Red Scarf Girl Essay

Though the books assigned to read in junior high are meant to get students informed about both literature and social issues, unfortunately reading these books is often pushed aside to focus on more interesting hobbies, and students are left to pray that sparknotes has a summary. In ninth grade, however, a new year’s resolution committed me to reading The Red Scarf Girl by Ji-li Jiang. The book is a memoir about the Chinese Cultural Revolution, and the book quickly became one of my favorites. After finishing the book for the first time, I decided to research the politics behind the Chinese Cultural Revolution, and that led into researching the political history of more countries. I have been deeply interested in politics since then, and along with politics, I have been deeply interested in the law. The ability that people have to use the law to make a difference is both inspiring and terrifying, exciting in a way that you can protect people, and terrifying in a way that, like Chairman Mao discovered, it can be used to control an entire population. My interest in the law and in serving others began with this

The setting is in Muji, China during the Cultural Revolution in the 1960s. The leader of the communist party at the time is Chairman Mao and ruled based on a Marxist model by the story mentioning the concrete statue of him in the center of the square. The author states that “the Cultural Revolution was over already, and recently the Party has been propagating the idea that all citizens were

The Memoir Spider Eaters by Rae Yang is her personal account of her life during the Maoist revolution. In addition, she reminisces about her trials and tribulations during her active participation in the culture revolution and the great North Wilderness. Her family also had various misfortunes due to these changing ideological beliefs spread by the revolution. This memoir illustrates in great detail what Yang experienced under communist rule. Spider Eaters opened up a door to a young girl and her families struggle to be good Samaritans under communist rule and their final disillusionment of the revolution they whole heartedly believed in. Yang and her family struggled with the vast ideological changes during the Maoist Revolution, in turn,

However, very few express any criticisms or complaints, leaving the reader to wonder how much disapproval they are actually hiding. The only insight the reader receives into private, unrestricted thinking is Ji-Li’s. Even though Ji-Li has been told her entire life that following Chairman Mao’s orders and teachings blindly without question is the right thing to do, she cannot help having momentary slip ups where she questions Chairman Mao and the Red Guards. Ji-Li first begins to question the rules and authority, and the fairness of the system, when she sees a man being humiliated for wearing four olds, or old ideas and old customs that need to be removed in order for the Cultural Revolution to continue. After witnessing the man's pants and shoes being cut open, Ji-Li remarks “‘That poor guy’ I finally said. ‘He should have known better than to dress that way, but I would just die it somebody cut my pants open in front of everybody like that’” (33). Although she still admits his clothes were wrong and against regulations, she still pities him, while others encouraged the treatment. Because of the large crowd, the mob mentality quickly influences more and more people to join in the tournament of the man without feeling any guilt or remorse. All the other spectators because they blindly follow orders that are given to them, and are just relieved that they are not

1. How does Ji-li’s opinion about the Communist Party and its beloved leader, Mao Ze-dong, change over the course of her story? Name some of the most crucial events in the autobiography and explain how they change Ji-li's feelings about the party.

According to the Online Dictionary, the “Chinese Cultural Revolution” is defined as “a movement in China, beginning in the year 1966 and led by Mao Zedong, to restore the vitality of communism in China.” To begin, the Chinese Cultural Revolution performed a significant role in establishing the setting and conflicts in the novel of “Red Scarf Girl”. The setting of the story took place in the city of Shanghai, specifically throughout the course of two and a half years from the year 1966 to 1969. The protagonist and narrator of the story, Ji Li Jiang, was a 12-year-old Chinese girl who lived as a wealthy resident in the brownstone apartments of Shanghai. As the story progressed, Ji Li developed alterations in her relationships with her peers at school, the perception of her goals and responsibilities in life, and knowledge of her family history in relation to her class-status in the community. Therefore, throughout the course of the story, it was evident that significant changes and development of the relationships, perceptions, and knowledge of Ji Li Jiang occurred as a result of the events that she experienced.

