Sethe Relationship In Beloved

Yet another example of Sethe’s dependence on her own strength is the account of Sethe’s own escape from “the grips of slavery in order to protect her children from what Morrison describes as School teacher’s brutal empire”.(196) Sethe is married by fourteen and is a mother by fifteen; but she is older and pregnant with her last child before she has to become superior protector of her children. Twenty-eight days after being a free woman, Sethe is forced to make the ultimate sacrifice as a mother. Although she is jailed as a murderer, her attempt to kill her four children is done so that her children would never know the life of a slave, so they would never be acquainted with “what Baby Suggs died of, what Ella knew, what Stamp saw and what

Stamp Paid, a former slave who ferries Sethe and Denver across the Ohio River, tried to take Beloved’s corpse from the mother’s clinging hands and give Denver to her. A mother killing her own child is an act that subverts the natural order of the world. A mother is expected to create life, not destroy it, but with Sethe’s case, she was insane and out of control at that specific moment when she imagined that her child might face the same assault in future. Thus, she prefers to put an end to this situation. On the other hand, we notice that she was very anxious about the feeling of Beloved, her murdered child. She stated, “Do you forgive me? Will you stay? You safe here now”

This literary analysis will define the feminist challenge to the patriarchal motherhood as defined in the mothering methods of Sethe in Beloved by Toni Morrison. Sethe's mothering instincts are found in the way she kills her child in order to prevent a life of slavery and suffering on the slave plantation. This form of “good mothering” defines the horrific sacrifice that Sethe was willing to make, so that her daughter did not grow up to live as a salve. More so, the patriarchal system of marriage and reproductive roles on the patriarchal plantation define the slave system as a boon to Sethe's mothering skills. Sethe is forced to marry one of five male slaves, which defines the sexual abuse that women had to endure on the plantation, This is an important reason why Sethe did not want her daughter enduring the same form of enforced reproductive policies of the slave system. In essence, an analysis of the feminist challenge to patriarchal motherhood will be defined in Sethe’s methods of “good mothering” in Beloved by Toni Morrison.

But their marriage was not legally accepted because they were the property of Mr. Garner. Through the whole story we could tell that Sethe was always treating her children as her beloved, although sometimes her ways to show her love were criticized a lot by the others. But she still wanted to protect her children from starvation, from the miserable life of being a slave. When the schoolteacher’s nephew robbed her milk, which is food and essentials for her children’s life, she felt that her children’s lives were threatened. She considered that provide her

Sethe lives in the shadow of her act of infanticide throughout the entire length of the book. This is because its legacy pervades itself throughout the entire novel, showing events leading up, and ways the future has been affected. The novel begins as such: “124 was spiteful. Full of a baby’s venom. (Page 1)” This baby refers to Beloved, who became a ghostly presence in Sethe’s house and continuously terrorizes the house

Through character development, the story also portrays the theme of escaping the past. Sethe’s actions are influenced heavily by her dead child, Beloved. When the “human” form of Beloved arrives while sleeping

In this book, the author depicted several female characters with different traits, however they had the same identity-they were mothers. As the most impressive and notable characters in this book, Sethe and Baby Suggs had experienced awakening of self-consciousness, especially of being a mother. Both being mothers in Beloved, Sethe and Baby Suggs shared some similarities in their miserable life. The background of this story was in 1873, which was 9 years after president Lincoln issued the Slavery Abolition Act. But for Sethe and Baby Suggs, they had been slaves for most of their lifetime, especially when they were experiencing the most momentous thing for a woman, delivering.

Through the story of Sethe, Morrison argues that true freedom is only possible when Sethe stand up to be a mother of her child. Because doing that allowed Sethe to take control of her identity.

