Sebastian Juner Vidal Analysis Essay

Picasso painted for himself, as a release from the pressures of his society and as a way to express his thoughts and problems in tangible form. For this reason, the events happening around the time of any Picasso work must be understood before the true meaning of any resulting art can be understood.

The dark blue left eye and light blue right tells me that Pablo Picasso may have used her actual eye color. Her body is almost as if she had her back to Picasso and turning her torso toward him; such as in most contrapposto art. In the original sketch you can clearly see her arms and the detail of her body. She is not looking back at Picasso, but instead looking toward the opening curtain. The hair of the young lady is also more visible as it drapes down her back. By repositioning her arm and adding the mask he completely changed her appearance, not only in her face but her body as well. Picasso gave her a double point of view, as you look at her nose and the angles it provides. The hand under the chin gives it an almost claw like feature, with what seems to be her fingers going to her eye to her the opposite side of the chin. With the sharp angles and mask and all the distortion it would be difficult to truly see just the young lady. It is almost as if she is shards of glass pieced together to make a

Pablo Picasso is generally considered one of the best and most influential artists of the modernist era and perhaps of all time. His personal life was anything but stable, marked by a vast sex drive that caused him to have multiple wives and mistresses, constantly searching for new women as he lost interest with his former lovers. This womanizing aspect of his personality and the tumultuous times in his life resulting from it had a great effect on his art. A large number of his works have a sexual component to them, such as nudity, phallic and vaginal imagery, and depictions of sexual acts. Furthermore, it becomes apparent that Picasso dehumanized women in his art, turning them into sexual objects rather than human beings. The

relate to and hope for. The last thing that Picasso’s has is the act of making the girl seem like she is the representation of the earth. I say this because on the outside it looks pretty, but underneath she is a whole lot of bad.Comparing:The third thing that makes these two paintings

Perturbed times in life often were the influence for Picasso’s paintings. Colors and shades were used on the paintings created to reflect all of the troublesome times he went through and how much of an effect those

The Portrait of Sebastia Juner Vidal is a large oil on canvas (49 3/4 x 37 in) painting created in 1903 by the Spanish artist Pablo Picasso (1881-1973). The work portrays two figures in a cafe, uncomfortably squeezed into a tight seating space. One of the figures in the painting is a woman identified as a prostitute. She is wearing a bright red flower in her hair, and a golden colored earring.

There are very few things that appreciate with time. Many people love to bank on a rookie baseball player, in hopes his card will be worth thousands. Many invest in land, praying they hit a gold mine like land in Frisco or Prosper, Texas. One of these rare items is art. Art is a luxury, that many high income people love to invest in. Pablo Picasso’s art is some of the most if not the most prominent, pieces of artwork in the world. Picasso was a trendsetter of sorts, helping start many movements including introducing the idea of a collage in his later paintings. Picasso had a habit of drawing his lovers in his paintings. For some of his mistresses, he created lots of art with them as the main subjects of the paintings, as those were the stronger influences. Many of his paintings were centered around one of his mistresses, Marie-Therese Walter. Picasso met the 17-year-old Walter while he was married to his wife, Olga Khokhlova. Throughout their relationship, which spanned nine years, she was the centerpiece of his work. Depending on the depiction of the subject, Picasso showed his emotion toward Walter. The painting, ‘Seated Woman’ of Walter by Picasso portrays a unique style, a powerful use of colors, and a different view of Walter in comparison to paintings of his other mistresses.

In 1905 after his blue period, Picasso's subject matter and color schemes that he used for his paintings began to change. From 1905-1906, Picasso developed the "Rose Period." Now instead of painting depressing figures with blue dull color tones, he began to paint circus people acrobats, and harlequin figures using pink and other earth tone colors (Gerten, n.d.). The rumor for this period is that Picasso began to brighten his colors and themes after he fell in love. A famous piece from his Rose period is called "Boy with Pipe." The painting features a young boy holding a pipe with a flower

