Bonheur was full of curiosity about the many animals and American Indians that were part of the spectacle, reflecting her enormous enthusiasm in at least seventeen paintings and countless sketches produced during her almost daily visits to the encampment. An important portrait of Buffalo Bill himself, mounted on his favourite white horse, was also completed during the time that Bonheur spent there. It’s a straightforward composition, with the white horse trotting on a somewhat dusty path towards the viewer, slightly at an angle and meeting our gaze, while Cody glances to one side as if enacting the tracker he once was (see Fig. 7). The background is filled with some nondescript shrubs and trees, ubiquitous to many picturesque locations of the world, accompanying a rather calm blue sky. Fig. 7 – Rosa Bonheur, Col. William F. Cody (Buffalo Bill), 1889. The equestrian portrait of Buffalo Bill became an American icon. Buffalo Bill was a metaphor for all that America stood for and it’s no surprise Bonheur was drawn to the man, perhaps seeing him as a beacon of hope on horseback of a symbolic white steed. Being a forward-thinking woman she identified America with the liberation of women and a progressive attitude that conformed to the principles bestowed upon her by both of her parents in her youth. “If America marches at …show more content…
Her realistic depictions of animals elevated their status as subject matter on a grandiose scale of history painting. Sympathetic to their cause, and clearly identifying with them on a personal level, Bonheur was successful in portraying their significance by visualizing their importance within the narrative of humankind. At a time when a woman painter was not typically elevated to equal status of men in power, she as an artist retained the faculty of seeing and depicting, and therefore contributing to the chronicle of
Berthe Morisot was born in 1841, a time when it was still quite difficult for women to become professional artists as the art world was predominantly male. She continually faced criticism and encountered difficulties due to her sex. Despite this, Morisot was able to establish herself as a respected artist whose work only continues to become more highly regarded with time. Her place in art history alongside such Impressionist artists as Claude Monet, Marie Bracquemond, Mary Cassatt, and Edgar Degas, is a testament to her ambition. She was an artist who “aspired to greatness” who “was not content to take second place.” Her painting Young Woman Knitting of 1883 is a excellent example of her style and technique. To fully comprehend how this painting is typical of her work, it is helpful to study her life, as well as her artistic development, especially in her paintings.
The beliefs which made the United States of America the prodigious country it is today, began during it’s early colonization-a time in the life of this great nation which is everlastingly remembered with pride. America 's foundation rested upon the ideals of diversity, innovation, and the ability to exhibit strength in the face of adversity; there are few who have embodied this vision of America more completely than Pocahontas and Benjamin Franklin. Tragic and historical events developed during the lives of Pocahontas and Benjamin Franklin; although their individual situations required very different reactions, both persevered, therefore granting those who came after them the ability to reflect on America’s beginnings with admiration and pride.
Alexie writes of “Buffalo Bill,” who represents the United States. He also writes “[Native Americans] pawn/their skeletons,” where the skeletons represent culture and sense of self. Alexie also uses irony in the poem to show the unfairness of how Natives were treated. He writes “Charges the Indians five bucks a head to enter.” This quote speaks of how Buffalo Bill takes the Indigenous people’s culture and possessions and then makes a museum of Native American culture, which he then charges Natives money to enter. Alexie’s theme of mistreatment of Native Americans shows, like “Ellis Island,” how some Americans’ dreams are built at the expense of Native Americans. He shows this theme in lines such as “Buffalo Bill/takes everything the Indians have to offer,” showing that America took everything from Native Americans, and then continued to treat them
In the poem ,“America”, Claude McKay uses figurative language and diction to create a dark tone, a powerful empowering tone, and an optimistic tone. The theme of double consciousness of African-Americans is supported in the poem and the poem itself also connects to the purpose of the Harlem Renaissance which was to fight back racial hate and stereotypes with black empowerment.
In Lakota Woman, a biographical account of Mary Crow Dog, there is established a reoccurring theme centered around Native American women and their outlasting strength as they play their roles of wives, mothers, daughters, and sisters. Especially so in trying times, which Crow Dog illustrates, that have spanned for centuries and are as inescapable as they have ever been. Remarkable are her feats of bravery fueled by strength she’s derived from other influential women in her life and her love for her people and their traditions. Without a doubt, Native American women had and always will play a large role in keeping the ardor behind their fight for equality and justice lit. Whether it be physically, such as it was in Wounded Knee, spiritually, in their participation in keeping up rituals and religion, or traditionally, as they help uphold old values beloved by their people for centuries.
“The Girl Who Sang to the Buffalo” is a fictional novel based on true events written by the popular American author, Kent Nerburn. Nerburn connected the reader to the ways of the Native Americans and non-Natives. Many non-Natives believe they have a basic understanding of the Native Americans, and what they have dealt with the US government. However, Nerburn provides a different perspective in comprehending the irritation the Native Americans thought of Americans not fully realizing they are heckling the Natives in this manner. Kent Nerburn had some issues with the Natives in not thinking through his decisions when confronting a Native about any questions he may have resulting in mounts of annoyance of the Natives.
