Southern Musical Tradition and the African Tradition
The second major tributary of the southern musical tradition comes from the African continent and is the heritage import of the five million slaves brought to North America against their will to provide the bulk of the labor in the pre-industrial agrarian south. Contemporary blues, while not exclusively black music by any means, remains largely black in terms of its leading performers and, to a lesser extent, its listening audience.
The forerunner of the modern urban blues was, however, almost exclusively black and was completely southern and rural. It was, and is, a music born out of the experience of slavery and Jim Crow segregation
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HISTORICAL DEVELOPMENT OF THE BLUES
The blues, both contemporary urban and earlier country blues, occupies a unique place in the American folk tradition. It is a cultural product native to the United States, yet produced by a people who have historically been systematically excluded from the mainstream of American institutional and cultural life. The process by which it has earned a place in the folk tradition is, to a large degree, microcosmic of the struggle of blacks to achieve legitimacy in American society and history.
The southern region, home to the vast majority of black Americans from
1619 to the post World War I era, gave rise to a unique set of institutional and interactional restrictions and imperatives which resulted not merely in a bi-racial society, but a dual society or, to use M.G.
Smith's (1957:763-777) terms, a "plural society." Such a society is maintained by several structural mechanisms which are designed to accomplish a high degree of enclosure within one's ethnic group, such as endogamy, residential restrictions, institutional duplication, and highly restricted relations with the dominant group (cf. Pierre van den Berghe,
1965). The tone of subordination\ domination was clearly
During the early 1930s Movies, Music and Art had a major role during the Great Depression. Despite all the hardships in the 1930s, people were enthralled by the entertainment provided during this time period. It was extremely exciting and it had a huge impact on peoples daily lives. It would also take people out of the dark times, and to a much happier place. Some people were so impacted by the Great Depression, that they began to lose hope until Movies, Music, and Art spoke to the people of our society.
The diversity of culture is an incredible notion. It is unfathomable how the anatomy of the human race is so similar, yet so different in the behaviors and ideas that take place. The two primary cultures I am focusing on throughout this essay are the differentiation between popular culture, and indigenous culture. I will also make the point of folk culture, and how it has slowly transformed itself from its self sufficiency, to relying more on the ways of popular culture.
Native American music has many different musical styles. Within every Native American tribe there is a variety of musical styles and instruments. In response to the research that I have conducted, there are three main musical styles that are going to be my point of focus. The Sioux Grass Dance, the Zuni Lullaby, and the Iroquois Quiver Dance are the principal methods which contribute to Native American music.
The music called Jazz was born sometime around 1895 in New Orleans. It combined elements of Ragtime, marching band music and Blues. What made Jazz such a different perspective of traditional music was its act of improvising. There was a widespread use of improvisation often by more than one player at a time. Songwriters would write the music down on a piece of paper, and then the Jazz musicians would try their best to play the music. Usually in a Jazz piece, musicians would use the song as a starting point to improvise around. Jazz musicians would play a familiar song to the audience, and by the time they were done with the piece they would stir up a totally different feeling away from the
Duke Ellington is considered to be one of the most influential African-American composers of the twentieth century. He was a composer, bandleader, songwriter, and a musician. Duke Ellington was born in Washington D.C on April 29, 1899 and died on May 24, 1974 in New York, New York. Often times, Duke’s music was called “American Music” because it was for America, later his music was placed under the category of Jazz. After his death, Duke’s musical reputation was widely spread across America gaining more popularity.
With our modern day technology and ever changing society, it is important to keep folk cultures alive and not allow them to slip away. “Piecing it all Together” by bell hooks describes how she remembers her grandmother patiently and skillfully telling the story of her life through the art of sewing a tedious quilt. Chris Rose in his article “Let the Good Times Roll” depicts the tragedy, perseverance of a community, and the total comment from all to rise up and move on and celebrate their heritage and traditions. Folk cultures are the backbones that shape and mold every individual during their lifetime blending together traditions and skills, foods, beliefs, heritage and shared values that are taught and/or passed down from generation to generation, providing a common identity or direction for people within a family or community.
“Rock music is important to people, because it allows them to escape this crazy world. It allows them not to run away from the problems that are there, but to face up to them, but at the same time sort of DANCE ALL OVER THEM. That 's what rock and roll is about” (Pete Townshend). The concept of rock and roll music had eased into the music industry in a time after a crippling war and a great depression. The mid to late 20th century was home to innovation, rebellious teens, and a devastating war..The introduction of rock music has influenced our country and molded it in many ways as the genre progressed and has found a place in our culture.
