Religion is a very prominent theme in the “Purple Hibiscus”. The author, Adichie, uses a variety of characters to explore different ways of expressing one’s faith. She explores the ways in which three very different characters express their religion of the Catholic faith, as well as looking into the traditional Nigerian beliefs of Papa Nnukwu. By illustrating some very contrasting religious beliefs and methods of religious expression in her characters, she encourages readers to consider their own views on religion and helps them understand some valuable lessons on the subject.
Adichie uses Papa Nnukwu to teach readers that different people find spiritual pleasure in different religions, and helps the reader understand that beliefs
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He has invitations to eat in everybody’s houses” (p. 134). Unlike Father Benedict, Father Amadi is not a colonial product. He has the ability to combine the Western traditions of the church with Igbo praise songs, much to the distaste of Papa Eugene. He has managed to create a healthy balance between accepting his Nigerian culture while following a European religion - a very contemporary expression of his faith. Father Amadi becomes socially and spiritually attached to others, such as the young boys he plays football with. He tells Kambili, “I see Christ in their faces, in the boys faces” (p. 178). Kambili struggles to imagine a Godly figure in the faces of ordinary people – this just shows how Father Amadi chooses to see the good of God in others, and wants to use his religion to help others in need. It is clear in the novel that Father Amadi follows God’s word through love, compassion and care for others. His devotion to helping the troubled Kambili acts as an example of his caring nature. He speaks of an all-accepting and forgiving God, offering a huge contrast to Papa Eugene’s constant talk of a revengeful, punishing God, and he echoes the love of God in his everyday life. Adichie uses Father Amadi to show the reader a different kind of priest from the common stereotype; a kind of priest contrasting hugely to the very distant and formal Father Benedict. This could be a great eye-opener for many readers who may realise they themselves had had
When the Christian religion is introduced, preaching universal acceptance, many members of the clan who are dissatisfied with the Ibo religion are drawn toward it. Some of the title-less men described as 'women' in the tribe are immediately drawn to it. Nwoye, who dislikes the practice
The evangelists are very accepting, as they take in the osu, outcasts from the clan. They offer salvation along with freedom, which Nwoye has been searching for for a long time. However, because of Nwoye’s action, Okonkwo disowns him. Later, when Obierika goes to visit Okonkwo, he finds that “Okonkwo [does] not wish to speak about Nwoye.” Moreover, Okonkwo tells his other children that “if any one of [them] prefers to be a woman, let him follow Nwoye” (Achebe, 172). Okonkwo then asks himself how he could have “begotten a woman for a son” (Achebe, 153). According to Okonkwo, Nwoye has become weak because he has joined another religion. Since Okonkwo believes he is the most masculine man in Umuofia, it is unbearable that his child turned out to be such a failure. This unbearable change in his family creates a ripple effect of events that become worse and worse for Okonkwo.
-After Nwoye is lured into the Christian religion and abandons his culture and family, Okonkwo is ashamed and states, "you have all see the great abomination of your brother. Now he is no longer my son or your brother. I will only have a son who is a man, who will hold his head up among my people" (172). Nwoye's father disowns him only because he chooses a path untraditional to his culture. The serious, frustrated, and unhappy mood that is created in Okonkwo's statement gives the reader an idea of how much the Ibo culture values tradition, choice, and family.
In his novel Things Fall Apart, Chinua Achebe introduces his readers to the Nigerian village Umuofia and its culture through the protagonist, Okonkwo, a well respected Umuofian leader. Umuofian culture is centered around pleasing and respecting spiritual life. Everything within this culture and religion has a specific order; however, the Umuofian culture ultimately reaches its demise when Evangelists arrive to convert the Umuofians to Christianity. As seen through the events that transpire in this novel, from Nwoye leaving his family to letting the osu have a place in society, religion has the potential to both build and break a society. Specifically, religion has the power to break apart families, introduce new ideas into society, and bring hope into one’s life.
Chimamanda Adichie’s Purple Hibiscus is a story set in Nigeria told from the perspective of Kambili and her journey towards independence; along the way, she looks to the female role models in her life, each which aid her path to liberation. Mama and Aunty Ifeoma are two vital female characters to the development of the story but with stark contrasts; Mama’s submissive and reserved demeanor provides a perfect foil to Aunty’s outgoing and independent personality. They both influence Adichie’s bildungsroman, but how they aid Kambili’s endeavor is strikingly different. Mama and Aunty Ifeoma represent the female figures in Kambili’s life; Mama shows Kambili to submit to the men in her life, while Aunty Ifeoma opens up the idea of being independent and free thinking. Mama stresses submission and dependency as a sacrifice to tradition while Aunty Ifeoma emphasizes independent thought to embrace oneself and progress over all others. The way that these two women uphold themselves throughout the novel, demonstrates how these patriarchal societies, like the one in Nigeria, restrict women like Mama, while women like Aunty are deemed rebellious to society.
