Ramayana: Rāma and Lakṣmaṇa Essay

Sita and Laksmana are disagreeing on their next course of action in an ambiguous situation. This passage is the rising action of the Ramayana. The heightened emotions, volleyed insults and Laksmana’s decision to leave Sita despite an ominous portent build suspense that culminates in Sita’s abduction. We can observe Sita’s effective persuasion of Laksmana and consider the success of women who use emotional blackmail, threats and insinuations of character flaws to manipulate men into action, in contrast

two ancient classics, we see a clear display of an abuse of power. In both The Epic of Gilgamesh and The Ramayana, we find protagonists who commit deeds of treachery in the name of slaying a monster. These slayings seem justified at first; however, as we examine them further we find that they are no more than heinous acts in the name of asserting power over the other. Both Gilgamesh and Rama kill monsters in the name of supporting what they believe in, but their beliefs are not always justified.

The Ramayana of Valmiki and Sita Sings the Blues The epic story of Rama and Sita, as portrayed by Valmiki’s Ramayana and the modern day film Sita sings the Blues are two different versions of the same story which contain several contrasts as well as similarities. The Ramayana is the ancient version which was written by a sage named Valmiki in 550 B.C.E, featuring a love story between an ideal prince and an ideal woman. It outlines the adventures of Rama in his journey to find his abducted wife Sita

and hereafter by means of appropriate actions”. (Khan, Benjamin. The Concept of Dharma in Valmiki) Rama and Krishna have been set as perfect exemplars of Dharma in the texts of Ramayana and Mahabharata respectively. They are considered to be the reincarnations of God Visnu, a Supreme Being, and supposedly lived their lives according to the Dharmic (or right) way of life. However, the stories of Rama and Krishna in the texts include some of their actions, which are questionable to the act of Dharma

Menon, The Ramayana, Book 1, 4). What Valmiki didn’t know was that there was a perfect man named Rama and he would be the mortal that destroyed Ravana. Since no immortal man could kill Ravana and end his tyranny, Rama was necessary to destroy Ravana definitely (Menon, Ramayana, Bk 1, 10). Even though Rama is the one who was made to destroy Ravana, they share many characteristics, as they are both good leaders, but, in my opinion, their most defining features are what sets them apart. Rama was considered

and Kalidasa’s Abhijnanasakuntalam) and the Ramayana, both canonical texts in their own right, vary greatly in structure, substance, and length, but a closer examination reveals that both have some common, or at least similar themes and motifs, particularly with respect to attitudes towards women and the literal rejection of the female protagonist. It might be noteworthy that the distance in time between the texts is not negligible- while the Ramayana started to take shape between 2nd century BCE

” The first element of an epic is the emergence of a certain idea of heroic action, the beckoning of the hero's journey to accomplish a great deed. This idea of heroic action can be seen in “The Epic of Gilgamesh,” “Beowulf,” and “The Ramayana. Gilgamesh begins to fear death after his loss of Enkidu so he gets this grand idea to go on a quest to seek immortality by finding the human who became immortal, Utnapishtim. Gilgamesh states, “I have grown afraid of death, so I roam the steppe

which was the beginning of the formation of society and civilization. The epics of “Gilgamesh” and “The Ramayana of Valmiki” both served their societies as an outline of a moral code,

result of centuries of acceptance and ignorance. Particularly in this society Sexism takes its roots from mythology and ancient tales of the kings and the queens. The two of the most powerful mythological tales of all time, the Mahabharata and the Ramayana, aid in the heightened levels of sexism. When I was a kid, Amar Chitra Katha was my only source of mythological knowledge except some short and inspiring stories by my grandmother. I never looked at these tales from a point of view as different

The Ramayana is a Sanskrit epic poem ascribed to the Hindu sage and Sanskrit poet Valmiki. The Ramayana also plays an important role in Hindu literature . It depicts the duties of relationships, portraying ideal characters like the ideal father, the ideal servant, the ideal brother, the ideal wife, and the ideal king. The name Ramayana is a tatpurusha compound of ' and ', translating to "Rama 's Journey". The Ramayana consists of 24,000 verses in seven books and 500 cantos, and tells the story