Representation of Race in Cinema

In a carefully worded essay I will discuss the aspect of ‘race’ as a hindrance to the

The 1987 film documentary Ethnic Notions directed by Marlon Riggs, identifies the evolution of African American cultural depictions through ethnic stereotypes and caricatures in American culture. I feel Ethnic Notions exposes the roots of false generalization from the beginning and presents a series of classifications for racial depictions that still are noticeable in today's society. These racial depictions identified with in this film begin in the mid 1800's and continue thought to the 1960's. I now after viewing Ethnic notions agree that there are generalizations and depictions that are exaggerated in American popular culture and entertainment.

People of all races enjoy a good film or tv show but, they sometimes are not being represented equally. Representation matters because, it is important to teach the younger generations about their race’s worldview on what they find normal. Kenneth and Mamie Clark conducted a psychological study where, “children were shown two dolls, one black and one white. They were asked to choose which one they preferred, which one was ‘bad’ and which one was ‘good.’ The results were the same across races: the children generally preferred the white doll and saw that doll as ‘good’…. but it is really no surprise if you look at the media these children are consuming”(The

Race is a classification system used to categorize humans into large and distinct populations or groups by anatomical, cultural, ethnic, genetic, geographical,

Race relations have always been a very controversial topic in this country and still are. In the mid-1900s there were many writers who felt very strongly about how African Americans and white people interacted together. In this paper three individual excerpts by three different authors will be discussed. All three of these authors have different viewpoints because of how they see the world based on their individual life experiences.

The film Ethnic Notions examines the various caricatures of African Americans in popular culture and the consequences of these representations from the 1800s to the 1980s. The film showed how America went through a face of injustice for a period of time. The internet defines stereotype as qualities assigned to groups of people related to their race, nationality and sexual orientation, to name a few. (Kemick) Throughout American history, African Americans have been victims of stereotypes in many ways. White majority use violence caricatures, stereotypes, dominance, subordination and the media as ways to overpower African Americans.

Since past African Americans have been sufferings from discrimination and injustice. In Ethnic Notions this condition can be clearly seen and is supported by the popular American culture which has

Race is not merely a group of people with same identity, origin and physical characters but it is an issue that involves emotions, opinions and rights. In America, people were and are recognized mainly on the basis of their skin color. This could be best witnessed in Dr. Martin Luther King Jr.’s “Letter from Birmingham Jail”. He introduces his arguments against injustice. He provides the reason for being in Birmingham by saying that, “Injustice anywhere is a threat to justice everywhere” (__). His thesis awakes the desire to have equal rights for the blacks. Dr. King uses various rhetorical devises such as allusion, ethos, and pathos that appeals emotionally, socially, morally and makes the text relatable and important because his text responds

Three sources analyze the racial conflicts of white actors playing colored parts, and all agreed that it was not a trivial situation, for audiences, or actors. Racial tensions are very popular with the media. While there is some minor tension today, the movies and plays of Othello top the charts for most racial conflicts. First, The article, “Othello: the role that entices and engages actors of all skin colours,” by Andrew Dickson shows the history of the actors that played Othello, and when the actors were black, they were either not cast, due to segregationists, or were criticized in their performance for the same reason. Also, this article uses diction to convey the seriousness of white vs. minority crisis. Next, the video, “SHAKESPEARE UNCOVERED White Actors Playing Othello” by PBS, shows the performances of many Othello actors that were white. Additionally, the video shows one white actor who used makeup to make himself more than than black. The video uses hyperbole to describe the absurdity of Othello movies. For example, Laurence Olivier, the 1964 Othello was black-top showing how far film industries will go to cover-up racial tensions, and the narrator describes the makeup as ridiculous,and dramatic. Finally, the last article, “Aladdin: putting a white character in Disney’s live-action remake is offensive,” by Hannah Flint displays that film industries feel obligated to please a white audience, keeping the minorities second fiddle by adding characters white people

Before I attended the class of cultural studies on that particular day, I already knew about what Jacinta was going to teach us in the class. She was going to cover the topic “race” in the class. According to me race basically means, a group of people sharing the same characteristics and belonging to the same part of the world.

beaten by white cops. His resulting disgust with the white establishment struck a cord with

For many years, African Americans have been depicted as ghetto, ignorant, violent and many times relentless. Though they have been shown in these ways, there are some times when they are shown to be responsible, creative, hard working and intelligent. These variables make me think about what the media could be trying to convey.

The English term ‘race’ is believed to originate from the Spanish word raza, which means ‘breed’ or ‘stock’ (Race). People use race to define other groups, this separation of groups is based largely on physical features. Features like skin color and hair don’t affect the fundamental biology of human variation (Hotz). Race is truly only skin deep, there are no true biological separations between two ‘racial’ groups. Scientifically speaking, there is more variation between single local groups than there is between two large, global groups; the human variation is constantly altering (Lewontin). The majority of today’s anthropologists agree that race is a form of social categorization, not the separation of groups based on biological

Who is the harder in Australia? Samson and Delilah is the best movie of 2009 in Australia that was directed by Warwick Thornton. The main characters of this film are Samson and Delilah performed by Victor Mature and Hedy Lamarr. The purpose of the film is to highlight the issues is two young indigenous Australian living in an Aboriginal community. The film starts with when they live are changed then they fled the place where they live. This film is strongly shown the consequences of the European impact on Aboriginal Australian society by presenting injustice and uses camera work.

However, according to African American film scholar Thomas Cripps, these early films were not truly Black because their function, more or less, were to enlighten and mollify White people’s curiosity concerning Black culture. The argument presented by Cripps creates an opportunity for speculation on how to categorize a well-known group of films about Black people that in most cases included the participation of White filmmakers. How do we define the term “race film”? Moreover, can these films be considered a “genre” or are they imitations of similar narratives produced by White filmmakers such as comedies,