This third distinction between how Rochester ‘loves’ and cares about Jane is also important to this discussion of the development of his ‘love’ for her throughout the novel. Regarding his development, I believe Rochester does develop a care for Jane during the first phase of their relationship. Just as Rochester was not truly in love with Jane at first, Jane infatuated with him; he was her “whole world; and more than the world…[her] hope of heaven…[her] idol” (Brontë 316). Katharine Bubel explains that both Jane and Rochester have a “desire for love” throughout the novel (Brontë 306). After getting tired of waiting for him to return to Thornfield Hall at one point during the first phase of their relationship, Jane meets Rochester on the road, and Rochester, concerned about her, asks her why “[she] [had] c[o]me to meet [him] at such an hour” and if there is “anything wrong” (Brontë 320). It can be said that their actions such as these were motived by this desire. He also shows care for Jane and her wellbeing after the night when Bertha came into her room and tore her wedding veil, when the next morning, he exclaimed, “Thank God!…if anything malignant did come near you last night, it was only the veil that was harmed. Oh, to think what might have happened!” (Brontë 328). However, it is worthy to call attention to the fact that while showing concern for her, he attempts to convince her it was just a dream so as to not have her worry, then he lies to her and tells her the
“Jane’s relationship with Rochester in the early part of the novel is based not on love but control, manipulation and secrecy. She does well to escape”
Jane and Rochester officially meet at Thornfield, the day after his arrival, Rochester invites Jane for tea. His attitude towards Jane is abrupt and quite cold, although he is charmed by Jane's drawings. Jane feels unusually comfortable around
We first encounter this relationship between Jane and Rochester during their first dramatic meeting. She encounters him when he falls off his horse and she is required to give him assistance. Jane’s first impression of his face is that ‘He had a dark face, with stern features and a heavy brow’. This may portray the dimness in his face awaiting to be enlightened by a woman which, in this case Jane. Further on in this chapter, unaware of who he is, on her return home, Jane is amazed to discover that the gentleman she assisted in the road was her employer, Mr. Edward Rochester. Jane’s future relationship with Rochester is most clearly set out in their first meeting. Although without any money, reserved and socially dependent, Jane is not
In the novel by Charlotte Bronte, "Jane Eyre", there is a constant battle of love versus autonomy in Jane, the main character. At points Jane feels as if she would give anything to be loved. Yet over the course of the book Jane needs to learn how to gain affection of others without sacrificing something in return.
When Jane arrived, the feelings he had only felt for Adele's mother before she cheated on him came to life again. Jane and Rochester's relationship progressed as did their secret feelings for each other. Finally, Rochester confessed his
There are not most indications that Mr. Rochester has romantic feelings towards Jane throughout the chapter although it in the end of the chapter on page 114 Mr. Rochester request that Jane participates in his social excursions in “ I expect you to appear in the drawing room every evening.”
In his quest for self-transformation into a man of purity and harmony, Rochester sets his sights on Jane as the key to his renewal. Wooing her is different from any of his past lovers, though he seems to do so easily, but Rochester struggles to see that as he seduces and nearly marries Jane in bigamy, he is sullying the purity he so greatly craves. He is so blinded by the happiness close at hand, that he fails to realize Jane’s unhappiness and eventual departure. The loss of his physical vision is atonement for his lack of observing the effects of his actions, and consequently, darkens his life permanently without Jane, his moral eyes.
Mr. Rochester begs that Jane understand his motives, explaining to her the history of his family, and urging Jane to stay with him. However, an inner voice tells Jane to resist the temptations to be Rochester’s mistress. Despite her desire to live with Mr. Rochester and pursue a relationship with him, she knows that deep inside, she would be ruining her life and reputation-realizing the need to respect herself, she leaves Thornfield, despite her temptations. Jane knows that she can find a “temporary heaven” in living with Mr. Rochester, but she refuses to accept it.
