Sumo Spirito Research Paper

Moreno asserts that ““Too many times, we have read our history books that have been written by Europeans, and it has had a tremendous impact in the way we view our culture and listen to our music. I do think that our identity is lost with it and at some point, we try to find it again later in life” (7). Students are able to see a different point of view rather than only the perspectives of textbook writers who at times deprive students from the full truth and the media who exaggerates or embellishes the truth. Many artists and musicians express their anger and oppression through music and students are able to listen to this and get the complete synopsis of problems happening in the world. For instance, in “The Embodiment of Salsa: Musicians, Instrument and the Performance of a Latina Style and Identity,” Patria Roman-Velasquez argued that the embodiment of salsa develops through specific practices whereby instruments, performance techniques, vocal sounds, bodily movements and ways of dressing are encoded and experienced as part of a particular Latin identity. Therefore, this expressing that music has much of an influence in Latin identity and the construction of identity and

There are multitudinous types of Chicano music that include all types of instruments, verses, backgrounds, and purposes. According to Tatum (2001), “The popular Hispanic folk music has deep roots in Spain and Mexico, but it is a living cultural form that is forever changing and adapting to new social conditions and musical currents (Robb 1980, 5)” (p.15). Modernization also plays a key role in the diversion of Chicano music. For example, as new instruments were being invented, they were then incorporated into the music, making it sound more different and attractive. The types of Chicano music range from romance which could narrate an event, corridos, which was a form of cultural differentiation, alabanzas, which were specifically religious, and the canción, in which lovers expressed their deep adoration for each other (Tatum 2001). If a man who was lost in his woman’s eyes wanted to choose a song for their

In my personal experience, Mexican music has revolved around my life for as long as I can remember. Growing up in a bordertown has its Hispanic heritage. Whether I was at home, school, or even in public places, I would hear Spanish related music playing in the background. I believe Spanish music holds many values when it comes to different occasions. The music can manipulate the minds of its listeners using love, passion, and outstanding rhythms. After reading an article online, I can explain how three different genres of traditional Mexican music influence people’s culture.

Hispanic’s music had a great impact in USA. Nowadays, Americans listen to Hispanics’ music. Hispanics’ music now is part of American’s culture. These changes in USA began around of 19th century, when Hispanics immigration increases in the USA. One of the big changes in music occurred around 1940s, when Americans began to recognize the efforts of Cuban-American musicians. One of the Cuban bands was Cugat. It was known better Orchestra ‘based in New York’s Waldorf Astoria’ which had a great visual and musical style. Another Cuban band was Machito who were dominated as one of the best New York’s scenes at that time. Thanks, to those bans Americans adopted some of Cubans’ dances and performances such as rumba, mambo and cumbia. Americans used and still using the Cuban instruments like bongos and maracas to create their rhythms. Later on, Americans created Jazz by African Americans with the influenced of Cuban’s music.

Mascot: a person, animal, or object adopted by a group as a symbolic figure, especially to bring them good luck (“Mascot”). Spartacat is a hockey mascot for the Ottawa Senators, and should be inducted in the mascot hall of fame. Something to know about Spartacat is that he not only has an effect on his team, but the whole entire community. It’s important for Spartacat to be in the hall of fame because he will bring an astounding amount of joy and fun to the museum. He is a very energetic and approachable mascot who will make going to the mascot hall of fame an enjoyable experience. On the other hand, some people argue that lions are dangerous and Spartacat wouldn’t be the best idol for kids however, Spartacat should be in the mascot hall of fame because he impacts the hockey games for the Ottawa Senators, teaches kids to skate, interacts with other mascots, he volunteers his time at schools, and there isn’t any other lion mascot that looks like Spartacat

The history of Chile is varied as it has influenced greatly the course of folk music in these four main areas. The history is marked by the following major events:

Latin Dance has evolved into a vivid kaleidoscope of many different cultures dancing to the beat of a single drum. These types of music which find their origin in African influence have developed into a meshwork of individual sounds and have grown to be identified with a particular culture. An example of such can be seen in the evolution and history of one of these, Merengue. This type of dance is native to the Carribean, however, it has developed and taken its precedence in the Dominican Republic. This Carribean nation has been crucial to the spread of this music on an international level.

