I am very glad that I was able to take dance composition this quarter. From the first few classes, I knew that this class would be what I looked forward to most. Reflecting back, there were so many times when I would run up to my friends at home after class and tell them about the mind-blowing things that happened in composition that day. What ensued during class time was always a fun and exciting dinner conversation topic. The first “assignment” of free writing then crossing everything out was a refreshing start to the quarter. The act of trashing what I just put effort into was a feeling I do not think I have experienced before that moment. It made me reflect about attachment, even to things that were very insignificant, considering what I free-wrote about was very unimportant. Detaching myself from my choreography is one of the big ideas that I am taking away from this class. What makes what I created so important? Making movement looking forward, I will always think back to this and will try my best to be open to discarding things more easily. One of my favorite classes was the slow-motion walk day. I did not know what to expect at all. I thought I would be bored and not have a good time at all. The opposite happened, even before the whole protester debacle, it was so entertaining to experience everyday life at that pace. I hope that I will have the time over break to do this activity again. I want everyone I know to experience the feeling of slow motion, so
A semester has passed since I started college and my journey of becoming a better writer. It has been a very important semester for my future college career, and I would not be here without the things I have accomplished. The composition program has really helped me to prepare for what college writing is all about. Now standing here and looking back I could not imagine how it would be without that class. I believe my English, and my writing is better than it has ever been, and all thanks to the composition program.
“What are you even doing here? I have never seen such flawed technique in all my years as a choreographer.” The words echoed throughout the medical college auditorium. Impelled by the admonishment in front of my peers, I persevered in my endeavor to improve upon my dancing prowess and by the final year of medical school was leading the college dance team. The above mentioned undertaking further spawned an interest for the discipline of Latin Ballroom which lead to participation at the national level. The unwavering focus and persistence even in the face of unfavorable odds is more broadly reflective of my approach towards learning, both academic and extracurricular. This has been instrumental in achieving stellar academic outcomes including being ranked nationally in the top 0.0004 percent in the premedical test and the top 0.6 percent in the common aptitude test for management training.
Ballet “Cry” simply showed to us real life of all African women. Every single American people know what kind of life they went through. Therefore it touched their heard. Alvin Ailey’s “Cry” presented wonderfully combined movements, technique and emotion. Ms. Donna Wood uses tragic face, a mask of sorrow. It is a face born to cry, but when she smiles it is with an innocent radiance, joyfulness that simple and lovely. She never tries consciously to please an audience. He was not only concentrating in movements and physical performance, but also using flowing white gown
Of all the values that dancing instilled within me, I believe I learned the greatest lesson when I forfeited my first love. In my mind, I rationalized that school’s importance outweighed my devotion to dance. In my eighth grade year, my studio encouraged me to join their dance company, while my school implemented an academic plan for me that met my educational needs, which included placing me in ninth grade honors courses. Faced with the truth of the difficulty of balancing schoolwork with a demanding practice schedule, I reluctantly withdrew from my dance
The dancers in the earliest ballets were highly skilled professionals capable of feats of strength and agility.
The dance that I will be focusing on is entitled: thinking sensing standing feeling object of attention. The dance, to me, symbolizes the socialization of persons in Western civilization concerning gender roles. In the beginning there are gestures that are separated from emotion and full-embodiment, but as the dance progresses the gestures become more meaningful and recognizable. The lighting starts out very specific and narrow, then the light encompasses the entire stage, and eventually the dancers are silhouetted as they return to a familiar movement motif in the end. The music is mainly instrumental with occasional soft female vocals, and the lyrics suggest emotion, which is interesting because the dancers do not convey emotion until
Sophomore Mayra Gomez has mostly AP classes and she is in Dance Production. How does she do it all? Well, Mayra has found that during the dances she is not in or during breaks, she can do her homework. Gomez says she gives one hundred percent in every dance otherwise the dance looks sloppy and weak. Did you know that she choreographs dances in her free time? She does and she plans to audition those pieces so that they can be in dance concerts held by Grace Davis High School. Mayra says that being in Dance Production is very stressful, but at the same time it is fun because you and the members of Dance Production become one family who share embarrassing moments; they share tears and smiles. Although Dance Production looks well-put and organized,
This video documents an international cultural festival that took place in Los Angeles. Again, while many of the groups presented here are not American, you will hear peoples from around the Pacific beautifully expressing how dance is an integral part of their culture. While the American public might not be as conscious of the powerful connection between movement and identity, it is the claim of this course that the former can be an important lens on the latter, even in America. Listen closely to how the participants at this festival talk about dance and culture. Compare this with how you relate dance and culture.
