Quotes From The Piano Lesson

August Wilson’s The Piano Lesson, tells a story of a family haunted by the pain of their past and their struggle to find peace to move forward. The story begins with character Boy Willie coming up from the south visiting his sister Bernice. Boy Willie introduces the idea of selling the family’s heirloom, a piano, to raise enough money to buy the land on which his ancestors were enslaved. However, both Boy Willie and his sister Berniece own half a half of the piano and she refuses to let Boy Willie sell it. Through the use of symbolism, Wilson uses his characters, the piano and the family’s situation to provide his intended audience with the lesson of exorcising our past in order to move forward in our lives. Our past will always be a

The Piano Lesson by August Wilson is not only a captivating play, but it also encompasses a deeper truth. The play tells the story of how a piano holds a family’s past, and because of it, creates conflict. Berniece, a pivotal character in the work begins as a person who puts all of her feelings and history behind her, but in the end learns to embrace her past to move onto the future. August Wilson uses the growth of the character Berniece throughout the play to convey his central message of, you cannot move forward until you accept the past, otherwise it will burden you.

Hans Christian Anderson one said that where words fail, music speaks. Nowhere is this truer than in The Piano Lesson by August Wilson. The Piano Lesson tells the story of family that struggles in the side and what do with a family heirloom that takes the form of an ornately carved upright piano. Bernice wishes to keep the piano but her brother, Boy Willie, wishes to sell the piano for land because according to him Bernice is not doing anything but letting it sit there and rot because no one is playing it. Yet despite what Boy Willie says the piano actually gets quite a bit of use in the play. Along with playing the piano the characters can also be seen singing in the play. The songs the characters sing and perform does a good job of relating the characters thoughts and actions to a more musical medium. From songs such as Maretha's beginners piece on the piano to Wining Boy's more experienced yet melancholic tune the music of The Piano Lesson tells us about the character's pasts and presents.

In any family argument it is often difficult to pick sides, but nonetheless is imperative to relate to the side that you see best fit. Therefore, I would have to state that I tend to choose Bernice’s side in the argument against Boy Willie. My reasoning is simple, I tend to admire my family roots, thus I have a tough time parting with an heirloom such as the piano. I tend to see the side of Berniece because I would want to protect and take care of an object that inhibits so much of my family’s legacy and not to mention died over. I think that Boy Willie is looking to the future by purchasing the land, but I feel it is important to keep an heirloom such as this piano.

Many people have come across a time in their life where any action or event from the past comes back to haunt them in their present life. This past event either affects their future actions in a negative or positive way. A play in which a character must contend with an aspect from the past is, The Piano Lesson by August Wilson. In August Wilson’s The Piano Lesson, Bernice Charles, struggles with embracing her family’s history of enslavement and oppression. She does this by deciding to keep the family’s heirloom, the piano, but yet denies its presence. She also decides to move up north from the south and away from her family’s history with her Uncle Doaker and daughter Maretha, again proving that she wants nothing to do with her past. Later on in the play, Bernice and her brother Boy Willie encounter Mr.Sutter 's ghost. Bernice decides to go against her idea of never touching the piano and plays it for the first time since the death of her parents. With the support of their ancestors they successfully fight back the ghost and Bernice realizes it 's a mistake to avoid or run away from her past. The actions taken by Bernice at the end of the play reveal that despite their past anyone is capable of embracing and moving on from their past in a way that will help them benefit their future actions positively.

In The Piano Lesson, by August Wilson, Berniece struggles with her personal connection with the piano. Her families past reveal her relationship with the piano. The piano meant a lot of things to a lot of different people over the years. The piano is a complex and multilayers symbol; its meanings are both personal and political. For example, Berniece was affected by the piano positively and negatively. She had a sentimental connection with it and never wanted to get rid of it. But the piano had a lot of history behind it and it also carries a lot of meaning to it. Berniece stopped playing the piano for a while because of all the spirits inside of it and how they started to haunt other people. Berniece saw Boy Willie getting attacked by Sutter’s ghost and that made her realize she needs to let go of the past and play the piano again. But what was ironic is that she tried her best to forget the family history that came with the piano, she can never let go of her families past no matter what she does. This reveals that people should come to good terms with their past and learn to overcome it.

Billie Jo’s hands became burnt and it killed her to even try to play piano. “I cleaned off the keys but when I played, a tortured sound came from the piano, like someone was shrieking.” (pg. 63-64) The mother's face got burnt so bad that sometimes it was hard for the father and Billie Jo to even recognize her anymore. This caused the father to have depression and he started to use drinking alcohol as a coping mechanism. Sometimes he even left Billie Jo home alone to take care of the mother while he was out drinking. Then Billie Jo’s mother died giving birth to her baby brother and Billie Jo couldn’t stand being in the same room as the piano that her mom played. “Now I can’t hardly stay in the same room with one, especially Ma’s.” (pg. 87) Then Billie Jo decides to go back and play on a different piano then the one that is at her own house. She was so happy to hear a piano again after dealing with the loss of her mom and the loss of her baby brother. “The relief I felt to hear the sound of music after the sound of the piano at home.” (pg. 64) These are the ways that Billie Jo was separated from playing the piano in the middle of the