How did Cuba and Brazil affect popular music, culture and dance in the 1940’s and 50’s? In this investigation I am going to establish what affects Cuba and Brazil had on popular music and dance. The first thing I’m going to do is discover how the music from Cuba and Brazil spread to America, the center of music. While doing my research I will be looking at what types of music were popular in Cuba and Brazil during the 40’s and 50’s as well as how these types of music affected American popular music. Two of the sources I used in this essay, Latin Music USA and Music in Brazil will then be evaluated. To

The roots of modern american rock and roll music, are firmly planted in Africa. As the native Africans were torn apart from their family’s and brought to the new world their lives were immediately and drastically changed forever. Finding themselves immersed in a completely new environment with a foreign culture, they thankfully persevered and carried on with their own traditions and most importantly to this paper, musical ones. Most American slaves originated from Western and Central Africa. The West Africans carried a musical tradition rich with long melody lines, complicated rhythms (poly rhythmics) and stringed instruments CITATION. The West Africans music was also strongly integrated into their everyday lives. Songs were preformed for religious ceremonies and dances and music was often a

The Baroque period of the 1600 and 1750s began in Europe and defined the art of the time (Stechow 111). Spain’s quest for the unity and assimilation to Spanish culture of its subjects in the Americas led to the systematic suppression and destruction of the indigenous cultures of the regions, such as the Aztecs and the Incans. Baroque art was only supposed to be another aspect of Spanish culture for the indigenous population to assimilate to (Gauvin 4, 33-34). However, the Baroque period created an atmosphere in the Americas that led to a blending of the Spanish and indigenous cultures. The subsequent art and architecture that was created was a hybrid formed from the cultures coinhabiting the area. This hybrid form has been characterized as “a hidden inscription of difference within the fictional sameness of official culture, as rebellious graffiti camouflaged in the forest of baroque symbols” (Salgado 317-318). It provided a place for the people of Latin America to subtly celebrate and preserve their heritage that Spain was threatening. To understand the significance of the cultural impact that the hybridization of Baroque art had on culture in the Spanish colonies of the New World, we must first define what hybridization of an art form means. Then we will investigate what constitutes baroque art and why it was so conducive to being hybridized. To further the understanding of the hybridization, we will examine the painting Our Lady of Guapulo and the architecture

In Latin America, African music and dance did not rise to prominence in an unadulterated form, but rather one transformed by interactions with European styles in a process known as transculturation. Such an intricate transmutation occurs when cultures exchange aspects, including music, language, or dance, and mutually influence each other in both beneficial and adverse ways. John Charles Chasteen explores this concept in profound detail throughout National Rhythms, African Roots wherein he explains the origins of Latin American popular culture in a tale that spans centuries, continents, and race gaps. This radical transformation of culture is not removed from current events, but has become increasingly relevant with the rise of the internet and social media to serve as channels for such diverse interactions. After African and European dance and music were interwoven through transculturation, Latinos gradually embraced the hybrid rhythms as their own after being exposed to them at carnival street parades and clandestine dance clubs. Nonetheless, these interracial interactions were not completely free from racism and degradation to the African identity.

The calypso music that comes from a Trinidad musician is exciting, not on the ground of the blood that he carries in his veins but rather the historical, cultural, and religious favors that are brought together to ensure its production.

Although the policies of Americanization and degradation of Puerto Rican culture heritage improved by the United States in Puerto Rico during the early decades of the twentieth century, the utmost concern for the United States was the strategic location of the island for political and economic advantages, not of the people who inhabited it. Puerto Rico, though a poor colony, was a rich cultural spot in an area of dynamic cultural influence of the Caribbean. One aspect of the Puerto Rican culture that was greatly influenced by its location in the Caribbean and by its repossession by the United States is music. Music permeated the daily life of Puerto Ricans (Waxer, Oct. 29). Music was the

Chase, Gilbert. America's Music, from the Pilgrims to the Present. Rev. 2d ed. New York:

The history of American music begins with a fundamental process of exchange through all different social lines, where diverse cultures meet, and mix. Music has and always will be defined as sounds that are arranged in a particular pattern that are played to be meaningful and pleasurable. The chronology of music began in the Medieval period, when chanting was introduced into the Church. Music has then moved its way through many stages: renaissance, baroque, classical, romantic and leading up to 20th century American music. American 20th century music is made up of a diverse number of styles that are reflected by cultural traditions and the era’s of the past. Immigrants from Spain, France, England, Germany and Ireland all contributed and brought their own unique styles to the forefront, hence creating American music. African Americans created influential musical traditions that include rhythm and improvisation that were later combined with European traditions and other indigenous music.