Toni Morrison’s Beloved shows the dehumanization of slavery and its effects on African-Americans and their basic forms of existence—specifically motherhood. Morrison depicts the strong maternal bond between Sethe and her children. Most importantly, her use of Sethe’s controversial act of infanticide shows the lengths that Sethe will take to protect her children from slavery. Morrison’s depiction of Sethe’s motherhood shows how slavery has deconstructed the Eurocentric expectations and traditions of motherhood and gender for black women. Rather than victimize Sethe’s as an enslaved woman, Morrision decides to celebrate her triumphs and suffering in Beloved. Therefore, Sethe’s identity as an enslaved black mother deconstructs the expectations of Eurocentric gender roles with her exertion of independence and control for the benefit of her children.

Sethe begins to nurture her children, only for her children to have a growing fear that Sethe would kill them one day, enacting her children to distance themselves. Due to Sethe mother’s abandonment, Sethe in fact has never been a “daughter” and the love she displays, Paul D. describes as “too thick” (193) causes resentment from her children. As Sethe undergoes mental and physical abuse from Beloved, causing her strong personality to wither away and becoming fully dependent on Beloved, Sethe gives herself to Beloved, “[a]nything she wanted she got” (283). This is a story not to be passed on for Sethe, she allowed herself to be swallowed up by her own inability to move past her dreadful memories at Sweet Home. The past, “Beloved” began to slowly creep on her, draining away the strong woman she once was. Sethe always tried to nurture her child, the way her mother never nurtured her. However, in the end when she becomes dependent on Beloved, she becomes old and weak. Yet, her positive development occurs when Paul D tells her that she, herself is the most important thing and finally then Sethe moves on.

Sethe embeds her identity into her motherhood. But the part of identity that she struggles with is her identity as a mother who killed her child to save her from slavery. Until this moment the reincarnation of Beloved haunted Sethe. Morrison articulates an important distinction between how Paul D previously lived and how Sethe currently lives.

 When Sethe finally arrives at 124 Bluestone Road, she is greeted with her loving mother-in-law, Jenny Whitlow, known to her as Baby Suggs.  A second healing takes place when Baby Suggs tends to her mutilated body.  “She led Sethe to the keeping room and bathed her in sections, starting with her face…Sethe dozed and woke to the washing of her hands and arms…When Sethe’s legs were done, Baby looked at her feet and wiped them lightly.  She cleaned between Sethe’s legs…”(Morrison, 93).  The methodical washing of Sethe’s body emphasizes the sympathy and love that fills Baby Suggs’ heart.  Putting her trust in Baby Suggs for the relief of physical and emotional torment, is the only way Sethe is able to relieve herself of her haunted past and suffering body.  Baby Suggs knows as well as Sethe, the haunting miseries of black men and women who have been brought low by slavery, yet she urges her daughter-in-law to keep going and be strong.

 Sethe learned the value of motherhood from an early age.  Not wanting the children of the white men that raped her, Sethe?s mother, Ma?am (as she is called in the book), threw all the unwanted children away.  But, Sethe?s father was a black man whom Ma?am loved, and so she kept Sethe.  Recalling the story, Sethe thinks back on what Nan (the woman who knew Sethe?s mother and raised Sethe, herself) said, ?She threw them all away but you.  The one from the crew she threw away on the island.  The others from more whites she also threw away.  Without names, she threw them.  You she gave the name of the black man? (Morrison, 62).  Thus having an identity because of her mother, ?Sethe learns Ma?am?s history and grounds her personality in motherly-love? (Kubitcheck 123).  Kubitcheck also says, ?mother-love offers the strongest defense against slavery.  When Nan tells Sethe that her Ma?am chose to conceive and bear her, Sethe acquires the base on which to build feelings of self-worth? (135).  She could also identify with her mother by the mark branded below Ma?am?s

“She must have nursed me two or three weeks---that’s the way the others did (pg 73).” Again here we see how milk to a child is important to Sethe because it is the only interaction that she had with her daughter Beloved and her nameless mother. Even though Sethe tries to understand and cope with the past, Beloved generates a metamorphosis in Sethe that allows her to speak what she had thought to be the unspeakable.

Therefore Morrison's novel must be viewed not only as a retelling of a former slave who committed infanticide and what becomes of her but, as a history of an actual event and the parameters under which it occurred.