The main argument that Townsend presents is the fact that others portray Pocahontas as just a simply women in her time, but the truth is that she is one of the most courageous of her people. In summary, Townsend informs the audience that Pocahontas inspired many people in the nineteenth century including romantic poets and patriotic myth-makers.(xi) The problem that Townsend introduces is that the storytellers add the facts to satisfy their own needs and their audience. She talks about how
The idea of an equal America exists no more. Regardless of the fact that there is a plethora of varying perspectives dividing the country into two, there are words and phrases that are generally accepted in viewing our country from the rest of the world. First, the American Dream is regularly associated with equal opportunity, prosperity, and liberty. Walt Whitman, as well as many others, have written about this desired America for the socially accepted American. He is often referred to as “America’s Poet,” who amplifies the elegant qualities of America that we believe to be true. It is obvious that Whitman portrays America as an alive and colorful place full of chance and flourishment throughout his work. “I Hear America Singing” is a prime example of an America that is only seen from the surface, where Whitman clearly indicates that the United States is a country where all its citizens are able to achieve equality and liberty. Contradictory, Sharon Olds poem, “On the Subway,” proves the lack of individual liberty, which deteriorates the growth of the country, ultimately opposing the America, where personal freedom is the foundation. Olds’ poem pokes holes in the surface that shows the controversial interior that truly makes up America that Whitman painted beforehand. Olds and Whitman also illustrate varying insight regarding personal liberty and its importance in two opposing poems; one who proclaims it as easily attainable and necessary to the country and the other who
The light radiating from the American flag represents America being a beacon of hope and freedom (Leutze). This creates a feeling of pride in the observer of the painting. George Washington Crossing the Delaware illustrates the unity and hopefulness of the American people, even in times of struggle. In her article A Quilt of a Country, Anna Quindlen states that “Terrorism has led to… unity.” By mentioning terrorism, Quindlen taps into people’s emotions, and then goes on to talk about unity which instills a feeling of hope for the future. The Quilt shows that even though it can be divided, in times of need, Americans will come together. Hope and freedom will always prevail against the forces that attempt to divide this
Fanny Trollope, an English novelist and writer, travelled to America in the early 19th century for a glimpse of life outside of England. In her work, “The Domestic Manners of the Americans”, Trollope captured her experience in countless opinionated, highly critical observations that judged Americans based on their behaviors and practices. Many aspects of American life captured Trollope’s attention, but these aspects were not seen in a positive light. It was obvious through her story that Trollope did not care for the American life; however, there seemed to be much more to Trollope’s opinions besides petty distastes. Trollope found the American lifestyle repulsive because it seemed to revolve around pride in their impolite and offensive behavior, creating an environment of arrogance and superiority over outsiders like herself.
One of the most visually intriguing pieces in the exhibit is the Portrait of Père Bouju by Maurice de Vlaminck. It was painted around the year 1900 by the French artist. It is not particularly beautiful by normal standards. At first glance, the texture of the paint stands out more than any other feature. It has very strongly defined brush strokes and thick paint in portions, especially the face of the man and the background. The lines in the paint are mostly straight, short, and wide with some that are thinner and wavy, like the smoke. The man is in the center of the canvas, he is the only discernable image, and he is almost devoid of detail aside from the face and the hat. The colors are almost entirely neutral aside from the red scarf. In this oil on canvas portrait the man is wearing a
Dozens of horses are charging through the fair grounds, each hoof vibrating the ground, which causes chaos to erupt. Some horses are white as for a person of royalty, and others a mysterious brown. Through all this chaos, Rosa Bonheur paints what is before her. Her painting is called The Horse Fair. The painting itself is 8 feet tall by 16 feet wide.1 The Horse Fair is located at the Metropolitan Museum of Art.1 Bonheur uses a panoramic view in her painting.2 The Horse Fair was inspired by the horse market that Rosa Bonheur use to visit on Boulevard De l’Ho ̂pital.1 The building in the upper far left of the painting is called Asylum on Salpetriere, which is located in Paris.3 The people on the hill in the
This painting shows how close and codependent humans and nature were. How well humans worked together with one another and their world. How peaceful those that are close to nature are, which is why it (nature) must be celebrated and appreciated.
In his poems and life, Walt Whitman celebrated the human spirit and the human body. He sang the praises of democracy and marveled at the technological advances of his era. His direct poetic style shocked many of his contemporaries. This style, for which Whitman is famous, is in direct relation to several major American cultural developments. The development of American dictionaries, the growth of baseball, the evolution of Native American policy, and the development of photography all played a part and became essential components of Whitman’s poetry.
President Abraham Lincoln, admired by Walt Whitman, blossomed in “Whitman's writing and in American mythology”(Eiselein) for his leadership and nobility. Whitman hoped for a rugged, healthy, who knew what real, physical work was, to be the “[r]edeemer [p]resident of [t]hese [s]tates”(Whitman). His hopes came true “as in a dream”(Whitman) when “four years later, just such a beard-faced boatman”(Goodheart) entered the White House. Walt Whitman discovered the “comprehensive, all-directing soul he had long been seeking”(Reynolds) in Abraham Lincoln’s life. Therefore Whitman, a patriotic American, would see Lincoln’s death as not only a grave tragedy but also a “promise [of] ultimate purgation and unification for America.”(Reynolds).