In 1951, Alan Freed, a European American disc jockey for a Cleveland radio station, first coined the term rock’n roll. Fifty years later, if you were to poll the general public on which race would dominate that genre of music, the response would be overwhelmingly whites. But rock’n roll is not a white mans music. African American’s were and still are an essential cornerstone of the genre known as rock’n roll. But rock’n roll simply would not exist if it weren't for African Americans. Their presence is felt in almost every genre of music known to the United States. Early twentieth century black musicians helped shape, influence and create my favorite genre of music today.
Secret Synthesis Music has a way of bring people together and evening the playing field, no matter a person’s religion, race, age, social popularity, etc., it is almost impossible to deny someone of their musical talent. Although there was still a great divide between European Americans and African Americans both physically and mentally, it seemed that in this pre-rock era there were points in time when both races seemed to respect the talent and skill of the other when it came to music. The history of rock and roll music contains both elements of European American and African American styles however, race relations did not have as much positive success in their synthesis as music did. The autobiography of John Weldon Johnson presents Ragtime
In chapter ten, author Bruno Nettle takes the reader to the town of Browning, Montana, where he is about to witness a modern Native American ceremony. As he observes, he notices that only one-half of the people there are actual Native Americans. The rest are are white tourists and innocent observers just like himself. Eventually, somewhere around eighteen singing groups appear from different tribes and reservations. They will be summoning the dancers into what is known as the grand entry. Nettle notices that the overall style of the music remains the same among all of the different groups, or `drums.' People are able to interact by taking pictures, video and tape recording what goes on. In that
On reading the article The L.A Scene: Teaching Race and Popular Music in the 1950’s, the article talked about multiracial and interracial in the 1950’s. The significance of the article is how African American and Mexican American set the stage for the civil rights, starting the end of racial segregation, and the mixture of race. The most interesting thing I took from reading the article is Mexican American Ritchie Valens of “La Bamba”. He learned his trade from mentors in the Pacoima district. Another thing that I enjoyed is how African Americans and Mexican Americans music went past the entertainment concept, but into the political concept. One thing I did not like about this article
In Philip J. Deloris’s Music chapter from his book “Indians in unexpected places” he talks about the influence that Native Americans had in music. Exploring how traditional Native music and modernity fused together. The new fusion leads to new expectations being placed on Native Americans. Native children at boarding school came out having were learning how to play new musical instruments. At the same time through music the boarding schools were trying to assimilate the Native children. He goes on to talk about Tsianina Red Feather and the impact she had on her audiences. She attracted people from all over to her performances because “her authenticity was the show’s most valuable commodity” (210). Showing that audiences wanted to see real Natives not people pretending to them.
In today’s day and age, it’s easy to hear black culture represented in most hip-hop; that is the dominating music genre that expresses African American views. It’s not so easy to remember where African Americans influence on music al began. Black influence on music today is really unrecognized but it’s important to bring to light just how much African Americans really have contributed to the sound, style, and feel of today’s music. Not just hip-hop or rap, but all kinds of music.
Music has played a vital role in human culture and evidence based on archaeological sites can date it back to prehistoric times. It can be traced through almost all civilizations in one form or another. As time has progressed so has the music and the influences it has on people. Music is an important part of popular culture throughout the world, but it is especially popular in the United States. The music industry here is, and has been, a multi-million dollar business that continues to play an important role in American popular culture. This is also a art form and business that is forever changing as the times and more importantly, technology changes. Technology has changed the way music is made as well as how it is produced,
The history of American music begins with a fundamental process of exchange through all different social lines, where diverse cultures meet, and mix. Music has and always will be defined as sounds that are arranged in a particular pattern that are played to be meaningful and pleasurable. The chronology of music began in the Medieval period, when chanting was introduced into the Church. Music has then moved its way through many stages: renaissance, baroque, classical, romantic and leading up to 20th century American music. American 20th century music is made up of a diverse number of styles that are reflected by cultural traditions and the era’s of the past. Immigrants from Spain, France, England, Germany and Ireland all contributed and brought their own unique styles to the forefront, hence creating American music. African Americans created influential musical traditions that include rhythm and improvisation that were later combined with European traditions and other indigenous music.