In the middle of Bernice Charles's parlor it sits, unmoved and wooden. How it came to be there is a story which her uncle Doaker tells well. Her father Willie Boy used to work as a slave under the ownership of Mr. Sutter. He was an amazing wood crafter and continued to bring cash in for his "superior". But Willie Boy didn't always belong to Sutter, instead he used to belong to a certain Nolander, whose wife owned the very piano that he was traded to Mr. Sutter for. When Mrs. Nolander wanted to buy him back as her slave, the new owner refused. Instead he allowed Willie Boy to take his talents into their house and carve a picture into the wood of their piano. He was only supposed to carve himself and Mama Bernice, but instead continued to carve pictures of his whole family that he stored in his memory. After the piano was finished Boy Charles, Willie Boy's father, felt that he should take the piano because he would "say it was the story of [their] whole family and as long as Sutter had it…he had [them]"(Wilson 45). On the fourth of July in 1911, it was done. But sadly, Boy Charles was killed, hiding in a box car afterwards. After his death, Bernice's mother broke down and brought in a woman to teach Bernice how to play. She said that when Bernice played she could hear her father talk to her, and so Bernice continued to play, until her mother's death. Now she won't touch the piano, yet refuses to

‘The Pianist’ is a cinematic masterpiece by the Polish director Roman Polanski. One of the key ideas that appear throughout much of the film is that of ‘hope being instrumental in our survival’. This idea is portrayed through Wladyslaw Szpilman, a Polish pianist, as he struggles for survival in Warsaw as everybody that he once knew and everything that he once had is lost. The idea of ‘hope being instrumental in our survival’ is worth learning about as it allows the audience to realise the importance of hope in todays society – and to understand how Polanski uses music to symbolise ‘hope’ for Szpilman in the film. Polanski effectively utilises an array of visual and oral text features such as music, dialogue, and lighting to build further

The play starts off with Boy Willie and his friend Lymon heading towards north to Pittsburgh. Their intentions are to sell a truck load of watermelons, and most of all to convince Berniece into selling the piano. Boy Willie knows very well that Berniece will not give up the piano, but resumes with his journey to sell the piano. The piano in this play is the heart of the play. It is the main cause for the tension between Boy Willie and Berniece. The piano has brought upon many grieves to the Charles family, and has caused many lives. The piano is a symbol for every life that it has taken. And for those lives, Berniece resists in letting go of the piano. Even though, it is the most important matter in the family. To Berniece, the piano is also a prize possession because of their ancestors, but most of all she refuses to sell it because their mother polished it everyday after their father died. Berniece accuses Boy Willie of not considering what their mother has done. But even after all that their family has gone through to finally claim the piano, Boy Willie wants to sell it anyway. The piano is the only family value that both siblings can hold on to and pass on to next generations. Boy Willie feels

Boy Willie, however, wants to release the past and sell the family piano so he can have a new start in life and forget the painful past. "The Piano Lesson" is both unique to the plight of African-Americans and universal in its depiction of the human condition (Gale, 2000, p249). The sibling rivalry, past history versus present time and future, storytelling and gender relationships all cross both unique and universal boundaries. To illustrate, even in today's society there are sibling rivalry that pit brother against sister, brother against brother or sister against sister together to the point of bitter battle. In addition, there are still people in today's society that have difficulties in resolving painful past experiences with the present and future. In regards to gender relationships, there are still a lot of mysteries in the realm of love between two people. Bernice is the African-American way, staying true to her roots and not parting with the heritage. Although she finds this painful, she will not part with her heritage. Her heritage is “tangible in the presence of the piano itself” (Sparknotes, 2014). Therefore, even though the theme of this play surrounds itself around African-Americans, the situation can easily be applied to all races and time periods.

She looked just like that. And he put a picture of my daddy when he wasn't nothing but a little boy the way he remembered him." (44) The piano is a symbol of the family because it is literally covered with this history. Doaker states that Boy Charles "say it was the story of our whole family and as long as Sutter had it . . . he had us" (45) Under normal circumstances, a piano would not be something valuable enough to risk your life in order to steal. However, it is clear that Boy Charles viewed it as an important family heirloom, a symbol of their family history. By stealing the piano, he hopes to end the control that Sutter has over them.

As an adult, Jing-mei’s mother offers her the piano once more, and Jing-mei accepts the gift. Appreciating the encouragement and faith her mother bestows upon her Jing-mei decides to care for the piano. The piano piece

In The Piano Lesson each central character learns a lesson. August Wilson uses plenty of symbolism throughout his play, the strongest symbol being the piano itself, representing the family's history, their long struggle, and their burden of their race. Throughout the play, the conflict revolves around the piano, and Berniece and Boy Willie's contrasting views about its significance and about what should be done with it. Berniece is ashamed and cannot let go of the past, or the piano, and Boy Willie wants to move his life forward, and use the piano to do so. Wilson portrays the 'lesson' of the piano as accepting and respecting one's past and moving on with one's life gracefully, through Berniece and Boy Willies contrasting actions and the

     The poem Piano, by D. H. Lawrence describes his memories of childhood. Hearing a woman singing takes him to the time when his mother played piano on Sunday evenings. In the present, this woman is singing and playing the piano with great passion. However, the passionate music is not affecting him, because he can only think about his childhood rather than the beauty of the music that exists in his actual space.