Essay on Sex and Lies in Arabian Nights

Sex in literature is often included to represent something metaphysical. Sex often is included due to the author's freedom. The French Lieutenant's Woman is an example of using sex to demonstrate the characteristics of both characters and setting.

The first night's story in Arabian Nights is that of the Merchant and the Demon. Told by Shahrazad, the story offers a remarkable parallel to her own situation as she faces immanent death. Thus, the story of the Merchant and the Demon is told as a parable within the frame story, presenting a poignant analogy for Shahrazad's own situation. The Merchant and the Demon is a short tale but one filled with themes such as power, guilt, justice, and moral responsibility. Through the clever analogy with her own situation, Shahrazad also explores the theme of creative problem solving in tricky situations. Moreover, the story illustrates the core differences between pre-Islamic and Islamic values in Arabian society. Because the theme of gender roles and norms are not present within the Merchant and the Demon, the story shows how sexism is simply a form of general political and social oppression.

During the time that The Thousand and One Nights was written, polygamy, a man having multiple wives at the same time, was a very common practice for men. According to “Connor Prairie Interactive History Park,” despite this being such a common practice, women did not always agree with the practice of polygamy and often had horrible disputes with other wives. Because of these sometimes unruly disputes, women were thought of as sinful and promiscuous (Hartman). King Shahryar in The Thousand and One Nights upheld the standard role of men during that time, but Shahrazad rejected the cultural standard placed on her by practically forcing the king to live a monogamous lifestyle.

Main Idea: Continuing on top of the last chapter and adding a twist, Foster tells us that actually when a work of literature does involve an explicit sex scene, the event almost certainly contains layers of meaning that go beyond the act of sex itself. The action of writing explicit sex

Love between two genders is one of the most common themes in writing. In literature, love is often praised, appreciated and cherished. Another common theme in writing is the looming specter of inequality between men and women, which has been strongly depicted throughout history and is still worryingly present in the world today. It is extremely interesting to realize that though love is treasured and valued, in most cases, it takes both genders to create love, and those genders are often separated by inequality. Both these themes coincide well together; the clash of love and gender inequality is interestingly captivating. In John Updikes A&P and Ernest Hemingway’s Hills Like White Elephants, both stories send a conclusive message to the reader that equality between both sexes in love and attraction is almost impossible; one gender will always be more powerful than the other.

Ernest Hemingway grasps the intimacy and authenticity of human relationships, in his book, “In Our Time.” The book consists of short stories following the lives of different individuals. Few of the short stories include The End of Something, Mr. and Mrs. Elliot, Cat in the Rain, and The Doctor and The Doctor’s Wife. Through these short stories, relationships between male and female characters, lack meaningful intimacy. There is a disconnect amongst these couples. Hemingway redefines intimacy and what it means. Intimacy goes beyond sex; it is a bond between individuals. He is depicting two forms of intimacy through his characters. One form of intimacy is emotional intimacy, which is portrayed in the male characters. The other form would be sexual intimacy. Thus, Hemingway is changing our perception of intimacy; it is not only found in male and female relationships, but also in friendships. The bond between the male characters is more meaningful and stronger than the female and male relationships.

The author moves to her actual realization that she has been misunderstood her entire lifetime along with the Western world by extending her vocabulary and appealing to emotional diction. These are seen clearly through “’aina” meaning culture and “the great bloodiness of memory: genealogy” (Trask 118). These few examples show how her language is connecting with the audience on an emotional level by using native terms and powerful language such as “bloodiness.” She appeals to the ideals of pathos by employing meaningful words when describing the traits of her people. She

Sex and love are furtively denied in George Orwell’s 1984 and Toni Morrison’s Beloved by an oppressive totalitarian regime and white slave owners respectively. Love is entirely eradicated to subdue and control the oppressed, but the manipulation of sexuality diverges in the two texts. In Beloved, sex is contorted into violence by the slave owners, whereas it is completely depersonalized in 1984 until repulsive and criminalized. It is therefore through the reclamation of the sexual act that personal liberation occurs. As such, Winston and Sethe do not truly, romantically love Julia and Paul D respectively, but rather use them as vehicles for emancipation from their oppressive realities. It does not matter that it was Julia and Paul D who

“Araby,” a complex short story by James Joyce is narrated by a mature man who reflects upon an adolescent boy’s transition into adulthood. The story focuses on the events that brought the main character to face his disconnect of reality. Love plays a distinct role in the boy’s delusion of reality, which Joyce relays from the beginning of the story. Minor characters, such as Mangan’s sister, The priest, Mrs. Mercer, and his uncle hold a vital role in the boy’s shattered innocence. Joyce uses these characters to introduce to the boy the hypocrisy, vanity and illusion of adulthood by highlighting their faults and later linking them to his reality.

“Araby,” is a story of emotional passion carefully articulated by the author, James Joyce, to mark the end of childhood and the start of adolescence. It is told from the perspective of a young boy who is filled with lust for his friend, Mangan’s, sister. He lives in a cheerless town on a street hosting simply complacent families who own brown faced houses that stare vacantly into one another. The boy temporarily detaches himself from this gloomy atmosphere and dwells on the keeper of his affection. Only when he journeys to a festival titled Araby, does he realize that his attempt at winning the heart of Mangan’s sister has been done in an act of vanity. Joyce takes advantage of literary elements such as diction and imagery to convey an at times dreary and foolishly optimistic tone.

Shahrazad again illustrates her own virtue by showing how different she is from Fatimah in “The Tale of Ma’aruf the Cobbler.” Fatimah is identified by her “heartless cruelty” (372). By distinguishing Fatimah as a cruel and wicked woman, Shahrazad’s own kindness is emphasized. Shahrazad explores the idea that women do not always lie for no reason at all. The Princess that Ma’aruf marries lies to the King and the Vizier because she truly loves Ma’aruf. Shahrazad displayed a gentler side of women as compared to the other stories she told.

The Arabian Nights also known as 1001 nights is a collection of entertaining and meaningful stories within stories translated by Husian Haddawy. According to Haddawy, “The stories in The Arabian Nights are works that have been collected over centuries from India, Persia, and Arabia”. The stories in the book are not only entertaining but are also meaningful. Even though The Arabian Nights does not relate to the Quran, there are important Muslim values that are emphasized in the stories, and these values can be applied to our everyday life. Some important Muslim values in The Arabian Nights are the value of aiding those in need, the value of telling the truth, and the value of taking responsibility of your actions. The most important out of all these values is the value of aiding those in need.

The novel often talks about the setting, time and theme in Egyptian culture through stories of various characters. The culture describes in the novel restricts the readers’ views on

Unlike the other two women, Shahrazad, the vizier's daughter, used her womanly powers to save instead of destroy or deceive. Even though her life was at stake, she put herself in the position to be the heroine for the kingdom.

The concept of digression is explored and mastered by Shahrazad throughout the sets of stories that comprise The Arabian Nights. Unlike the stories of Jaques and his Master, in Jaques the Fatalist, where digression plays well in a journey without a specific purpose, the stories of Shahrazad and her use of digression has a clear objective. The main character of The Arabian Nights, Shahrazad, makes use of her abilities as an effective storyteller to keep her audience engaged with a perfect sense of Kairos that achieves several purposes: arousing the King´s curiosity and keep it lingering, keeping herself alive, establishing her own