. This leads Carla to go on a rant about beauty and why it is so difficult to live and be beautiful simultaneously. Carla tells Bethany to be herself and she will have an amazing life. Bethany begs to differ and says, “it is what everyone wants to be. Money can only make you buy things. Beauty makes you the center of the entire universe. All eyes are always on those individuals that are beautiful” (736). Carla says, “Bethany will hate her life is she was beautiful. She would be miserable and unhappy” (736). Bethany then pulls out a genie in a bottle. Bethany, determined, reiterates, “Carla’s thoughts do not matter. Carla was just lying about everything, which explains why she had no friends or a long relationship. Bethany wanted to be just like Carla, and she had a god dam genie and only one wish to make” (736). Bethany indeed used her
In the opening, she shares her childhood encounters with women in prose with the children’s rhyme “a little girl who had a curl”. This personal anecdote introduces the topic of the portrayal of women in literature, as well as establishes a connection with her audience.
My research essay topic is the Beach Boys. This Essay is about a group of boys that worked together through good and bad times to create a band and produce music. They had many hits that took them to the top of the charts. They also had many problems on their way up to fame. The Beach Boys were important because they helped music evolve from different types, or categories of music. Their goal was to be the next generation of music. They wanted to be the ones to evolve what we now know as pop music but that didn’t happen because their band began to fall. The Beach Boys were a group of relatives and friends that came together to create a band known around the world and use producers to show their hits and be a great music inspiration to later generations, but after a while the band began to fall apart.
Anne Sexton was a junior-college dropout who, inspired by emotional distress, became a poet. She won the Pulitzer Prize as well as three honorary doctorates. Her poems usually dealt with intensely personal, often feminist, subject matter due to her tortured relationships with gender roles and the place of women in society. The movies, women’s magazines and even some women’s schools supported the notion that decent women took naturally to homemaking and mothering (Schulman). Like others of her generation, Sexton was frustrated by this fixed feminine role society was encouraging. Her poem “Cinderella” is an example of her views, and it also introduces a new topic of how out of touch with reality fairy tales often are. In “Cinderella”, Anne Sexton uses tone and symbolism to portray her attitude towards traditional gender roles and the unrealistic life of fairy tales.
The fairytale “Beauty and the Beast” by Jeanne-Marie LePrince De Beaumont was produced in France in 1756. The story is about a wealthy merchant with six children, three boys and three girls. With the story’s primary focus on the girls, we learn that the youngest of the daughters, named Beauty, was admired for her kindness and well behaved manners. Due to Beauty being the town favorite, her sisters grew jealous and hated her. When Beauty’s father falls in debt with a Beast, her father sends her off to live with the Beast. In the end, Beauty gets to know the Beast and accepts to be his wife. Although, Beauty and the Beast have their ‘happily ever after’, social and economic complications hindered their relationship.
Furthermore, the woman was never recognised as an equal in the world; with a “mane” for hair she is immediately relatable to an animal. When this connection is made, the woman is perceived as some strange creature; a mere mimicry of a real human. Harwood’s description of is a taste of how society views women; not quiet human. Now equipped with darker views of the flower filled day; the contemporary day reader is pondering to whether or not this vile practice is still belittling women of today.
In the classic fairytale of Cinderella, the main character is trapped in an abusive household. However, Cinderella’s self-perception of optimism and hope, enables her to believe that ultimately, her life will naturally improve with these attributes. True to her convictions, Cinderella gets her happily ever after by going to the ball where the prince falls in love with her. Cinderella is saved from her evil. On the other hand, Cinderella can be viewed as a victim who does nothing to enable herself to escape her abusive reality, insteads helplessly waits for fate to intervene. She does not confront the situation nor independently strive to improve her circumstances. Correspondingly, how individuals act when faced with conflict is strongly influenced by their self-perception. It is possible to become confused between reality and illusion, which is determined by their level of self-awareness. In Tennessee Williams’ play, A Streetcar Named Desire, the character of Stella struggles between the control of her husband and sister. Throughout the play, this conflict is demonstrated as she struggles with becoming aware of her abusive household and the contrast to the fairytale illusion she desperately clings to. Ultimately, Stella’s choice to maintain her illusion, rather than confronting her reality, is due to the self-perception of her need to depend on others and desire for idealism, which overall controls her fate.
Throughout history great writers have brought women’s struggle under male dominance to light. Shakespeare’s Othello and Glaspell’s Trifles bring great female characters to the stage that share similarities. Both Glaspell and Shakespeare follow the same theme, while using both foreshadowing and irony to illustrate that Desdemona, Emilia, Bianca, Mrs. Wright, Mrs. Peters, and Mrs. Hale live under similar oppressive conditions.
One of the most influential groups of the 20th Century—the Beatles revolutionized rock and roll into what we know it as today. Not only were they great musicians, they wrote and composed each of their songs. The band proved to be popular and exciting causing mass hysteria at each of their public performances. The “Fab Four’s” talent was so great that the phenomenon was termed “Beatlemania” in Britain and eventually erupted in the United States being called the British Invasion of the Beatles (Britannica Online, 2005).