My personal aesthetic in the terms of dance extends far beyond mentioning what I like and what I dislike. It unfolds the layers of my personality, my style, and my past experiences. I tend to think of aesthetics in the form of a jigsaw puzzle. Within a puzzle there are hundreds of important pieces that fit together to make a grand image and each puzzle piece requires a process of development and self-discovery. My aesthetic puzzle pieces include confidence, vulnerability, dynamic, high energy, illusion, and emotional connection. Most of my aesthetic is initiated by personal preference or a significant event in my life, but I will start with the foundation of my dance training first. I was raised in the dance studio where I regularly practiced ballet, jazz, tap, musical theatre, and contemporary. I was blessed to have the opportunity to explore multiple genres of dance at a young age and as a result of this, I began my aesthetic development with a very versatile palette of movements and interpretations.
While not a hugely transformative venture, I have found this semester to be a good vehicle for making my writing more accurate to its intended purpose. Prior to taking this class I did have some experience in professional writing for a few of the jobs I've had in the past, but this class organized those thoughts, gave them name, and pointed out where and how to pursue them. Its been an enlightening experience and provided me with tools I hope to use the rest of my life.
Dance has been a natural movement form since the beginning of time. The origin of dance is unknown, just as the knowledge of the benefits of dance are unknown to many in our society. Many people do not enjoy dancing and also do not fully understand the positive benefits that come from dancing. Researchers such as Edwards, Duberg, and many more have found countless mental and emotional benefits of dance that originate from movement patterns, brain connections, and even expressions of emotion. Many are aware of the physical benefits of dance, but beyond the physical benefits of dance, there are also emotional and mental benefits that come from dance as well.
Ballet has never been my strongest style but I feel that I have been able to have become a well rounded dancer from taking technique classes. From the start I have wanted to gain so much with my goals as well as to find ways to work on ways to make my movement quality softer.Dancing in ballet this semester gave me an opportunity to focus on all of the goals that I wished to work on. Over the semester I have noticed that I picked up a lot of material more than I thought when I do not overthink the material and not get stressed out. In ballet this semester I noticed that I freaked out in class so much which reflected on my technique and being able to be confident with my movement.
A series of set of movements to music, either alone or with a partner. That is the definition of dancing. Dancing is a way to express one's feeling and to get active.
I attended DancePlus show On Friday December 2, 2011 at 7:30pm at night. It was performed in the Victoria K. Mastrobounno Theater in New Brunswick, New Jersey. There were four different parts that I saw that day. All of the dances were very interesting and very different from each other. All of the dances had its own unique key factor that separated it from each other. I enjoyed the entire show very well. Out of all the dances I had strong reaction to “Lapa’s Lament”. I believe this specific dance stood out to me compared to the other dances from the show. This show had many different factors that stood out from other shows in the entire performance.
On December 1, 2017, in the University Theatre at California State University, Dominguez Hills, I observed the fall dance concert Rise. It was choreographed by Amy Michelle Allen, Marco A, Carreon, Sarah Cashmore, Jeff Hendrix, Erin Landry, Doris Ressl Acosta, and Kenneth Walker, with the long cast of dancers. The production was pleasing, and would not have been believable without the work from production designers, Frederick Depontee and Cheryl Sheldon. Rise is played out in eight different dance routines, which were Xtra Xtra, Scar Tissue, Hart Broken, Things Are A Stirrin’, and the rest are intermissions such as Female Energy, Women, Exotica, Strength In Numbers, and Makina.