Picasso is a sociopath narcissist. Picasso, named for his drawings that he left at a crime scene, is fascinated with implementing pain on others. First he killed and tortured the billionaire’s mistress by tying her up and proceeding to cut off all of her fingers. He then left a charcoal drawing of the crime scene and this is how he received his

There is little sign of life about the man, his shoulders are bony and his pose cramped, as if to show that he finds no ease in the world around him. In 1905 close to the ending of his Blue Period Picasso decided to move back to Paris. It was here that he met Fernande Oliver and eventually fell in love with her. Picasso’s paintings took a drastic change. He went from painting beggars and outcast to happy, healthy circus performers and families. It was obvious that Picasso’s first love had a tremendous effect on his art. Picasso’s paintings no longer consisted of blue tones but instead took on more delicate rose tones. Fernande Oliver reflected his work and his happiness. One of Picasso’s best works linked his Blue and Rose Period was The Frugal Repast. The painting had a beautiful healthy looking woman being embraced by a long dirty, hungry man. Picasso felt this way about Fernande Oliver. He pictured himself as a poverty stricken man who was lucky enough to be with a beautiful woman. From the time 1905 to 1906 Picasso entered the Rose Period. Subtle pinks and grays with even brighter tones were the colors Picasso used. Some people also believed the warm tones of this period were influence by Picasso’s habit of smoking opium (Ripley 101). Picasso was fascinated with clowns, acrobats, and other families of the

Red appears to dominate the painting and serves as an eye-catching color. The use of intensely saturated colors draws the attention to the front couple. Additionally, the red color plays with the mind of the onlooker without them thinking about it. It suggests deep passion, anger, and struggle. The artist intends to relay his feelings about the event to the viewer. His outlook consists of disgust towards the great depression that leaves many taken advantage of due to desperation.

     Let us see how the Hallucinogenic Toreador came about. Dali had doubtless talent, which was drawn apoun systematic confusion. For many, trying to make sense of this painting was distinctly unhelpful. Dali made the dates and titles of his work as he had the tales he told about his life. Studies of this painting never came complete. The tones of light in the painting are perfectly placed on each object to show form and three dimensions of light, and contour. Females are lined up facing different directions. Three of the statue like females show only light which makes the chest and belly look like the bottom of a males face. Everything on the painting is made to show Salvador’s family and some depict the face of

The feel of the picture lends to emotions of unease and recognition of sexual innuendo. The colors of the painting are vibrant, but for the most part are dark. The heavy tones and shades of the colors are well balanced throughout the piece. It can be noted that the brightest shades of color are found on areas depicting the actual woman. In areas that are understood as landscape, the colors are more dreary and create a sense of instability. Even Hess observes that the

Girl before a Mirror, an oil on canvas painting by Spanish artist Pablo Picasso, shows two sides of a girl; one which is illustrated with a dark tone and one with a vibrant colorful tone. This painting is bright; colors are at full intensity and are arranged next to their complements, producing a visual relationship between shape and form. Forms are used to draw the viewer’s eye across the canvas where circular shapes, repeating throughout the work, are compensated by the pattern of diagonal lines of the background. The viewer observes the girl’s profile and full frontal image, looking into a mirror and noticing a different image of herself. In order to achieve this effect, Picasso uses a range of formal elements that highlight the

Hitler supported Franco but artist like Picasso and Dahli supported the republicans. Then in 1937 a small city in Spain named Guernica was bombed and it caused it stir amongst artists. As a result of the bombing Picasso created his oil painting, Guernica, in 1937. This painting was a representation of what Picasso was probably reading in the newspaper while in Paris. Its monochromatic, black and white color scheme can be compared to a newspaper. The viewer can read the painter from left to right or vice versa. The painting uses symbolism like the bull to represent Spain and the horse falling apart represents dismemberment. Picasso depicts the horrors of the event as people flee from a burning building and a mother holding on to her dead child screams in agony. What made this piece important was Piccaso’s use of his cubist style to voice his political opinion. He made it clear which side he was on and the discontent he held for the misfortune his home faced. The painting was put on tour as a fundraising event that only charged a pair of boots for entry. These boots were then sent to republican soldiers. This was something Pablo Picasso had never done before making this work