“Beauty and The Beast” is a classic well known romantic Disney movie that depicts the gender role of men and women in society. The film is based upon a smart young female protagonist named Belle who is imprisoned by a self-centered young prince after he has been turned into a beast. They both learn to love each other in the end and throughout the film there are several examples shown portraying the roles of gender. In the film the main characters Gaston and the Beast portray themselves as rude, conceited and more important than the woman even though the main character Belle is a woman whom is considered odd, yet smart, and unrelated to most women in society.
(Line 10). This is ironic because the girl seemed to be confident in her body in the beginning because she was healthy and intelligent. However, she developed a yearning inside to be accepted by the ones who surrounded
The men in “Cinderella” also value women for their beauty. The prince has a ball for all the maidens in the land to find his future wife, which “amounts to a beauty contest” (Lieberman 386) for a new trophy wife. While some argue that Cinderella’s rebellion of going against her stepmother’s instructions of staying home shows that the story has feminist qualities, the prince weakens her achievement when he chooses her only because of her beauty as “girls win the prize if they are the fairest of them all” (Lieberman 385). Her need for independence is transformed into the prince’s need for a pretty wife, making her again an object in her family. Once integrated into the prince’s family, Cinderella goes from the maid of her family to the smiling porcelain doll next to the prince as the “first job of a fairy tale princess is to be beautiful” (Röhrich 110). This gives the impression that the only way
Beauty’s role in beauty and the beast glorifies her as a sweet girl who can find light in any darkness. She prefers to move forward in life rather than sulk in misery. Being such a positive female character allows her to fall in love with a man who is not of the society standards of handsome, name Beast. She was more intent on focusing on what he had to offer as a person. Karen Rowe states in “Feminism and Fairy Tales” “such alluring fantasies gloss the heroine's inability to act self-assertively, total reliance on external rescues, willing bondage to father and prince, and her restriction to hearth and nursery” (Rowe). The heroine being beauty in this case, doesn't have opinions or rights because her character wasn't created to. Rowe believes that fairytales have paved the way for our expectations towards what women and men should be doing and what romance is. Rowe argues that “These "domestic fictions" reduce fairy tales to sentimental clichés, while they continue to glamorize a heroine's traditional yearning for romantic love which culminates in marriage” (Rowe). Beauty’s character found herself in these “sentimental cliches” with her
In episode 28, Sophie happily munches on a slice of pizza. Her enjoyment of the pizza comes to an end when Paul remarks that he is happy to see her eating with gusto. This quickly ends her enjoyment of the pizza and she becomes very closed off to him. Sophie goes on to tell a story of how the word reminds her of a girlfriend of her father’s, an Italian model who also admired the gusto with which Sophie ate. Sophie’s self-consciousness and obsession with her weight and her overall physical appearance are revealed in this moment and it becomes clear that Sophie’s difficulty lies in the way that she has constructed her sense of herself in relation to the cultural belief about beauty and perfection that she has received from her father and his model girlfriends. Later in the same episode, Paul pulls down one of Sophie’s father’s books of photographs. His approach is to use narrative therapy to help Sophie narrate her
Lyon”. Carter retells the well-known fairytale “Beauty and the Beast,” but her version is far from “classic.” It is a tale of self-discovery and rejection of female objectification. In the beginning of Carter’s retelling of the classic fairy tale “Beauty and the Beast,” Beauty is seen as a penniless, helpless girl, whom the rich, powerful and world-weary Beast forces to live in his house. When her father uses her as payment for his debt to the Beast she becomes an object. However, she rapidly becomes the more active, experienced, and adventurous character. Throughout the story, Beauty proves herself to be more than just a traditional fairy tale heroine, but in the beginning, she conforms to the paradigm. Just like many of Carter’s heroines, she must start within to be able to then break free from the restrictions and assumptions of patriarchal society. In the words of da Silva, “The daughter is conscious of her annihilation in the patriarchal society but she doesn’t have autonomy to overcome it.” Even though Beauty finds enjoyment in reading fairy tales while living with the Beast, it is as though despite living in a modern world with telephones and cars, Beauty wants to believe in the conventional “happily ever after.” By comparing Beauty to the immaculate snow upon which she gazes Carter emphasizes Beauty’s femininity, innocence, and virginity. By associating Beauty
“Rappaccini’s Daughter,” written by Nathaniel Hawthorne, is a short story about how beauty is within and not just physical. When Hawthorne was four years old his father was in an accident and died on the scene, leaving his mother to raise him and his siblings alone. Thus, leading him to have respect for all women, and it is reflected in the story. For instance, the main character Beatrice is this aesthetic, sweet, and a naïve woman and Giovanni is just focused more on her beauty rather than anything else. Moreover, when Giovanni first sees Beatrice in the garden, he describes her as the most beautiful woman he’s ever seen and is just blinded by her beauty. What he doesn’t know is that her father, Doctor Rappaccini, is a scientist who cares more about science more than anything else. The place where Beatrice and Giovanni spend all their time together is in the garden, which represents loneliness’, and unfortunately one of the main characters will learn that the hard way. When Giovanni meets Professor Baglioni, a professor of medicine—who is Rappaccini’s rival— he helps him get Beatrice, or at least that’s what Giovanni thinks. However, what Giovanni does not know is that “the love of his life” isn’t who he thinks she is.