TOPIC 2: Analyse the development of Kambili in Purple Hibiscus as she moves from strict, fearful obedience to tentative defiance of her father. In your response account for her initial subservience and explain what factors contribute to her increasing maturity and independence.
An important relationship in the novel Purple Hibiscus by Chimimanda Ngozi Adichie is the relationship between Kambili and her Aunty Ifeoma, and her family. It introduces Kambili into a less sheltered environment where she is not only free to speak her mind, she is encouraged to question things, and form her own opinions. She also looks up to and admires her cousin, Amaka, who influences Kambili to be more confident and free thinking, like she is. The relationship between Kambili and Aunt Ifeoma’s family also opens Kambili up to new relationships, such as her relationship with Papa-Nnukwu. She begins to
The novel Purple Hibiscus, by Chimamanda Ngozi Adichie, is a story of a young girl , who tries to find her own voice and speak out against her violent oppressive father. The novel is set in post-post-colonial Nigeria, in a time in which the government was run by a military dictatorship. There are a number of symbols used to help develop ideas in the text; the three most important ones being purple and red hibiscuses and Mama’s figurines. The red hibiscuses are symbolic of the violence in Kambili’s life while the purple hibiscuses symbolise freedom, defiance and the freedom to speak out. The figurines are symbolic of Mama’s quiet character and of the violence in her home. These symbols are there to show the
Throughout Purple Hibiscus by Chimamanda Adichie, Kimbili and her brother become more defiant. The two learn that standing up for what one believes in is of the utmost importance, even if it means defying those you love. This lesson is most relevant when the reader analyses the narrator's relationship with their tyrannical father, Eugene. Adichie portrays two different views on defiance through Kimbili's father and her brother, Jaja. This stark contrast facilitates the reader's understanding on Adichie's own conflicted stance on the topic of defiance by the death of Eugene and his brutal rule and his family's reinvention of themselves after Kimbili's trip to see her Aunt and cousins.
The impact of Ikemefuna’s death on Nwoye is devastating. Something gives way inside of him when he thinks of his father and the killing of Ikemefuna. The fear of his father and the horror over the sacrifice of Ikemefuna separates Nwoye from tribal customs and the sense of community. His family’s banishment isolates him further. Hearing the Christian hymns, which cater to
Purple Hibiscus by Chimamanda Ngozi Adichie is a novel about a Nigerian family with strong religious ties; a catholic family with a strict upbringing. In this analysis I would like to focus on the unpleasant strictness of Papa, the exaggeration of his behavior as the central figure of the family, dominating the rest with misogynistic tendencies.
Throughout Purple Hibiscus by Chimamanda Ngozi Adichie, we see Kambili put up with tons of hardships that have to do with religion. Infact, religion is what shapes Kambili as a person. We hardly see her speak her mind, wear shorts, or participating in any activity that goes against her religion. Tradition and family expectations limit Kambili as a person. Dealing with Papa’s fitful violence for anything he sees as disobedient or sinful, Kambili, Mama, and Jaja live in fear and silence, always following Papa’s strict rules and schedules. However, what has more of an influence on Kambili? We see her change and grow throughout the story, but is it enough to show that Kambili’s personal beliefs have more of an influence on her than tradition and
Purple Hibiscus takes place in Enugu, a city of political conflict in post Colonial Nigeria. The story is narrated by the protagonist Kambili Achike, a teenager and lives with her elder brother Jaja, who excels in academics like his sister but is withdrawn and sullen. Kambili’s father papa is a delightful but a harsh authoritarian whose faithfulness to
This passage, found as a conclusion to a chapter in Chinua Achebe's Things Fall Apart, takes place after Okonkwo's return to Umuofia. A new English missionary has been set up in the village and has caused a great divide between the villagers. The main purpose of the section is to describe some of these events and changes that have taken place in Umuofia since Okonkwo's return. The passage is structured in three parts, each detailing about a different aspect. The first section focuses on Okonkwo's son Nwoye's conversion to Christianity and subsequent successes. The second part goes into detail about Okonkwo's arrival home to his clan and the change in the village. Finally, the last section includes Okonkwo's inner feelings and opinions
In Purple Hibiscus by Chimamanda Ngozi Adichie the characters Papa and Jaja’s relationship is put to the test when Jaja begins to rebel. When Jaja misses communion that is when everything changes, including Papa and Jaja's relationship. Jaja is forced to grow up at a young age after realizing there is world outside of his father’s home. After becoming his own person Jaja feels even more protective and responsible for his family. In Purple Hibiscus by Chimamanda Ngozi Adichie the relationship between papa and Jaja is strained because of Jaja’s disobedience.