9. What is a da-zi-bao? What conflict did Ji-li confront when she was asked to write a da-zi-bao? What did she do?

Even with her previous experiences at Beijing University and at Big Joy Farm, Wong still held some belief that the Chinese system wasn’t as bad as it was sometimes made out to be. This event proved to her that it was. “The enormity of the massacre hit home…Although it had been years since I was a Maoist, I still had harbored some small hope for China. Now even that was gone” (259). As a reporter Wong was able to view the progression of the protests in leading up to the massacre, and in viewing it understood that the Chinese people were much more independent than they had previously demonstrated over the past 50 years. She had continuously seen the Chinese people following what they were told between learning in school or with physical labor, yet this protest was one of the first large scale displays of the unacceptance of the regime by the people, and the government did not know what to do with it. But because of this, Wong was able to recognize that the people were not reliant on this way of life that they had previously been bound to, but truly could lead for themselves and take control. The massacre awakened Wong both to the reality that the government was not acting to benefit the people, and that the people were more than capable of acting for

This memoir of Ma Bo’s sent shock waves throughout China when it was published and was even first banned by the Communist Government. This passionate story paints a clear picture for what the Great Chinese Cultural Revolution was really like. Many Chinese living today can attest to similar if not identical ordeals as expressed in Ma Bo’s story. The toils of being a young Red Guard in inner China were experienced by many if not millions. The horrors and atrocities were wide spread throughout the country, not just in Inner Mongolia. The experiences illustrated in Blood Red Sunset uniquely belong to Ma Bo’s entire generation of mislead Chinese. As expressed in the books dedication the Cultural Revolution

The book is a written as conversational memoir between two women, Ye Weili and Ma Xiaodong about their experience during the first three decades of Mao’s era. The two women had gone through almost similar position and situations in their life, faced equivalent hardships, their approach or attitude towards those experiences in a completely different manner. This book is meticulous in its historical detail, making it a standout among similar memoirs of twentieth-century China. It also tries to add another dimension of the general perspective of historic events. The events are described in a chronological sequence and with the right amount of proper relevant information so the reader can understand the conversation.

In Jan Wong’s entrancing expose Red China Blues, she details her plight to take part in a system of “harmony and perfection” (12) that was Maoist China. Wong discloses her trials and tribulations over a course of three decades that sees her searching for her roots and her transformation of ideologies that span over two distinctive forms of Communist governments. This tale is so enticing in due part to the events the author encountered that radically changed her very existence and more importantly, her personal quest for self-discovery.

The Sun of the Revolution by Liang Heng, is intriguing and vivid, and gives us a complex and compelling perspective on Chines culture during a confusing time period. We get the opportunity to learn the story of a young man with a promising future, but an unpleasant childhood. Liang Heng was exposed to every aspect of the Cultural Revolution in China, and shares his experiences with us, since the book is written from Liang perspective, we do not have a biased opinion from an elite member in the Chinese society nor the poor we get an honest opinion from the People’s Republic of China. Liang only had the fortunate opportunity of expressing these events due his relationship with his wife, An American woman whom helps him write the book. When

Mao’s Cultural Revolution was an attempt to create a new culture for China. Through education reforms and readjustments, Mao hoped to create a new generation of Chinese people - a generation of mindless Communists. By eliminating intellectuals via the Down to the Countryside movement, Mao hoped to eliminate elements of traditional Chinese culture and create a new form Chinese culture. He knew that dumbing down the masses would give him more power so his regime would be more stable. This dramatic reform affected youth especially as they were targeted by Mao’s propaganda and influence. Drawing from his experiences as an Educated Youth who was sent down to the countryside Down to the Countryside movement, Ah Cheng wrote The King of

A third narrative thread is created by stringing together the stories of young Chinese students, both men and women. Their optimistic visions of the future contrast poignantly with the stories of Chen Mengjia and Polat, who expose more of the dark side of China especially the Cultural Revolution. Chen Mengjia committed suicide during the Cultural Revolution. Hessler (2006) interviews an old man about the issue of personal responsibility and political activism and reveals the deeply conflicted nature

The Great Proletarian Cultural Revolution was started by Mao Zedong in an attempt to rid himself of his enemies. While it may have accomplished its purpose, many innocents were killed as well. Families, parent and child, were ripped apart in Mao’s paranoia. The author, Moying Li, grew up in this period of history. Her family suffered alongside millions of others who had come under fire from the government and Communist Party. Snow Falling in Spring was her attempt to at coming to terms with her life and the events that had happened in it. It describes significant parts in the later years of Mao, starting the Great Leap Forward and ending with the death of the once beloved Chairman. Moying Li tells of her childhood to early adulthood when her whole world came crashing down with the Cultural Revolution. And she is most certainly qualified to be telling the story. Ms. Li first started writing and publishing works from the time she was still in China, at college. Her previous book, Beacon Hill: The Life & Times of a Neighborhood, had won the Julia Ward Howe Award. Snow Falling in Spring had won the IRA Children’s and Young Adult’s Book Award and was named a Notable Social Studies Trade Book. It was selected as a winner for the 2009 Massachusetts Book Award for Non-fiction (adult category) (Li, About the Author). As the story is a memoir, it shows bias in the fact that the author is inclined to show herself and her struggles in a way that generates support for what she has gone