after the fire and make sure he okay. She takes him much more as a
Although she knows Blanche and Rochester are not in love, she believes they will marry due to money and class. Ingram is equal to Rochester, and Jane is not. She knows she cannot unlove him, but "all his attentions appropriated to a great lady who scorned to touch [Jane] with the hem of her roses as she passed" (Bronte 211). In Jane 's mind, she is no match for Blanche, and she refuses to marry Rochester because they are not equal. After Jane and Rochester become engaged for the first time, he attempts to spoil her with gifts and special treatment. However, Jane will not accept. First, he takes Jane to Millcote to buy her accessories. When he looks at her with "passionate pleasure" she looks at him and threatens that he "need not look in that way...if [he does, she 'll] wear nothing but [her] old Lowood frocks to the end of the chapter. [She 'll] be married in this lilac gingham" (309-310). She refuses these gifts as she believes she should not be treated higher than her actual class. She also refuses to dine with Rochester at his request.When he asks her to join she tells him that she has "never dined with [him]; and [she] sees no reason why [she] should now" (311). Rochester then begins to question what she wishes to become of her salary and other days to which she responds that she "shall just go on with it as usual. [She] shall keep out of [his] way all day"
Furthermore, Jane says “I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself” (Chapter 27, Bronte.) This statement greatly represents the growth that Jane has undergone. She no longer dreads the solitude that once haunted her because she respects herself enough to realize that she did not deserve to experience such great dismay. Through independence and self-recognition, Jane has discovered the importance of loving oneself. Without the reliance on the thoughts of others, the once extremely troubled girl found bliss through a lack of outside control. In regards to her relationship with Mr. Rochester, Jane understands that she must leave him behind to maintain her own well-being. She does not allow the wealth or proclaimed love from Rochester to skew her decisions and she does not linger to dominate the life of her lover. Instead, she moves forward to continue her endless pursuit of happiness and independence.
A constant theme throughout Jane Eyre is the search for love. Although this could be shown through many of the novel's key characters, it can most readily be shown in the experiences of Jane Eyre herself. The novel begins with her searching for love and it finally ends with her finding it, for good, in Mr. Rochester.
Also, even though Rochester and Jane were of different classes, Charlotte Bronte presents him as an intelligent person. Both Edward and Jane enjoy conversations with each other. However, Jane does not express her feelings as clearly as Rochester does. So he dresses up as a gypsy and tries to find out what she thinks of the marriage, which everyone assumes that he will with Blanche. Although, both Jane Eyre and Rochester have are fond of each other, Edward was deceitful to Jane. For example, when Jane found out about Mr Rochester’s first wife, he first says that they can run away as ‘brother and sister’. However Jane refuses. Rochester tries another tactic and asks her to be his mistress. But Jane was too virtuous to accept the offer and had no other alternative but to leave Thornfield.
Parallel to many of the great feministic novels throughout literary history, Jane Eyre is a story about the quest for authentic love. However, Jane Eyre is unique and separate from other romantic pieces, in that it is also about a woman searching for a sense of self-worth through achieving a degree of independence. Orphaned and dismissed at an early age, Jane was born into a modest lifestyle that was characterized by a form of oppressive servitude of which she had no autonomy. She was busy spending much of her adolescent years locked in chains, both imaginary and real, as well as catering to the needs of her peers. Jane was never being able to enjoy the pleasures and joys that an ordinary and independent child values. Jane struggles
Rochester. At first Jane sees him as rude and disrespectful due to his cold and gruesome remarks, but it is her fight and how Jane stands up for herself that leads to one of the most known relationships in literature. Eventually Rochester asks Jane for her hand in marriage but at the scene of the wedding, we come to learn, that Rochester is already married to an insane woman, living in his attic, named Bertha. With this Rochester asks Jane to run away with her to Europe, this is exactly where Jane is faced with a very hard decision between following her heart as everyone wants to do, or keeping her respect and dignity. We can see the respect Jane now has from Rochester when he says to her, “I was wrong to attempt to deceive you; but I feared a stubbornness that exists in your character” (Bronte 354). This shows that Jane has gained Rochester’s respect and the ‘stubbornness’ in Jane’s character is the best thing for her, for without this trait Jane could never gain respect from others, especially men, in his novel. Knowing that Jane has decided to leave her, Rochester begins to persuade Jane to stay with him. He says, “Oh, Jane, this is bitter! This – this is wicked. It would not be wicked to love me” (Bronte 355). Jane replies, “It would to obey you” (Bronte 355), showing that she will not give into his pleading, regardless of how much she loves him because to obey him would lead to the loss